* Sly Fox Brewery ( Phoenixville, PA ) hosts an annual goat race to commemorate its bock fest.

He also wrote the Iran-contra satire Mastergate, as well as Sly Fox and a musical adaptation of the Preston Sturges movie Hail the Conquering Hero ; during that show's troubled development Gelbart uttered the now-classic line, " If Hitler is alive, I hope he's out of town with a musical.

* Sly Fox ( 1976 ) ( Theater )

Scott also starred in well-received productions of Larry Gelbart's Sly Fox ( 1976 ) ( based on Ben Jonson's Volpone ), which ran 495 performances, and a revival of Noël Coward's Present Laughter ( 1982 ).

* Sly Fox ( 1978 )

* 11 June — Willie Simms becomes the only African-American jockey to win all three races of the United States Triple Crown Races when he rides Sly Fox to victory in the Preakness Stakes.

* Preakness Stakes – Sly Fox

She went on to make her Broadway debut in the comedy Sly Fox, opposite Richard Dreyfuss in February 2004, just three months after her marriage to artist Greg Lauren.

Wednesday nights are especially popular for lesbians as The Bank Hotel & The Sly Fox both host girls ' nights.

* Sly Fox ( Dec 14, 1976-Feb 19, 1978 )

In 2004 he was in Sly Fox with Richard Dreyfus and his old friend Irwin Corey.

Tambor first moved to repertory theater, later making his Broadway debut in the comedy Sly Fox ( 1976 ), appearing with George C. Scott and directed by Arthur Penn.

He continued to appear on the New York stage both on Broadway ( Three Sisters, Two Shakespearean Actors, Arms and the Man ) and off-Broadway ( The Importance of Being Earnest, The Glass Menagerie, Sly Fox and Our Town ).

Before the advent of the term " Triple Crown " and the importance of the U. S. Triple Crown series, Simms went on to take the Preakness Stakes a few weeks later on a different horse, Sly Fox.

In 1986, the national program was incorporated as a national, non-profit educational organization, among them being a short film called Sly Fox and Birdie.

According to his biography at tcm. com, Jackie Gleason was touring in the lead role of Sly Fox in 1978 when he suffered a heart attack and had to permanently leave the show, undergoing a triple bypass.

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The stage adaptation Sly Fox, by Larry Gelbart, updated the setting from Renaissance Venice to 19th century San Francisco, and changed the tone from satire to farce.

Their activities attracted the attention of Interpol Inspector Carmelita Fox, who made it her mission to capture Sly, though Sly takes a subtle romantic interest in her.

Artists released on Spark Records included Willy & Ruth, The Sly Fox and The Robins.

Sly Fox was a short-lived American 1980s duo, consisting of Gary " Mudbone " Cooper, an African American funk session musician and former vocalist with Parliament-Funkadelic, and Michael Camacho, a Puerto Rican vocalist.

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This motif is evidenced in the era of " paranoid soul " such as " Smiling Faces Sometimes " ( released by The Temptations in April 1971, and made a hit by The Undisputed Truth in July 1971 ), " I'll Take You There " ( The Staples Singers, 1972 ), " Don't Call Me Brother " ( The O ' Jays, 1973 ), " Back Stabbers " ( The O ' Jays ), and " You Caught Me Smilin ( Sly and the Family Stone, 1971 ).

Larry Graham, the bass player for both Sly & the Family Stone and Graham Central Station, is credited with the creation of the influential slap and pop sound still widely used by bassists in many musical idioms today.

The play begins with a framing device, often referred to as the Induction, in which a mischievous nobleman tricks a drunken tinker named Sly into believing he is actually a nobleman himself.

Prior to the first act, an induction frames the play as a " kind of history " played in front of a befuddled drunkard named Christopher Sly who is tricked into believing that he is a lord.

In the play performed for Sly, the " Shrew " is Katherina Minola, the eldest daughter of Baptista Minola, a lord in Padua.

" Character names are changed, plot points are altered ( Kate has two sisters for example, not one ), the play is set in Athens instead of Padua, Sly continues to comment on events throughout the play, and entire speeches are completely different ( lines from other plays are also found in A Shrew, especially from Marlowe's Tamburlaine ), all of which suggests that the author / reporter of A Shrew thought he ( or she ) was working on something different to Shakespeare's play, not simply transcribing it.

She states that the reason for this, apart from the many differences in the text, and some extremely sloppy writing in A Shrew, is " because it identifies the acting company with an audience of lowlifes like Sly.

Wentersdorf admits, though, that his theory is based primarily on speculation, and there is no real way of knowing for certain why Sly disappeared from The Shrew.

Evidence of at least some initial societal discomfort with The Shrew is found in a contemporary alternative version that has Christopher Sly being " by his wife for dreaming here tonight " at the end of the play, suggesting that there was a market for an audience who were comfortable with the women ' winning '.

Critics have argued about the meaning of the Induction for many years, and according to Oliver, " it has become orthodoxy to claim to find in the Induction the same ' theme ' as is to be found in both the Bianca and the Katherine-Petruchio plots of the main play, and to take it for granted that identity of theme is a merit and ' justifies ' the introduction of Sly.

Oliver argues that the Induction is used to remove the audience from the world of the enclosed plot – to place the ontological sphere of the Sly story on the same level of reality as the audience, and to place the ontological sphere of the Katherina / Petruchio story on a different level of reality, where it will seem less real, more distant from the reality of the viewing public.

The first is to emphasise the play's farcical elements, such as Sly and the metatheatrical nature of the Katherina / Petruchio play, thus suggesting that what happens is not to be taken in any way seriously.

They view the physical description of women as evidence of a more farcical intention when considered alongside both the historical context of the Elizabethan theatre ( where female characters were always played by prepubescent boys ) and the Induction in which Sly is attracted to the page disguised as his wife ; thus Shakespeare is satirising gender roles.

The Sly frame, with the Lord's spiteful practical joke, is seen to prepare the audience for a play willing to treat cruelty as a comedic matter.

In 1931, Harcourt Williams used the conclusion of A Shrew ( in which, after the Petruchio / Katherina story is finished, the Lord returns the now sleeping Sly to the inn where he was found, and who, upon waking up, announces he has had a dream in which he has learned how to tame his own wife ).

In this adaptation, the induction and all subsequent references to Sly are absent, but apart from that, it is almost word-for-word the 1623 First Folio text.

After Sly announces he now knows how to tame a shrew, he proudly walks back into the tavern to confront the hostess, but almost immediately, he is flung back out, in exactly the same way as the episode began.

Sly syndrome, also called Mucopolysaccharidosis Type VII or MPS, is an autosomal recessive lysosomal storage disease characterized by a deficiency of the enzyme β-glucuronidase, a lysosomal enzyme.

The defective gene responsible for Sly syndrome is located on chromosome 7.