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Stravinsky and met
In his Memoirs Stravinsky called Glazunov one of the most disagreeable men he had ever met, adding that the only bad omen he had experienced about the initial ( private ) performance of his symphony was Glazunov having come to him afterwards saying, " Very nice, very nice.
In 1947, Stravinsky and Shapero met again, and Shapero showed Stravinsky the score of the Symphony for Classical Orchestra.
Craft met Stravinsky in 1948, and from then until the composer's death in 1971, Craft continued to work alongside Stravinsky in a variety of roles.
The young Abravanel played four-hand piano arrangements with Ansermet, began to compose, and met composers such as Darius Milhaud and Igor Stravinsky.
Stravinsky met Vera in 1921.

Stravinsky and Vera
* 1888 – Vera de Bosset, Russian artist, wife of Igor Stravinsky ( d. 1982 )
Vera Stravinsky
From then until his wife's death in 1939, Stravinsky led a double life, spending some time with his first family and the rest with Vera.
* Stravinsky in Photographs and Documents ( with Vera Stravinsky ; London, 1976 ; N. Y., 1978 )
Vera de Bosset Stravinsky ( January 7, 1888 – September 17, 1982 ) was a Russian born American dancer and artist.
Stravinsky and Vera began an affair which led to her leaving her husband.
From then until the death of Katerina from tuberculosis in 1939, Stravinsky led a double-life, spending most of his time with his wife and children and the rest with Vera.
After Katerina's death Stravinsky and Vera married, in New York City where they had gone to escape war.
In 1913 he had eloped to Paris with the dancer Vera de Bosset, whom he subsequently married, and who in the 1920s left him to become the mistress and ultimately second wife of Stravinsky.

Stravinsky and de
* June 25 – The ballet The Firebird ( L ' Oiseau de feu ), the first major work by Russian composer Igor Stravinsky, commissioned by Diaghilev's Ballets Russes, is premièred in Paris, bringing the composer international fame.
For a time, the influential group included Igor Stravinsky and Manuel de Falla.
These analyses include an early Gregorian melody, and compositions by Guillaume de Machaut, J. S. Bach, Richard Wagner, Igor Stravinsky, Arnold Schoenberg, and finally, a composition of his own.
Other famous examples of the genre include Maurice Ravel's Berceuse sur le nom de Gabriel Fauré for violin and piano ; the Berceuse élégiaque by Ferruccio Busoni ; the Berceuse from the opera Jocelyn by Benjamin Godard ; the Berceuse by Igor Stravinsky which is featured in the Firebird ballet, and Lullaby for String Quartet by George Gershwin.
* June 27 – First London performances of two ballets by Igor Stravinsky, Apollon musagète and Le Baiser de la fée, conducted by the composer at the Kingsway Hall and broadcast on the wireless.
Bodies were carried to the island on special funeral gondolas, including Igor Stravinsky, Joseph Brodsky, Jean Schlumberger, Frederick Rolfe, Horatio Brown, Sergei Diaghilev, Ezra Pound, Luigi Nono, Franco Basaglia, Zoran Mušič, and Salvador de Iturbide y Marzán.
Among the guest conductors he played under were Bruno Walter, Wilhelm Furtwängler, Richard Strauss, Victor de Sabata, Fritz Reiner, Pierre Monteux, Igor Stravinsky, and Otto Klemperer.
Igor Stravinsky ( Pulcinella and Symphony of Psalms ), Sergei Prokofiev ( Classical Symphony ), Ravel ( Le Tombeau de Couperin ) and Hindemith ( Mathis der Maler ) all produced neoclassical works.
Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics, nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succes de scandale.
At " Villa Ocampo " Igor Stravinsky, André Malraux and Rabindranath Tagore had been her guests, also Indira Gandhi, José Ortega y Gasset, Antoine de Saint-Exupéry, Ernest Ansermet, Rafael Alberti, etc.
Igor Stravinsky also arranged a divertimento from his ballet to music of Tchaikovsky, Le baiser de la fée, while Joaquín Rodrigo called his 1982 cello concerto a " Concierto como un divertimento " (" Concerto like a divertimento ").
As the Kyrie is the first item in settings of the mass ordinary and the second in the requiem mass ( the only mass proper set regularly over the centuries ), numerous composers have included Kyries in their masses, including Guillaume de Machaut, Guillaume Dufay, Johannes Ockeghem, Josquin des Prez, Giovanni Pierluigi da Palestrina, Johann Sebastian Bach, Joseph Haydn, Wolfgang Amadeus Mozart, Luigi Cherubini, Franz Schubert, Ludwig van Beethoven, Gabriel Fauré, Hector Berlioz, Charles Gounod, Giuseppe Verdi, Ralph Vaughan Williams, Igor Stravinsky, Leonard Bernstein, Benjamin Britten, Arvo Pärt, Mark Alburger, and Erling Wold.
During his Parisian period, Claude Debussy, Igor Stravinsky, and Manuel de Falla were acquaintances, and he was in contact with Ferruccio Busoni, Gustav Mahler, and Richard Strauss as well.
That Satie would write a " neo-classical " composition a few months after the succès de scandale of Parade, is not so surprising either: Satie was on friendly terms with Stravinsky since 1911, and after this composer had had his big succès de scandale in 1913 ( premiered with the same Ballets Russes ), he also moved towards neoclassicism-although for Stravinsky there was no distinct neoclassical composition published before Satie's sonatina.
Levi's early time in Paris, as a painter and as a student of medicine, brought him into contact with many notable personalities of the 20th century, including Sergei Prokofiev, Igor Stravinsky, Alberto Moravia, Giorgio de Chirico, and others.
The Firebird, French title L ' oiseau de feu is a ballet and orchestral concert work by the Russian composer Igor Stravinsky.
' placed Myaskovsky in the top ten along with Prokofiev, Rachmaninoff, Shostakovich, Richard Strauss, Stravinsky, Sibelius, Ravel, de Falla and Fritz Kreisler.
In 1921, Stravinsky created a piano arrangement for Arthur Rubinstein entitled Trois mouvements de Petrouchka, which the composer admittedly could not play himself for lack of adequate left hand technique.
There are many notable works in this tradition, including those by Palestrina, Tomás Luis de Victoria, Wolfgang Amadeus Mozart, Hector Berlioz, Johannes Brahms, Anton Bruckner, Gabriel Fauré, Franz Liszt, Giuseppe Verdi, Benjamin Britten, Maurice Duruflé, György Ligeti, Krzysztof Penderecki and Igor Stravinsky.
* Jean Tinguely and Niki de Saint Phalle's kinetic artwork, the Stravinsky Fountain near the Centre Pompidou, Paris.

Stravinsky and Paris
Nevertheless, Prokofieff was much influenced by Paris during the Twenties: the Paris which was the artistic center of the Western World -- the social Paris to which Russian aristocracy migrated -- the chic Paris which attracted the tourist dollars of rich America -- the avant-garde Paris of Diaghileff, Stravinsky, Koussevitzky, Cocteau, Picasso -- the laissez-faire Paris of Dadaism and ultramodern art -- the Paris sympathique which took young composers to her bosom with such quick and easy enthusiasms.
In 1913 — the year of Edmund Husserl's Ideas, Niels Bohr's quantized atom, Ezra Pound's founding of imagism, the Armory Show in New York, and, in Saint Petersburg, the " first futurist opera ," Victory Over the Sun — another Russian composer Igor Stravinsky, working in Paris for Sergei Diaghilev and the Ballets Russes, composed The Rite of Spring for a ballet, choreographed by Vaslav Nijinsky, that depicted human sacrifice.
The ballet's premiere in Paris on 17 May 1921 was a huge success and was greeted with great admiration by an audience that included Jean Cocteau, Igor Stravinsky and Maurice Ravel.
* May 29 – The ballet The Rite of Spring, with music by Igor Stravinsky conducted by Pierre Monteux, choreography by Vaslav Nijinsky and design by Nicholas Roerich, is premièred by Sergei Diaghilev's Ballets Russes at the Théâtre des Champs-Élysées in Paris ; its modernism provokes one of the most famous classical music riots in history.
* May 18 – Sergei Diaghilev, James Joyce, Pablo Picasso, Marcel Proust and Igor Stravinsky dine together in Paris, at the Majestic hotel, their only joint meeting.
Stravinsky traveled to Paris in 1910 to attend the final rehearsals and the premiere of The Firebird.
Stravinsky as drawn by Pablo Picasso | Picasso in Paris on 31 December 1920
After living near Paris for a short while, the Stravinsky family moved to the south of France, becoming French citizens in 1934 and returning to Paris that year, to live at the rue du Faubourg Saint-Honoré.
During his later years in Paris, Stravinsky had developed professional relationships with key people in the United States: he was already working on his Symphony in C for the Chicago Symphony Orchestra and he had agreed to deliver lectures at Harvard during 1939.
Stravinsky displayed an inexhaustible desire to explore and learn about art, literature and life, which manifested itself in several of his Paris collaborations.
In 1913, Stravinsky premiered The Rite of Spring, sparking riots in Paris and caustic criticism in London.
* Stravinsky – The Paris Years ( 1983 )
Salonen later took the orchestra on many other tours of the United States, Europe, and Asia, and residencies at the Lucerne Festival in Switzerland, The Proms in London, in Cologne for a festival of Salonen's own works, and perhaps most notably, in 1996 at the Théâtre du Châtelet in Paris for a Stravinsky festival conducted by Salonen and Pierre Boulez ; it was during this Paris residency that key Philharmonic board members heard the orchestra perform in improved acoustics and were re-invigorated to lead fundraising efforts for the soon-to-be built Walt Disney Concert Hall.
In Paris he forged relationships with such prominent cultural figures as James Joyce, Ernest Hemingway, e. e. cummings, Aaron Copland, Ezra Pound, Igor Stravinsky, Pablo Picasso, Orson Welles, Jean Cocteau, and Gertrude Stein.
The Antheils finally arrived in Paris in June 1923, in time to attend the premiere of Stravinsky's ballet Les Noces, but the relationship with Stravinsky did not survive for long.

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