* Sound effects such as a thunder sheet.

Sound, music, and ( more recently ) visual effects editors dealt with the practicalities of other aspects of the editing process, usually under the direction of the picture editor and director.

: The Sound Editor is responsible for assembling and editing all the sound effects in the soundtrack.

Some systems use dedicated hardware to reduce the load on the host CPU, as with Symbolic Sound Corporation's Kyma System, and the Creamware / Sonic Core Pulsar / SCOPE systems, which used several DSP chips hosted on a PCI card to power an entire studio's worth of instruments, effects, and mixers.

Sound effects were created by WRS Studio in Pittsburgh.

" Sound engineer Richard Lococo recorded all of the live sound effects used in the film ".

Sound effects and graphics were supported to varying degrees.

There is absolutely no doubt that the Synclavier System was " the " pioneer system in revolutionizing the movie and television sound effects and Foley effects methods of design and production starting at Glen Glenn Sound.

Sound effects ( or audio effects ) are artificially created or enhanced sounds, or sound processes used to emphasize artistic or other content of films, television shows, live performance, animation, video games, music, or other media.

Sound effects are often custom recorded for each project, but to save time and money a recording may be taken from a library of stock sound effects ( such as the famous Wilhelm scream ).

* Comics vocabulary # Sound effects

Nonetheless, the interior has been restored and is in use for cultural events, such as concerts ( συναυλίες ) and Sound and Light Productions ( Ηχος και Φως ), when historical events are recreated using sound and light special effects.

* Sound effects

Category: Sound effects

In 1993, the last president of the studio, Fred Seibert recalled his early production experiences with early LP releases of the studio's effects, and commissioned Sound Ideas to release a four-CD set entitled The Hanna-Barbera Sound FX Library, featuring nearly all of the original H-B sound effects used from 1957 to 1990, a more vast collection compared to the early LP releases ( including the sounds H-B had borrowed from other studios ).

Also in 1994, Rhino Records released a CD containing some of Hanna-Barbera's famous sound effects, titled simply as Hanna-Barbera Cartoon Sound FX, and also included some answering-machine messages and birthday greetings and short stories starring classic Hanna-Barbera characters, and was hosted by Fred Flintstone.

By the 1990s, with cartoons shows such as Fish Police, SWAT Kats and the animated specials The Halloween Tree and Arabian Nights, the sound effects were virtually nonexistent, being replaced with newer, digitally recorded sounds ( mostly from Sound Ideas ), as well as the Looney Tunes sound library by Treg Brown.

The sound effects were recreated at Skywalker Sound using archived audio.

Sound effects artists:

" and the sound man replies " Sound speed!

The day before Margarget and Sophie arrive, the family visits a theater to see " The Sound of Music ", where Estha is molested by the " Orangedrink Lemondrink man ", a beverage vendor.

* A man in a light bulb suit ( from the cover of the live album Delicate Sound of Thunder )

The Mirage was the brain child of Bob Yannes, the man responsible for the MOS Technology SID ( Sound Interface Device ) chip in the Commodore 64 and the Ensoniq Digital Oscillator Chip ( Ensoniq ES5503 DOC ) used in the Apple IIGS computer ( actually it is the same chip as used in the Mirage, ESQ-1, and SQ-80 ).

* John Alvin as Sound man

In the episode " The Sound of Tears ", she reveals that the man she loved was a police officer who was shot and killed by the man he was sent to bring in.

In recognition of Puget's work, Vancouver named the south end Puget Sound ; it is unlikely that either man realized this name would over time encompass the whole region.

The Newest Sound Around was initiated and informally supervised by the man who would be come Blake ’ s most significant mentor and champion, Gunther Schuller.

* According to The Sound of Fear this particular show was attended by Iris Wildthyme and the man she married the previous night.

During the late 1940s and 1950s he became a popular, debonair leading man in British film with notable success in The Sound Barrier ( 1952 ), under the direction of David Lean.

Jim DeRogatis ' book Staring At Sound states that The Flaming Lips song " Kim's Watermelon Gun " is a " song that paints an impressionistic portrait of [...] Kim Deal ", whom band member Steven Drozd befriended when they met at Lollapalooza.

Sam & Dave's Stax recordings through 1967 were engineered by Stax founder Jim Stewart, who created the Memphis Sound by recording live in a single take.

Following the band's reformation, guitarist Jim Suptic undertook an interview with website Drowned in Sound, in which he said, " The punk scene we came out of and the punk scene now are completely different.

* 1997 – Outstanding Sound Mixing – Special Class – Deb Adair, Jim Hodson, Melissa Ellis, Michael Beiriger, Dan Hiland, Joseph D. Citarella, Allen L. Stone, and Michael Jiron ( Won )

The band fell in to a state of depression and Jim was obviously bored with Sunset Sound, the studio in which their first two albums were recorded.

Archivist and oral historian Jim Sullivan draws on much of the Sound Archives material for his Sunday night radio programme, Sounds Historical, on Radio New Zealand National.

Around 1985, Heath was known as " Jim the Sound Guy " by those who frequented two warehouses that by night became music venues, Theater Gallery and The Prophet Bar.

Sound effects were by Jack Amrhein, Jim Goode, Ron Harper, Walt McDonough and Al Schaffer.

Walter has collaborated with artists like Evan Parker, John Butcher, Marshall Allen, Peter Evans, Mary Halvorson, Henry Kaiser, Damon Smith, Vinny Golia, Joe Morris, Frank Gratkowski, William Winant, Marlon Magas, Jim O ' Rourke, Tom Smith in To Live and Shave in L. A., and Ken Vandermark as well as many influential underground rock bands including Lair of the Minotaur, Bobby Conn, U. S. Maple, Cock E. S. P., Curse of the Birthmark, the Scissor Girls, Erase Errata, The Chicago Sound, Harry Pussy, Quintron, Sharon Cheslow, and Cheer-Accident, in addition to producing albums by the Coachwhips, Burmese, Total Shutdown, Arab on Radar, AIDS Wolf, and Glenn Branca.

* Sound Editors: Steve Nelson, Cathy Malkasian, Ken Stange, Jim Christie

* Video of Jim Ladd introducing Masters of Sound TV Series

Rushmore ; Other Half ; Phoenix ; Lothar & the Hand People ; Commander Cody ; Cleveland Wrecking Company ; Rhythm Dukes ; AB Skhy Blues Band ; Frumious Bandersnatch ; Eighth Penny Matter ; Jimmerfield Legend ; South Side Sound ; Super Ball ; Solid Muldoon ; Box Top ; and jazz artists Sun Ra and San Francisco's own John Handy ; Charles Lloyd ; the Jerry Hahn Brotherhood ; and folksters Joan Baez ; Dave Van Ronk ; Jim Kweskin Jug Band ; Taj Mahal ; Tim Buckley and Flatt & Scruggs.

Leaving Stax in 1964 after a monetary dispute with label founder Jim Stewart, he began operating his own Memphis recording studio, American Sound Studio.

* 1995 – Outstanding Film Sound Mixing – Timothy J. Garrity, Melissa Ellis, Deb Adair, Bill Koepnick, Jim Hodson and Timothy Borquez ( won )

* 1995 – Outstanding Film Sound Editing – John O. Robinson III, Michael Geisler, Marc S. Perlman, William Griggs, Melissa Ellis, Ray Leonard, Phyllis Ginter, Michael Gollom, Timothy Borquez, Tom Jaeger, Charles Rychwalski, Greg LaPlante, Kenneth Young, Jennifer Mertens, Robert Duran, Bill Koepnick, Jim Hodson and Alex Wilkinson ( won )

** Kris Defoort, Mark Turner, Nicolas Thys and Jim Black: Sound Plaza

He has also spun records at New York's NuBlu with Ras Kush and the Black Redemption Sound System, played in the Skaville Circus tent at Reggae Geel in Belgium, and was a guest DJ on the Bingi night held at Bar Clandestino in Rio, and with DJ War at Il Porticcolo in Salento, Italy, as well as at select functions in France for the I-Land Festival in 2004, for which he was also partly responsible for securing performances by King Jammy, Admiral Bailey, King Stitt, Jim Brown, the Mystic Revelation of Rastafari and others.

* sometime in the seventies-Brian, Jim Chapman, and Sandy WIlson renovates an old schoolhouse somewhere in Ontario to form Springfield Sound, a recording studio where such musicians as Bernard Purdie record with Brian, Jim and Sandy as their affable hosts.

Original members of the band were bassist Jim Rodford ( Rod Argent's cousin and formerly with the Mike Cotton Sound ), drummer Bob Henrit and guitarist / keyboardist Russ Ballard ( both formerly with The Roulettes and Unit 4 + 2 ).

* Jim Lee-Began his career at Mercia Sound in Coventry

An independent production, the filmmaker interviewed subjects from both sides of the debate including Jim Gordon, the driving force behind Cape Wind and Isaac Rosen, then director of the Alliance to Protect Nantucket Sound.

During the early 1960s, Ray Walker, Neal Matthews, Hoyt Hawkins, and Gordon Stoker helped mold the genre of Country Music known as " The Nashville Sound ", singing backup harmonies to such artists as Patsy Cline and Jim Reeves.

The Sound of Music opened by Jim " Pete " Keaveney, with opposition from the church.