Adams was born a generation after Steve Reich and Philip Glass, and his writing is more developmental and directionalized, containing climaxes and other elements of Romanticism.

" Process vs. Intuition in the Recent Works of Steve Reich and John Adams ", American Music Vol.

Large scale pieces such as De Staat ( 1972 – 76 ), for example, are influenced by the energy of the big band music of Count Basie and Stan Kenton and the repetitive procedures of Steve Reich, both combined with bright, clashing dissonances.

In the 1960s the work of the avant-garde minimalist composers La Monte Young, Philip Glass, Steve Reich, and Terry Riley also achieved prominence in the New York art world.

Park Place Gallery was a center for musical performances by electronic composers Steve Reich, Philip Glass and other notable performance artists including Joan Jonas.

The terms have expanded to encompass a movement in music which features repetition and iteration, as in the compositions of La Monte Young, Terry Riley, Steve Reich, Philip Glass, and John Adams.

Composers such as Terry Riley, Krzysztof Penderecki, György Ligeti, Henryk Górecki, Bradley Joseph, John Adams, George Crumb, Steve Reich, Phillip Glass, Michael Nyman, and Lou Harrison reacted to the perceived elitism and dissonant sound of atonal academic modernism by producing music with simple textures and relatively consonant harmonies, whilst others, most notably John Cage challenged the prevailing Narratives of beauty and objectivity common to Modernism.

Four Musical Minimalists: La Monte Young, Terry Riley, Steve Reich, Philip Glass.

* Octet ( Reich ), 1979 composition by Steve Reich

Other current board members include Kenneth Adelman, Farooq Kathwari, Azar Nafisi, Mark Palmer, P. J. O ' Rourke, and Lawrence Lessig, while past board-members have included Zbigniew Brzezinski, Jeane Kirkpatrick, Samuel Huntington, Mara Liasson, Otto Reich, Donald Rumsfeld, Whitney North Seymour, Paul Wolfowitz, Steve Forbes, and Bayard Rustin.

* Steve Reich: Music for 18 Musicians ( 1976 ), Six Marimbas ( 1986 ), Nagoya Marimbas ( for two marimbas ) ( 1994 )

The melodica was first used as a serious musical instrument in the 1960s by composers such as Steve Reich, in his piece titled Melodica ( 1966 ) and jazz musician Phil Moore Jr, on his 1969 Atlantic Records album Right On.

* Come Out ( Reich ), a music piece by Steve Reich

Music for a Large Ensemble is a piece of music written by Steve Reich in 1978.

Category: Compositions by Steve Reich

Piano Phase is a piece of music written in 1967 by the minimalist composer Steve Reich for two pianos.

< accessed 2011-12-02 >-review of the final concert of the Sacrum Profanum Festival, Cracow, 11-17 / 09 / 2011, including Steve Reich in audience and on stage.

Category: Compositions by Steve Reich

* Steve Reich

* 2009: Steve Reich, Double Sextet

" Funk, jazz, and Brazilian music were inspirations, and the sounds of minimalist composers Philip Glass and Steve Reich can be found on 1999's Cobra and Phases Group .... Several critics have commented that the band's later work, like Instant 0 in the Universe ( 2003 ) and Margerine Eclipse ( 2004 ), sound similar to their guitar-driven earlier style.

" Sadier responded to Gane, saying that she " think we have achieved a music that will make sense to a lot of people whether they know about Steve Reich or not.

* Steve Reich, composer

An award-winning musician, Lee's style, technique, and ability on the bass guitar have proven influential in the rock and heavy metal genres, inspiring such players as Steve Harris of Iron Maiden, John Myung of Dream Theater, Les Claypool of Primus, and Cliff Burton of Metallica among others.

Musicians of note in this genre include Collegium Vocale Köln ( who first began using this technique in 1968 ), Michael Vetter, David Hykes, Jim Cole, Ry Cooder, Paul Pena ( mixing the traditional Tuvan style with that of American Blues ), Steve Sklar and Kiva ( specializing in jazz / world beat genres and composing for overtone choirs ).

The earliest players of this technique in American music include Steve Brown, Bill Johnson, Pops Foster, Wellman Braud, and Chester Zardis.

* A musical composition using Steve Reich's phasing technique

One of the first rock guitarists to record using the two-handed tapping technique was Steve Hackett from Genesis.

From this concept, which Steve Dee showcased in the early ' 90s at DJ battles, Beat Juggling evolved throughout the decade to the point where by the end of it, it had become an intricate technique to create entirely new " beats " and rhythms out of existing, pre-recorded ones.

Violin Phase, written by minimalist composer Steve Reich in October 1967, is an example of his phasing technique previously used in Piano Phase in which the music itself is created not by the instruments but by interactions of temporal variations on an original melody.

They studied the book and built Steve Davis's own technique on it in the 1970s.

Although the musical line initially called " M-Base " became more than ever focused on Steve Coleman, a number of younger musicians ( e. g. a range of excellent drummers ) have made substantial creative contributions to his music and his influence is to be found in several musical fields – both in terms of music technique and of the music ’ s meaning.

* Steve Parry of Hwyl Nofio uses a prepared guitar technique and developed a bowed device based on the violin, utilizing paper clips, nails, a razor, pliers, bow, automata.

The inventor of the technique, DJ Steve Dee from Harlem, NYC, referred to it simply as bringing " The Funk " out of a record.

The technique was refined by the DJ group The X-Men, whom DJ Steve Dee founded, they later were to become The X-Ecutioners.

Orgasm control is called " slow masturbation " in Alex Comfort's The New Joy of Sex ( 1993 ) and " extended massive orgasm " in Vera and Steve Bodansky's 2000 book of the same name, and is similar to the Venus Butterfly technique used in the volume The One Hour Orgasm ( 1988 ) by Leah and Bob Schwartz.

While making every attempt to stay true to the original version's sound as mixed by Steve Chapin, the new release features a revised track order that better follows the progression and feel of a Harry Chapin concert from that time period, as well as vocals that, through modern technique, rely less on the overdubs that were used in the original.

The chiefs engage in friendly rivalry until the squadron practices a new dive-bombing technique and Steve becomes a hero, saving the base from being accidentally bombed by climbing out on the wing of his dive bomber to hold in place a bomb that failed to release.

* Steve Dee: explains how he dedicated one year to becoming the best at what he does and as a result he became the founder of a technique known as beat juggling.

Artists such as Eddie Van Halen, Joe Satriani and Steve Vai made the technique popular, utilizing the tremolo arm and high gain amps together with the pinch harmonic to produce horse-like wails from the instrument.

The technique is also used commonly in other sub-genres of heavy metal, particularly by guitarists such as Tommy Victor, Steve Morse, Glenn Tipton, Zakk Wylde, Angus Young, Randy Rhoads, Richie Sambora, Mark Morton and Dimebag Darrell.

This technique is also used by many similar guitarists of the genre including Steve Vai, Paul Gilbert, Head and Munky of Korn and John Petrucci of Dream Theater.

The piece uses phasing, a technique popularized by Steve Reich, in which two identical samples are repeated at slightly different speeds.

( Phasing is a prominent technique in most of Steve Reich's work.

The technique takes its name from its widespread use at Marvel Comics beginning in the 1960s, primarily under writer-editor Stan Lee and artists Jack Kirby, and Steve Ditko.

It was Steve Watson of Newcastle United was famed for this technique and was able to throw the ball over 30 m. Brazilian Leah Lynn Gabriela Fortune has also been reported to be able to throw over with the technique.