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Technicolor and films
A few of his silent films featured scenes in two-color Technicolor.
Following the favorable response to the vivid color photography, shot partly on location in the Canadian Rockies, DeMille decided to always use Technicolor in his films.
In contrast, Technicolor concentrated primarily on getting their process adopted by Hollywood studios for fictional feature films.
These included Things to Come ( 1936 ), Rembrandt ( 1936 ) and Knight Without Armour ( 1937 ), as well as the early Technicolor films The Drum ( 1938 ), The Four Feathers ( 1939 ) and The Thief of Bagdad ( 1940 ).
Although other producers had made films earlier using 2 strip color, Disney produced the first cartoon in 3 strip Technicolor, " Flowers and Trees ", in 1932.
The films were aimed at the kiddie-matinee market, and most were farce outings in the Stooge tradition, with the exception of Snow White and the Three Stooges, a children's fantasy in Technicolor.
It was one of the few films that Republic filmed in Technicolor ; most of the studio's other color films were made in a more economical process known as Trucolor.
( Technicolor later perfected its process, so that two-color films required only a single strip of film.
1947 saw two subsequently-outstanding films in production, Oliver Twist, directed by David Lean and Powell and Pressburger's Oscar-winning The Red Shoes, a landmark in British film-making, in part largely due to the creative cinematography of Jack Cardiff and his innovative use of the new technique of Technicolor.
In the pre-Code period, Curtiz directed such films as Mystery of the Wax Museum, Doctor X ( both shot in two-strip Technicolor ), and The Kennel Murder Case.
Bergen and his alter-ego McCarthy appeared together with top billing in several films, including the Technicolor extravaganza The Goldwyn Follies ( 1938 ), opposite the Ritz Brothers.
Shortly afterward Disney negotiated an exclusive, but temporary deal with Technicolor so only he could use the three-strip process in animated films — no other studio was permitted to use it.
Digital restoration processes have been employed to transfer many early Technicolor films to more stable " safety " stock.
Knowing that the Eastman stock would fade over time, Demy fortunately, had the three main yellow, cyan and magenta color separation masters made on black and white negative films that couldn't fade ( a process similar to the creation of the older Technicolor process: see the article on Technicolor for an explanation of this ' three-strip ' process ).
Earlier live action films to use the new Technicolor process include the final musical number in the feature The Cat and the Fiddle released by MGM in February 1934, and in short sequences filmed for other movies made during 1934, including The House of Rothschild ( 20th Century Pictures / United Artists ) with George Arliss and Kid Millions ( Samuel Goldwyn / United Artists ) with Eddie Cantor.
Kodachrome Commercial has a low-contrast characteristic which complements the various duplication films with which it is intended to be used: silver separation negatives for 35 mm ( controlled exclusively by Technicolor ) and reversal duplicating and printing stocks for 16 mm ( controlled exclusively by Eastman Kodak ).
Holiday in Mexico was her first Technicolor film ; her first two films had been black and white.
Even when most studios had the capability to make color films, they were not heavily utilized as tinting techniques and the Technicolor process were expensive and difficult.
It was the first commercially released film to be produced in the full-color three-strip Technicolor process, after several years of two-color Technicolor films.
In 1944, Hayworth made one of her best-known films, the Technicolor musical Cover Girl ( 1944 ), with Gene Kelly.
Columbia featured her in the Technicolor films: Tonight and Every Night ( 1945 ), with Lee Bowman ; and Down to Earth ( 1947 ), with Larry Parks.
Film industry researchers and specialists have found that color films ( especially ones made in less expensive, less permanent processes than Technicolor ) are also decaying at a rapid pace.

Technicolor and such
( However, they also produced Technicolor remakes of such musicals as Show Boat, which had previously been filmed in the 1930s.
The shorts themselves were built around recycled film footage of production numbers cut from MGM musicals, such as Children of Pleasure, Lord Byron of Broadway, and the unfinished March of Time ( all 1930 ), which had been filmed in early Technicolor.
In Britain, Decca bought out the bankrupt UK branch of Brunswick Records in 1932, which added such stars as Bing Crosby and Al JolsonAl Jolson, who had recorded for the Victor Talking Machine, Columbia Records, and Brunswick Records, made a series of recordings for Decca from 1946 until his death in 1950, following the success of Columbia Pictures Technicolor film biography The Jolson Story ( 1946 ).< sub >< citation needed ></ sub ></ ref >
" Terry's studio had the lowest budgets and was among the slowest to adapt to new technologies such as sound ( in about 1930 ) and Technicolor ( in 1938 ), while its graphic style remained remarkably static for decades.
Disney's exclusive contract with Technicolor, in effect until the end of 1935, forced other animators such as Ub Iwerks and Max Fleischer to use Technicolor's inferior two-color process or a competing two-color system such as Cinecolor.
" The routine was such a hit that Hackett made a recording of it, and was hired to reprise it in the 1953 Technicolor musical Walking My Baby Back Home, produced by Universal-International.
Technicolor models also do not generically predict Higgs-like bosons as light as ; such a particle was discovered by experiments at the Large Hadron Collider in 2012.
Although Republic made most of its films in black and white, it occasionally produced a higher-budgeted film, such as The Red Pony ( 1949 ) and The Quiet Man ( 1952 ), in Technicolor.
Additionally, Cooper helped pave the way for such ground-breaking technologies as Technicolor and the widescreen process Cinerama.
OpenTV 2 was ported on more than 40 different types of television set-top boxes such as the one from Pace, ADB, Amstrad, Daewoo, EchoStar, Grundig, Humax, Hyundai, Matsushita, Motorola, Nokia, Philips, Sagemcom, Samsung, Cisco / Scientific Atlanta, Sony, Toshiba and Thomson ( now Technicolor ).
Technicolor became used far more frequently, and widescreen processes and technical improvements, such as Cinemascope, stereo sound and others such as 3-D, were invented in order to retain the dwindling audience and compete with television, but were generally not successful in increasing profits.
Yates risked a budget of over a million dollars, making possible such extravagances as Technicolor and location filming in Ireland.
However, despite her European background, she was often cast as fiery Latin femme fatales in films that made full use of her exotic and glamorous persona, such as La Cucaracha ( 1934 ) the first live-action short film made in three-strip Technicolor.
Technicolor films such as The Garden of Allah ( 1936 ), A Star Is Born ( 1937 ) and Disney's Snow White and the Seven Dwarfs ( 1937 ) made him realize that Hollywood feature films presented a threat to Germany's internal market and that Hollywood's dominance of color film technology should be matched, at least if Germany was serious about engaging in a cultural war with the U. S. and Britain.
The shorts directed by Gillett included two Academy Award winners ( Flowers and Trees and The Three Little Pigs ) and also featured important firsts such as the introduction of the Pluto character and the first animated short to be produced in full-color three-strip Technicolor.
Jones was also the production designer for some early three-color Technicolor films, such as La Cucaracha ( 1934 ) and Becky Sharp ( 1935 ).
Blood and Sand, on bull fighting, was filmed in Technicolor, and used color schemes based on the work of Spanish artists such as Diego Velázquez and El Greco.
Carter has appeared on London's West End stages in musical productions such as Jesus Christ Superstar, Grease, Joseph and the Amazing Technicolor Dreamcoat, Chess, Whistle Down the Wind, and Les Misérables.
He appeared in lavish early Technicolor musicals, such as The Show of Shows ( 1929 ), the widescreen musical Song of the Flame ( 1930 ; the movie's poster noted that " Noah Beery will thrill you with his wonderful bass voice, twice as low as any ever recorded "), Bright Lights ( 1930 ), Under A Texas Moon ( 1930 ) and Golden Dawn ( 1930 ; in which he wore blackface as an African native ).
Starting in 1950 with director William Berke ’ s Mark of the Gorilla, Katzman proved himself a master of all genres, with such films as Lew Landers ’ Tyrant of the Sea ( 1950 ), a rapidly paced swashbuckler ; Spencer Gordon Bennet ’ s Cody of the Pony Express ( 1950 ), an elegiac western chapter-play ; the near-documentary State Penitentiary ( Lew Landers, 1950 ); the rousing action serial Pirates of the High Seas ( Spencer Gordon Bennet, 1950 ); Chain Gang ( Lew Landers, 1950 ), a hard-boiled exposé of the prison system reminiscent of Mervyn LeRoy ’ s 1932 classic I Am a Fugitive from a Chain Gang ; A Yank in Korea ( Landers, 1951 ), covering the then-escalating conflict ), Richard Quine ’ s wartime drama Purple Heart Diary ( 1951 ); Last Train from Bombay ( Fred F. Sears, 1952 ), an exotic thriller ; Sears ' The 49th Man, an essay in Cold War atomic paranoia ; two Arabian Nights films, Prisoners of the Casbah and The Saracen Blade ( William Castle, 1954 ) and Castle ’ s The Iron Glove ( 1954 ), which starred Robert Stack in a Technicolor swashbuckler, done in typical Katzman fashion.
Selznick's faith in Menzies was such that he sent a memo to everyone at Selznick International Pictures involved in the production reminding them " Menzies is the final word " on everything related to Technicolor, scenic design, set decoration, and the overall look of the production.

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