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Balinese and royal
The village of Ohoi-Ewur ( first Raja Ewab: Raja Ohoi-Ewur = Raja Tabtut ) on Kei Kecil or Nuhuroa island was the first place that the Balinese royal family and the army arrived, where they stayed with the local residents.
As a result, Ohoi-ewur became a seat of government, where the local law ( Larvul Ngabal ) – Red Blood and Balinese Spear – is developed by the initiative of the royal princess Dit Sakmas.
Almost all of the Balinese Kshatriyas trace their origin to the royal family of King Deva Agung, who ruled 500 years before.
In Karanganyar region in Central Java, the renovated 14th century Cetho temple on the slope of Mount Lawu has become the center of Javanese Hinduism and gain patronage of Balinese temples and royal houses.

Balinese and also
Balinese Hinduism also includes the religious belief of Tabuh Rah, a religious cockfight where a rooster is used in religious custom by allowing him to fight against another rooster in the religious and spiritual cockfight of the Balinese Hinduism spiritual appeasement exercise of Tabuh Rah.
The symbol was also introduced to Balinese Hinduism by Hindu kings.
Minimalist procedures such as additive and subtractive process are common in postminimalism, though usually in disguised form, and the style has also shown a capacity for absorbing influences from world and popular music ( Balinese gamelan, bluegrass, Jewish cantillation, and so on ).
Most Balinese speakers also know Indonesian.
* Kecak, Balinese performance piece also known as the Ramayana Monkey Chant.
In Balinese music you can also hear metallophones, gongs and xylophones.
Balinese gamelan also features more archaic instrumentation than modern Javanese gamelans.
Ancestors also become gods after cremation – this includes ancient Balinese kings.
It is also characteristic of rituals related to death, and therefore connected in Balinese culture to the invisible spiritual realm and transitions from life to death and beyond.
Various Balinese dance drama also can be included within traditional form of Indonesian drama.
The classical Balinese paintings are often decorating the lontar manuscripts and also the ceilings of temples pavilion.
It is also sometimes used in anthropology to denote the roles people assume when performing a social ritual, as used by Clifford Geertz in his study of Balinese ritual.
The Balinese have also strongly influenced the Wektu Telu religion of Lombok.
There are also sizeable populations of Balinese and Maduranese who were settled there in the Suharto era transmigration.
Through her ballet teachers, she was also exposed to Spanish, East Indian, Javanese, and Balinese dance forms.
See also: Balinese Hinduism
* Basa gede, also known as basa rajang, spice paste that is a basic ingredient in many dishes of Balinese cuisine
Several native tribal beliefs such as Sundanese Sunda Wiwitan, Torajan Aluk To Dolo, and Batak Malim — although different than Indian influenced Balinese Hinduism — might sought affiliations with Hinduism in order to survive, while in the same time also tried preserving their distinction to mainstream Indonesian Hinduism dominated by Balinese.
( The tourist industry has not only supported spectacular cremation ceremonies among Balinese of modest means, but also has created a greater demand for them.
Balinese Hinduism also includes the religious belief of Tabuh Rah, a religious cockfight where a rooster is used in religious custom by allowing him to fight against another rooster in the religious cockfight of the Balinese Hinduism spiritual appeasement exercise of Tabuh Rah, a form of animal sacrifice.

Balinese and red
In most associations, the Balinese is accepted in a full range of colors, including the four traditional Siamese point colors of seal, blue, chocolate, and lilac, as well as less traditional colors such as red and cream, and patterns such as lynx ( tabby ) point and tortie point.
Pura Luhur Poten uses natural black stones from volcanoes nearby, while Balinese temples mostly made from red bricks.

Balinese and their
This is mostly due to Indonesians combining aspects of their own local languages ( e. g., Javanese, Sundanese, Balinese, and Chinese dialects ) with Indonesian.
Balinese shun the man-on-top position in favor of the Oceanic position due to their perception of the former as being impractical and clumsy.
In 2011, the Bali Cultural Agency estimates that the number of people still using Balinese language in their daily lives on the Bali Island does not exceed 1 million, as in urban areas their parents only introduce Indonesian language or even English, while daily conversations in the institutions and the mass media have disappeared.
The written form of the Balinese language is increasingly unfamiliar and most Balinese people use the Balinese language only as a spoken tool with mixing of Indonesian language in their daily conversation.
Modern forms of Balinese gamelan include kebyar, an energetic style played by clubs, which generally compose their own music.
It was later adopted by the Balinese to make it clear that their religion had a single supreme god in line with the first principle of the Indonesian state philosophy Pancasila.
Because of this Islamic missionary activity, the remaining Hindu Tenggerese asked the Balinese Hindus for help by reforming their culture and religion closer to the Balinese.
Balinese Hindus use the flowers in their temple offerings.
Balinese women can often be seen with their bare chest ; however, a display of the thigh is considered immodest.
In modern Bali these customs are normally not strictly observed, but visitors visiting Balinese temples are advised to cover their legs.
The Balinese from before the third wave of immigration, known as the Bali Aga, are mostly not followers of Agama Tirta, but retain their own animist traditions.
The saving of the temple is regarded by the Balinese people as miraculous and a signal from the gods that they wished to demonstrate their power but not destroy the monument the Balinese faithful had erected.
The center's collections include Native American song and dance ; ancient English ballads ; the tales of " Bruh Rabbit ," told in the Gullah dialect of the Georgia Sea Islands ; the stories of ex-slaves, told while still vivid in their minds ; an Appalachian fiddle tune heard on concert stages around the world ; a Cambodian wedding in Lowell, Massachusetts ; a Saint Joseph's Day Table tradition in Pueblo, Colorado ; Balinese Gamelan music recorded shortly before the Second World War ; documentation from the lives of cowboys, farmers, fishermen, coal miners, shop keepers, factory workers, quilt makers, professional and amateur musicians, and housewives from throughout the U. S., first-hand accounts of community events from every state ; and international collections.
These Balinese prefab houses are well known for their artistic design and practical value.
Ceremonies at puberty, marriage, and, most notably, cremation at death provide opportunities for Balinese to communicate their ideas about community, status, and the afterlife.
Compared to their counterparts among Javanese Hindus, many Dayak leaders were also more deeply concerned about Balinese efforts to standardize Hindu ritual practice nationally ; fearing a decline of their own unique ' Hindu Kaharingan ' traditions and renewed external domination.

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