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Bauhaus and style
Thus the Bauhaus style, also known as the International Style, was marked by the absence of ornamentation and by harmony between the function of an object or a building and its design.
I have my style ... and, you know what's funny, is most of the songs Pretty on the Inside are complete Bauhaus rip-offs.
Some people credit the band Bauhaus ' first single " Bela Lugosi's Dead ", released August 1979, with the start of the goth subculture, though many prior art house movements influenced gothic fashion and style, the illustrations and paintings of Swiss artist, H. R. Giger being one of the earliest.
" Berlin and other parts of Germany still have many surviving landmarks of the architectural style at the Bauhaus.
Born from the Bauhaus and Art Deco / Streamline styles came the post WWII " Mid-Century Modern " style using materials developed during the war including lamenated plywood, plastics and fiberglass.
Widely exhibited in Europe, the Arts and Crafts style's simplicity inspired designers like Henry van de Velde and styles such as Art Nouveau, the Dutch De Stijl group, Vienna Secession, and eventually the Bauhaus style.
* A verse of the song " Dancing " from the album Mask ( 1981 ) by the Bauhaus refers to Nijinsky "... Dancing on hallowed ground / Dancing Nijinsky style / Dancing with the lost and found ..."
In the spirit of reductive minimalism, Bayer developed a crisp visual style and adopted use of all-lowercase, sans serif typefaces for most Bauhaus publications.
The campus contains a variety of architectural styles, with the oldest buildings exhibiting a Neoclassical style and newer buildings displaying a mix of Modern styles including International, Brutalist, Bauhaus and High-tech, unified through the use of light-colored stone and concrete exterior materials.
The works of De Stijl would influence the Bauhaus style and the international style of architecture as well as clothing and interior design.
It is based on geometric shapes that became representative of visual elements of the Bauhaus design style of 1919 – 1933.
Although there were bands before them that pre-figured the style, Bauhaus is generally agreed to have been the first gothic rock group.
The Suprematist style of pure, geometric abstraction had developed in Russia and was introduced into the famous Bauhaus Design School in Dessau in the 192os.
Dada in Zurich and Berlin, the Bauhaus in Weimar and De Stijl in Holland all printed numerous books, periodicals and theoretical tracts within the newly emerging International Modernist style.
The Hawaii State Capitol is an American adaptation of the Bauhaus style termed " Hawaiian international architecture ".
The house was constructed in the 1930s, based on designs drawn by the artist who was a fan of the Bauhaus style.
The architecture of these buildings is mostly influenced by the art nouveau style or the Bauhaus school ( e. g. the Chemistry building Fritz-Foerster-Bau ).
Thanks to the inspiration of Bauhaus the buildings and monuments of this era ( 1949 – 56 ), like the forge, the cinema, the theatre, the hospital and the city ’ s schools where characterized by a structural functionalism, but the ideological function resulted classicist decorations, like columns, tympanums and arcades, because of which the informal name of the style became ‘ Stalin ’ s Baroque ’.
The style of the district is often described as " Bauhaus ", though this is not precise ( the inner parts of the district are very densely built-up, and this was sharply criticized by Bauhaus architects in the thirties as pseudo-modernist architecture, with buildings featuring modernist-like facades, but bad structure ), it is true that in this district one can find perhaps the best display of modern Hungarian architecture.
* White City ( Tel Aviv ), named for its large concentration of white Bauhaus and International style buildings
While Albers ' highly analytical approach to painting did not appeal to De Niro's more instinctive style, the experience and international perspective of the Bauhaus master nonetheless left a lasting impression.
With improved materials, the frameless cabinet style, notable for its architectural minimalism reminiscent of Bauhaus design, emerged in European kitchen design and was soon adopted worldwide.

Bauhaus and became
Meyer became director when Gropius resigned in February 1928, and brought the Bauhaus its two most significant building commissions, both of which still exist: five apartment buildings in the city of Dessau, and the headquarters of the Federal School of the German Trade Unions ( ADGB ) in Bernau.
After graduating, he joined the Harvard Graduate School of Design ( GSD ) and became friends with the Bauhaus architects Walter Gropius and Marcel Breuer.
There Noland also studied Bauhaus theory and color under Josef Albers and he became interested in Paul Klee, specifically his sensitivity to color.
His architecture, with origins in the German Bauhaus and western European International Style, became an accepted mode of building for American cultural and educational institutions, developers, public agencies, and large corporations.
When Walter Gropius founded the Bauhaus in Germany in 1919, Feininger was his first faculty appointment, and became the master artist in charge of the printmaking workshop.
Leaving the workshop to study at the Darmstadt Artists ' Colony, he became interested in Walter Gropius's Bauhaus manifesto.
The Bauhaus became known for the versatility of its artists, and Moholy-Nagy was no exception.
The following year he traveled to Albisola in Italy where he became involved with an offshoot of COBRA, the International Movement for an Imaginist Bauhaus.
Because of this, Bauhaus became one of the most influential Goth rock bands.
From the middle of the 19th century, according to Jan Krikke ( 2006 ) isometry became an " invaluable tool for engineers, and soon thereafter axonometry and isometry were incorporated in the curriculum of architectural training courses in Europe and the U. S. The popular acceptance of axonometry came in the 1920s, when modernist architects from the Bauhaus and De Stijl embraced it ".
In 1928, having finished his dissertation, he became a junior editor for film and cultural affairs at Die Weltbühne, and on one assignment was sent to Dessau, where he wrote an article on the new Bauhaus building there, designed by Walter Gropius.
Marianne Brandt ( 1 October 1893 – 18 June 1983 ), German painter, sculptor, photographer and designer who studied at the Bauhaus school and became head of the metal workshop in 1928.
There he also studied Bauhaus theory and color with Josef Albers and he became interested in Paul Klee, specifically his sensitivity to color.
Under Polsky's direction, the club became renowned as one of centers of new wave music in New York and was frequented by many musicians and artists who became famous during the decade, such as Madonna, New Order, Duran Duran, Billy Idol, Sade, Wham !, The Smiths, Squeeze, Cyndi Lauper, Jean-Michel Basquiat, Keith Haring, Run-DMC, Depeche Mode, Butthole Surfers, The B-52's, Samhain, Bauhaus, RuPaul, Berlin, Romeo Void, Sonic Youth, Swans, Nick Cave and the Bad Seeds, The Cult, Violent Femmes, Soft Cell, The Jesus and Mary Chain, the Beastie Boys, and LL Cool J.
It was also around this time that Frey became aware of the Dutch De Stijl movement, the German Bauhaus school and movement, and the modernism movement developing in Brussels.
In 1935, Walter Gropius, the former head of the Bauhaus, became Controller of Design for Isokon.
László Moholy-Nagy, another former Bauhaus teacher, also became involved with Isokon when he arrived in Britain from Germany in May 1935 and designed promotional material, including sales leaflets, showcards and the logo of Isokon firm itself, which was an outline of curved plywood chair.
With the work of Le Corbusier and the Bauhaus through the 1920s and 1930s, lack of decorative detail became a hallmark of modern architecture and equated with the moral virtues of honesty, simplicity, and purity.
Cramer was a member of the Zürich section of the Werkbund, headed by the Bauhaus member Johannes Itten and the Swiss sculptor Max Bill, and became more and more interested in a modern method of garden design.
Inside the school, particularly after he became Bauhaus director in February 1928, he tightened the program around architecture and industrial design, forcing the resignations of Herbert Bayer, Marcel Breuer, and other figures.
In the increasingly dangerous political atmosphere of the Weimar Republic, Meyer's own outspoken communism and the growth of the Communist student organization in the Bauhaus became a threat to the existence of the school.

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