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Starlin then took over the title Warlock, starring a genetically engineered being created by Stan Lee and Jack Kirby in the 1960s and re-imagined by Roy Thomas and Gil Kane in the 1970s as a Jesus Christ-like figure on an alternate Earth.
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Starlin and then
Starlin then wrote the four-issue miniseries Batman: The Cult ( Aug .- Nov. 1988 ) drawn by Wrightson.
Starlin then worked for independent companies, creating Cosmic Guard ( later renamed Kid Cosmos ) published by Devil's Due and then Dynamite Entertainment in 2006.
Starlin and took
Starlin took over as plotter the following issue, and began developing an elaborate story arc centered on the villainous Thanos, and spread across a number of Marvel titles.
Warlock's adventures became more cosmic in scope as Starlin took the character through an extended storyline referred to as " The Magus Saga.
Starlin and title
Though Englehart and Starlin soon left as the creative talent for the title, its success grew once writer Doug Moench and artist Paul Gulacy, began collaborating in issues # 22.
The title was written by Denny O ' Neil and featured art by Howard Chaykin, Walt Simonson and Jim Starlin ; the well-received title ran only five issues.
Starlin became the writer of Batman and one of his first storylines for the title was " Ten Nights of The Beast " in issues # 417-420 ( March-June 1988 ) which introduced the KGBeast.
Aparo returned to the Batman title with issue # 414 ( Dec. 1987 ) in collaboration with writer Jim Starlin.
An OMAC back-up feature by Jim Starlin was started in issue # 59, but the title was cancelled after the first appearance.
Starlin and Warlock
* Jim Starlin Comic book artist and novelist, noted for his " cosmic " take on superheroes such as Warlock, Silver Surfer and Captain Marvel.
Here, Starlin brought back Adam Warlock, whom he had killed years earlier in his concluding Warlock story in Avengers Annual # 7 and Marvel Two-in-One Annual # 2 in 1977.
Warlock's adventures were reprinted, with new Starlin covers, in the six-issue limited series Special Edition on Warlock ( Dec. 1982-May 1983 ).
This reprint series was itself reprinted, with yet another set of new Starlin covers, as Warlock vol.
Pip the Troll was introduced by Jim Starlin in Strange Tales vol 2 # 179 ( Feb 1975 ) to be a comic foil to the story's main protagonist, Adam Warlock.
Important plot points were also in Warlock and The Infinity Watch # 7-10 ( Aug .-Nov. 1992 ), also written by Starlin.
Starlin and starring
The first seven issues also contained a backup story starring The Weird from the eponymous 1988 miniseries, with art by Starlin.
Starlin and created
Drax first appeared in Iron Man # 55 ( February 1973 ), and was created by Mike Friedrich and Jim Starlin.
The character first appeared in Marvel Two-In-One Annual # 2 ( 1977 ), and was created by Jim Starlin.
The character first appeared in Marvel Two-In-One Annual # 2 ( 1977 ), and was created by Jim Starlin.
It first appeared in DC Comics Presents # 27 ( November 1980 ), and was created by Len Wein and Jim Starlin.
Starlin and by
Shang-Chi first appeared in Special Marvel Edition # 15 ( December 1973 ) by Englehart and Starlin ( SME # 1 – 14 were reprints of older Marvel superhero stories ).
Also in 1991, Pérez signed on to pencil the six-issue limited series Infinity Gauntlet for Marvel Comics, which was written by Jim Starlin.
Brought in by fellow artist Rich Buckler, Starlin was part of the generation of artists and writers who grew up as fans of Silver Age Marvel Comics.
Starlin also drew " The Secret of Skull River ", inked by frequent collaborator Al Milgrom, for Savage Tales # 5 ( July 1974 ).
In November 2010, IDW / Desperado published a 312-page career retrospective The Art of Jim Starlin ( ISBN 1600107702 ), written by Starlin and edited / designed by Joe Pruett.
Taking place in both the yearlong series Countdown to Final Crisis ( 2007 – 2008 ) and its spin-off, Death of the New Gods, written by Jim Starlin, was a story-arc involving the mysterious deaths of the New Gods across the universe in preparation for the coming storylines in Grant Morrison's Final Crisis, published later in 2008.
The bimonthly series was initially written and drawn by Starlin, but was eventually co-penciled and inked by Steve Leialoha.
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