" The attempt by some twentieth-century Catholic theologians to present the Eucharistic change as an alteration of significance ( transignification rather than transubstantiation ) was rejected by Pope Paul VI in his 1965 encyclical letter Mysterium fidei In his 1968 Credo of the People of God, he reiterated that any theological explanation of the doctrine must hold to the twofold claim that, after the consecration, 1 ) Christ's body and blood are really present ; and 2 ) bread and wine are really absent ; and this presence and absence is real and not merely something in the mind of the believer.

* 1968 – Pope Paul VI issues the Credo of the People of God.

Offering his blood as a sacrifice to God, he dipped his fingers in it and wrote on the ground: " Credo in Unum Deum ".

In A Message to Garcia and Thirteen Other Things ( 1901 ), Hubbard explained his Credo by writing " I believe John Ruskin, William Morris, Henry Thoreau, Walt Whitman and Leo Tolstoy to be Prophets of God, and they should rank in mental reach and spiritual insight with Elijah, Hosea, Ezekiel and Isaiah.

In Mabalacat, however, at Our Lady of Divine Grace Parish, pastorella lived on: in the 4: 30 a. m. mass on Monday, the pastorella repertoire included the Kyrie ( Lord, Have Mercy ), Gloria ( Glory to God in the Highest ), Credo ( Apostle's Creed ), Sanctus ( Holy ) and Agnus Dei ( Lamb of God ).

# Credo (" I believe in one God "), the Nicene Creed

# Credo (" I believe in one God "), the Nicene Creed.

In musical settings, particularly when sung in Latin, this Creed is usually referred to by its first word, Credo.

The Augsburg Confession divides repentance into two parts: " One is contrition, that is, terrors smiting the conscience through the Law and Gospel # Book of Concord | knowledge of sin ; the other is Credo | faith, which is born of the Gospel, or of Absolution # Lutheranism | absolution, and believes that for Christ's sake, sins are forgiven, comforts the conscience, and delivers it from terrors.

No. 3 was clearly meant for concert, rather than liturgical performance, and it is the only one of his Masses in which he set the first line of the Gloria, " Gloria in excelsis Deo ", and of the Credo, " Credo in unum Deum ", to music.

For proof of this there is a small work of edification, composed in 1250, titled li romans as ymages des poinz de nostre foi, where Joinville makes a brief commentary on the Credo.

Machaut's mass differs from these in the following ways: ( 1 ) he does not hold a tonal centre throughout the entire work, as the mass uses two distinct modes ( one for the Kyrie, Gloria and Credo, another for Sanctus, Agnus and Ita missa est ); ( 2 ) there is no extended melodic theme that clearly runs through all the movements, and the mass does not use the parody technique ; ( 3 ) there is considerable evidence that this mass was not composed in one creative motion.

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Christianity is to him the divinely absurd ( Credo quia absurdum ), not merely the relative paradox, — namely, in relation to the natural man, ensnared in sin and worldliness, which has been the doctrine of Scripture and of the Church from the beginning, — but the absolute paradox, which must be believed in defiance of all reason, because every ideal, every thought of wisdom, is excluded there from, and in every case is absolutely inaccessible to man.

A line from " Clifford's Credo " by the 19th Century British mathematician and philosopher William Kingdon Clifford perhaps best describes the premise of freethought: " It is wrong always, everywhere, and for anyone, to believe anything upon insufficient evidence.

The statement " Credo quia absurdum " (" I believe because it is absurd "), often attributed to Tertullian, is sometimes cited as an example of such a view in the Church Fathers, but this appears to be a misquotation from Tertullian's De Carne Christi ( On the Flesh of Christ

The Credo, like the Gloria, is an often disorienting, mad rush through the text.

The form of the Credo is divided into four parts: ( I ) allegro ma non troppo through " descendit de coelis " in B-flat ; ( II ) " Incarnatus est " through " Resurrexit " in D ; ( III ) " Et ascendit " through the Credo recapitulation in F ; ( IV ) Fugue and Coda " et vitam venturi saeculi, amen " in B-flat.

Bach did not give the work a title ; instead, in the score four parts of the Latin Mass are each given their own title page —" Missa " ( consisting of the Kyrie and Gloria ), " Symbolum Nicenum " ( the profession of faith or Credo ), " Sanctus ", and " Osanna, Benedictus, Agnus Dei et Dona nobis pacem "— and simply bundled together.

In addition, vernacular adaptations of parts of the Ordinary of the Mass appeared as early as the 1260s, when a homily of Berthold of Regensburg describes a profession of faith which was sung after the Latin Credo: " I believe in the Father, I believe in the Son of my Lady Saint Mary, and in the Holy Spirit, Kyrie eleison.

The fight between Nero and Credo is interrupted by Agnus who brings Kyrie to see Nero transform into a devil, which makes her lose her faith in Nero.

* Roberto Masi, " The Credo of Paul VI: Theology of Original Sin and the Scientific Theory of Evolution " ( L ' Osservatore Romano, 17 April 1969 ).

The Liber Usualis contains only two other settings, designated as " Credo V " and " Credo VI ," which is far fewer than for other settings of the Ordinary.

* The monastery and monks of Lindisfarne are an important part of British author / broadcastor Melvyn Bragg's epic, historically based novel " Credo " published in 1996.

* Credo ( 1936 ) shorter version of Give Me Liberty published in Saturday Evening Post

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* 15 masses, including 14 parody masses and a requiem mass ( most of which were published 1555-70 by Pierre Phalèse the Elder in Leuven ); two mass sections ( a Kyrie and a Credo )

The Credo first received national recognition in the fraternity world when The Fraternity Month published it in the October 1946 issue.

* The Healing of Jabez by John W. Mauck (' Credo House Publishers, ISBN 978-1-935391-29-6 ) was published in 2009.

Norman Lowell is the author of two published books, Credo: A Book for the Very Few, and Imperium Europa-A Book that Changed the World.

And with what resource did Prokofieff back up his Credo of words -- with torrents of powerful music.

All three Mass cycles employ other early Tudor features, notably the mosaic of semichoir sections alternating with full sections in the four-part and five-part Masses, the use of a semichoir section to open the Gloria, Credo and Agnus Dei, and the head-motif which links the openings of all the movements of a cycle.

* Credo of a Modern Kabbalist ( with Daniel Siegel, 2005 )

* Missa Cantata ( Latin for " sung mass "): celebrated by a priest without deacon and subdeacon, and thus a form of Low Mass, but with some parts ( the three variable prayers, the Scripture readings, Preface, Pater Noster, and Ite Missa Est ) sung by the priest, and other parts ( Introit, Kyrie, Gloria, Gradual, Tract or Alleluia, Credo, Offertory Antiphon, Sanctus and Benedictus, Agnus Dei, and Communion Antiphon ) sung by the choir.

Among the music Helmut Hochstein lists as being composed for Venice, are to be found four oratorios: " Isacco figura del Redentore ", " La Betulia liberata ", " Joas ", " Juda proditor "; some numbers in a collection of solo motets called Modulamina Sacra ; one Missa breve in F major with its Credo in D major, probably a second mass in G major, 47 one Te Deum, and five psalms.

Pointer later gathered a band dubbed ' Mick Pointer's Marillion ' with Brian Cummings ( CarpetCrawlers ) on vocals, Nick Barrett ( Pendragon ) on lead guitar, Mike Varty ( Credo ) on keyboards and Ian Salmon ( Arena ) on bass guitar to perform Marillion's debut album, Script for a Jester's Tear for its 25th anniversary.

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Instead, Johann Adolph Hasse's Mass in D minor was performed, a work with many similarities to Bach's Mass ( the Credo movements in both works feature chant over a walking bass line, for example.

Autograph of the first page of Nicene Creed | Symbolum Nicenum, beginning with the Gregorian chant Credo in the tenor

* Credo: One of the most remarkable movements to come from Beethoven's pen opens with a chord sequence that will be used again in the movement to effect modulations.

The massive fugues at the end of the Gloria and Credo align it with the work of his late period — but his simultaneous interest in the theme and variations form is absent.

What is identified as " Credo I " in the Liber Usualis was apparently widely considered the only authentic credo, and it is the element of the ordinary that was most strongly associated with a single melody.

In musical settings of the credo, as in the Gloria, the first line is intoned by the celebrant alone ( Credo in unum Deum ), or by a soloist, while the choir or congregation joins in with the second line.

In polyphonic settings of the Mass, the Credo is usually the longest movement, but is usually set more homophonically than other movements, probably because the length of the text demanded a more syllabic approach, as was seen with chant as well.

The three collaborative duets were Seeds of Brightness, a lyrical dance with a commissioned score by Norman Lloyd, Credo in Us, a dramatic dance with a text by Cunningham and Ad Lib, both with commissioned scores by Cage.

Mencken: " Tertullian is credited with the motto ' Credo quia absurdum ' -- ' I believe because it is impossible '.

* Interview with Credo Mutwa