At the end of the 17th century, the margraves ' palace at Ansbach was rebuilt in Baroque style.

At Rome he was employed by Pope Nicholas V in the restoration of the papal palace and of the restoration of the Roman aqueduct of Acqua Vergine, which debouched into a simple basin designed by Alberti, which was swept away later by the Baroque Trevi Fountain.

Work halted in 1694, leaving the palace in two distinct contrasting architectural styles, domestic Tudor and Baroque.

The intention was to demolish the Tudor palace a section at a time, while replacing it with a huge modern palace in the Baroque style retaining only Henry VIII's Great Hall.

It has been suggested, though, that the plans were abandoned because the resemblance to Versailles was too subtle and not strong enough ; at this time, it was impossible for any sovereign to visualise a palace that did not emulate Versailles ' repetitive Baroque form.

* San Juan de Dios church-museum, Baroque and Rococo circular church with the remains of the Moorish palace mosque from the 12th century in the basament, called Alcázar Nasir.

* Schloss Ludwigslust, a Baroque residential palace built in 1772-1776, after plans by Johann Joachim Busch.

The Baroque Schloß ( palace ) was destroyed in 1945, but the palace gardens ( Schloßgarten ) still exist.

Designed in the rare, and short-lived, English Baroque style, architectural appreciation of the palace is as divided today as it was in the 1720s.

* Castle Howard, North Yorkshire: Vanbrugh's Baroque palace.

It is also twinned with the Czech town from which its Princess came from during the Baroque period and for whom the summer palace was built.

In 1690, it was decided to rebuild the palace in Baroque style after a design by Nicodemus Tessin the Younger.

In the early 18th century it belonged to the Sanguszko family, who rebuilt the palace, built two Baroque churches and tenement houses.

* Baroque ducal palace

Other interesting architectural buildings include a late-Renaissance palace originally built as a fortified manor house, the Church of the Corpus Christi erected in 1743, and numerous Baroque houses from the 18th century, converted in the 19th and the beginning of the 20th century.

The palace bore features of the Baroque style, and its shape, finalised by the mid 18th century, is attributed to Andreas Schlüter, whose first design is likely to date from 1702, though the palace incorporated earlier parts seen in 1688 by Nicodemus Tessin.

Schlüter's first design is likely to date from 1702, who planned to rebuild the palace in the Protestant Baroque style.

The Beaux-Arts training emphasized the mainstream examples of Imperial Roman architecture between Augustus and the Severan emperors, Italian Renaissance, and French and Italian Baroque models especially, but the training could then be applied to a broader range of models: Quattrocento Florentine palace fronts or French late Gothic.

The historic district contains a magnificent Baroque palace built in the 18th Century by Bishop Francisco Díaz-Santos de Bullón.

Its construction involved the demolition of the previous Baroque palace on the site, designed by Rastrelli, and the Church of St. John the Baptist, constructed to a design by Aloisio the New in place of the first church ever built in Moscow.

Defined as a public space in the last years of 15th century, when the city market was transferred to it from the Campidoglio, the Piazza Navona was transformed into a highly significant example of Baroque Roman architecture and art during the pontificate of Innocent X, who reigned from 1644-1655, and whose family palace, the Palazzo Pamphili, faced onto the piazza.

In 1840, one Southern planter who came to New York from Columbia, South Carolina, observed to his wife in a letter that the Phyfes were “ as much behind the times in style as ( they were ) in price .” This is because the Phyfes always adhered to the classicist language until the end, they never fully engaged with the emerging historical revival styles ( e. g. Baroque, Gothic, Rococo, etc.

Thanks to the inspiration of Bauhaus the buildings and monuments of this era ( 1949 – 56 ), like the forge, the cinema, the theatre, the hospital and the city ’ s schools where characterized by a structural functionalism, but the ideological function resulted classicist decorations, like columns, tympanums and arcades, because of which the informal name of the style became ‘ Stalin ’ s Baroque ’.

During the Renaissance and the Baroque, visible brick walls were unpopular and the brickwork was often covered with plaster.

The church is in Tlaxcalan Baroque style characterized by the use of tile and red brick.

* Sandomierz Synagogue, built in 1768 of brick in the Polish Baroque style

The present form of Vyšehrad as a fortified residence, with powerful brick ramparts, bastions and the Tábor and Leopold gates, is a result of Baroque remodelling.

This brick and sandstone building is in the Edwardian Baroque style.

He was primarily responsible for introducing the classical revival style into Dutch Baroque architecture, combining the native, Dutch brick style with the Vitruvian principles he had learnt to produce " Dutch Classicism ", an internationally influential style.

Chettle House, the village manor, is a red brick Baroque mansion designed by Thomas Archer, a pupil of Vanbrugh, and built by the Bastard brothers of Blandford Forum during the reign of Queen Anne.

The front, with a width of three broad windows, is designed in a style combining Baroque and art nouveau forms, realised in brick and green stone with buff stone dressings.

This brick building, which was probably erected by Ernst Georg Sonnin, is the most important example of Baroque architecture in the district of Pinneberg.

Other colonial building include the Dutch Stadthuys, the Dutch Colonial town brick buildings, and buildings built by the British such as the Memorial Hall, which combines Baroque and Islamic architecture.

The Miserere is one of the most often-recorded examples of late Renaissance music, although it was actually written during the chronological confines of the Baroque era ; in this regard it is representative of the music of the Roman School of composers, who were stylistically conservative.

The Baroque period ( 1600 to 1720 ) was one of the most fertile times in German literature.

Grimmelshausen's adventures of the young and naïve Simplicissimus, in the eponymous book Simplicius Simplicissimus, became the most famous novel of the Baroque period.

Jules Hardouin Mansart became France's most important architect of the period, bringing the pinnacle of French Baroque architecture.

The lute is used in a great variety of instrumental music from the Medieval to the late Baroque eras and was probably the most important instrument for secular music in the Renaissance.

However, once a student learns that most Baroque instrumental music was associated with dances, such as the gavotte and the sarabande, and keyboard music from the Baroque era was played on the harpsichord or the pipe organ, a modern-day student is better able to understand how the piece should be played.

The 17th century destruction changed forever the appearance of Syracuse, as well as the entire Val di Noto, whose cities were rebuilt along the typical lines of Sicilian Baroque, considered one of the most typical expressions of art of Southern Italy.

The influence of Vesalius ' plates representing the partial dissections of the human figure posing in a landscape setting is apparent in the anatomical plates prepared by the Baroque painter Pietro da Cortona ( 1596 – 1669 ), who executed anatomical plates with figures in dramatic poses, most with architectural or landscape backdrops.

A Baroque sensibility sometimes informs the more coordinated sequencer patterns, which has its most direct expression in the La Follia section that comes at the very end of the title track of Force Majeure.

In the 17th century, for most of the Baroque period, the terms symphony and sinfonia were used for a range of different compositions, including instrumental pieces used in operas, sonatas and concertos — usually part of a larger work.

The Ferrarese musician Girolamo Frescobaldi was one of the most important composers of keyboard music in the late Renaissance and early Baroque periods.

As is usual for most pieces of the Baroque family, the Advancer will not enter into the space vacated by the captured piece, it merely runs up to it, and stops short by 1 square.

What sets Rococo apart from Baroque the most is the way the pawns work ; they are called cannonball pawns and move like a King, stepping 1 square in all directions, or leap over any adjacent piece ( friend or foe ).

In non-competitive performances of classical dressage that involve the " Airs above the ground " ( described below ), the " Baroque " breeds of horses, most notably the Lipizzaner, are seen most often.

Built over one of the most ancient Christian edifices of the city, it has today Baroque lines.

The interior and adjoining cloister have 15th-17th century frescoes, but most of the decoration is Baroque.

The Church of San Giorgio is the most beautiful Baroque church of Salerno.

There can be little doubt that the most original and delightful churches in the city were built by the Stroganovs in the nascent Baroque style.

The cemetery contains many elaborate marble mausoleums, decorated with statues, in a wide variety of architectural styles such as Art Deco, Art Nouveau, Baroque, and Neo-Gothic, and most materials used between 1880 and 1930 in the construction of tombs were imported from Paris and Milan.

Baroque music, especially, has a written or implied ad libitum, with most composers intimating the freedom the performer and conductor have.

The planners of the Mussolini era removed most of the Medieval and Baroque strata and built the Via dei Fori Imperiali road between the Imperial Fora and the Forum.

The impressive size and architectural beauty sets it among the most impressive monuments of medieval art, with subsequent developments added Gothic and then Renaissance and Baroque.

Giacomo Carissimi ( baptized April 18, 1605 – January 12, 1674 ) was an Italian composer, one of the most celebrated masters of the early Baroque, or, more accurately, the Roman School of music.