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Page "Digital audio workstation" ¶ 10
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Digital and Editing
The term " nonlinear editing " or " non-linear editing " was formalized in 1991 with the publication of Michael Rubin's Nonlinear: A Guide to Digital Film and Video Editing ( Triad, 1991 ) -- which popularized this terminology over other language common at the time, including " real time " editing, " random-access " or " RA " editing, " virtual " editing, " electronic film " editing, and so on.
* Digital Editing: Milan Bogdan
Production Labs / Facilities: Digital Production Labs 1 & 2 ( DPL1, DPL2 ), Video Editing Lab ( VEL ), Steenbeck Lab
* Digital Editing: Clint Roth
* Greg Fidelman – Digital Editing
* Mark Moreau – Digital Editing
* Digital Editing: Stephen Benben
* Digital Editing: Tal Herzberg
* Digital Editing: George Leger III
Penn State named an off campus video editing lab, The Carmen Finestra Digital Editing Lab, in his honor at Innovation Park, an off site technology hub on the University Park campus.
* Digital Editing & Mastering: Peter Mew
The John Tucker Jr. Fine Arts Center was completed in 2006 and provides facilities including multiple Dance Studios, Art Studios, a choral room, band room, orchestra room, rooms designated for private music lessons, a Digital Editing lab, and the new Samuel Johnson Theater which provides seating for 575 in the audience including balcony and box seats.
* Digital Editing: Patrick Woodward
* Paul Forgues-Engineer, Digital Editing, Assistant
* Ed Krautner-Engineer, Digital Editing
* Digital Video Editing with Final Cut Pro system
* Digital Editing: Mortiis, Levi Gawron & Vegard Blomberg
* Andrew Scheps-Trumpet, Engineer, Digital Editing
* Digital Editing: Paul Forgues
* Skinny-Drums, Percussion, Digital Editing, Pro-Tools, Producer
* John Watkinson Gray-Engineer, Digital Editing, Mixing, Prophet V Programming
* Aaron Barrett-Lead Vocals, Guitar, Producer ( tracks 7, 10, and 12 ), Digital Editing

Digital and System
* Jo A. Lawless, Molly M. Miller: Understanding CLOS: The Common Lisp Object System, Digital Press, 1991, ISBN 0-13-717232-X
In addition to DCI's work, the National Association of Theatre Owners ( NATO ) released its Digital Cinema System Requirements.
The Digital Private Network Signalling System ( DPNSS ) is a network protocol used on digital trunk lines for connecting two PABX.
* Digital Access Signaling System 1 ( DASS1 ) ( obsolete )
* Digital Access Signaling System 2 ( DASS2 ) ( obsolete )
* Digital Subscriber System No. 1 ( DSS1 ) The ISDN PBX interface is most often used for ( new ) PRA connected PBX
ro: Digital Private Network Signalling System
Digital Access Signalling System 1 ( DASS1 ) is a proprietary protocol defined by British Telecom to provide ISDN services in the United Kingdom.
Digital Access Signalling System 2 ( DASS2 ) is an obsolescent protocol defined by British Telecom for digital links to PSTN based on ISDN.
DASS2 ( Digital Access Signalling System ) is a BT designed
* DSS2 ( Digital Subscriber Signalling System No. 2 )-enhanced DSS1.
The optical timecode used to synchronize a Digital Theater System | DTS soundtrack, which sits between the optical soundtrack and the image, is not pictured.
" DCS is reported to stand for " Digital Collection System "; the system has the same functions as before.
Architectures with instruction sets implemented by complex microprograms included the IBM System / 360 and Digital Equipment Corporation VAX.
To sell would-be customers on its technical abilities as a computer-based console, the Odyssey² was marketed with superlative phrases such as " The Ultimate Computer Video Game System ", " Sync-Sound Action ", " True-Reality Synthesization ", " On-Screen Digital Readouts " and " a serious educational tool " on the packaging for the console and its game cartridges.
TDMA is used in the digital 2G cellular systems such as Global System for Mobile Communications ( GSM ), IS-136, Personal Digital Cellular ( PDC ) and iDEN, and in the Digital Enhanced Cordless Telecommunications ( DECT ) standard for portable phones.
New England Digital Corp. ( 1976 – 1993 ), founded originally in Norwich, Vermont and eventually relocated to White River Junction, Vermont, was best known for its signature product, the Synclavier Synthesizer System, which evolved into the Synclavier Digital Audio System or " Tapeless Studio.
The Synclavier System was an early digital synthesizer, polyphonic digital sampling system, and music workstation, manufactured by New England Digital Corporation, Norwich, VT.
The only hardware system that CP / M, as sold by Digital Research, would support was the Intel 8080 Development System.
A photo of a 35 mm film print featuring all four audio formats ( or " quad track ") — from left to right: Sony Dynamic Digital Sound | SDDS ( blue area to the left of the sprocket holes ), Dolby Digital ( grey area between the sprocket holes labelled with the Dolby " Double-D " logo in the middle ), analog optical sound ( the two white lines to the right of the sprocket holes ), and the Digital Theater System | DTS time code ( the dashed line to the far right ).

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