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Essential and Shakespeare
The company also publishes several specialised reference works, such as Shakespeare: The Essential Guide to the Life and Works of the Bard ( Wiley, 2006 ).
* Boyce, Charles Shakespeare A to Z: The Essential Reference to His Plays, His Poems, His Life and Times, and More New York: Laurel 1990 ISBN 0-440-50429-5

Essential and Adventure
( 2009 ) Encyclopedia of Adventure Fiction: the Essential Reference to the Great Works and Writers of Adventure Fiction.

Essential and .
In a review of Transfinite: The Essential A. E.
Essential amino acids may also differ between species.
* The Essential New York Times Cookbook: Classic Recipes for a New Century ( W. W. Norton & Company, 2010 )
Prior to the release of the VHS Volumes, a laserdisc titled Beavis and Butt-Head: The Essential Collection was issued in 1994, containing sixteen episodes from the second and third seasons.
* Booknotes interview with James Srodes on Franklin: The Essential Founding Father, May 19, 2002.
* William Edelglass and Jay Garfield, Buddhist Philosophy: Essential Readings, New York: Oxford University Press, 2009, ISBN 0-19-532817-5.
The Essential Jesus.
Essential Judaism: A Complete Guide to Beliefs, Customs and Rituals.
The Essential Peirce, vols.
* Staten, Clifford L. The History of Cuba ( Palgrave Essential Histories ) ( 2005 ), brief
Encyclopedia of China: The Essential Reference to China, Its History and Culture.
Encyclopedia of China: The Essential Reference to China, Its History and Culture.
Modern Casuistry: An Essential But Incomplete Method for Clinical Ethical Decision-Making.
Having gone through numerous changes over time, it now circulates as two distinct books: the Treatise on Cold Damage Disorders and the Essential Prescriptions of the Golden Casket, which were edited separately in the eleventh century, under the Song dynasty.
Essential fatty acids are required for brain and cell membrane construction.
The Essential Husserl.
Essential to Hanegraaff ’ s methodology is what he calls an “ empirical ” approach, with an informed, open, and, so much as possible, neutral mind.
The Essential Electric Light Orchestra artwork has been re-jigged to feature two different covers.
Essential tremor ( ET ) is a slowly progressive neurological disorder of which the most recognizable feature is a tremor of the arms or hands that is apparent during voluntary movements such as eating and writing.
Essential tremor was also previously known as " benign essential tremor ", but the adjective " benign " has been removed in recognition of the sometimes disabling nature of the disorder.
Essential tremor also tends to co-occur with Orthostatic Tremor.
* Essential elements of the franchise agreement.
* Venters, Jillian: Gothic Charm School: An Essential Guide for Goths and Those Who Love Them.

Shakespeare and Biographical
* Trowbridge, Simon: The Company: A Biographical Dictionary of the Royal Shakespeare Company, Oxford: Editions Albert Creed ( 2010 ) ISBN 978-0-9559830-2-3
Besides editions of the works of William Shakespeare, James Beattie, Henry Fielding, Samuel Johnson, Joseph Warton, Alexander Pope, Edward Gibbon, and Henry St John, Viscount Bolingbroke, he published A General Biographical Dictionary in 32 volumes ( 1812 – 1817 ); a Glossary to Shakspeare ( 1807 ); an edition of George Steevens's Shakespeare ( 1809 ); and the British Essayists, beginning with the Tatler and ending with the Observer, with biographical and historical prefaces and a general index.
The Company: A Biographical Dictionary of the Royal Shakespeare Company.
* Trowbridge, Simon: The Company: A Biographical Dictionary of the Royal Shakespeare Company, Editions Albert Creed ( 2010 ) ISBN 978-0-9559830-2-3
* English Drama: A Working Basis, Robinson ( Boston, MA ), 1896, enlarged as Shakespeare: Selective Bibliography and Biographical Notes, compiled by Bates and Lilla Weed, Wellesley College ( Wellesley, MA ), 1913.
The Company: A Biographical Dictionary of the Royal Shakespeare Company.

Shakespeare and .
It is perhaps difficult to conceive, but imagine that tonight on London bridge the Teddy boys of the East End will gather to sing Marlowe, Herrick, Shakespeare, and perhaps some lyrics of their own.
Shakespeare gives us a vivid picture of Shylock, but probably he never saw a Jew, unless in some of his travels.
The Jews had been banished from England in 1290 and were not permitted to return before 1655, when Shakespeare had been dead for thirty-nine years.
Shakespeare did not usually invent the incidents in his plays, but borrowed them from old stories, ballads, and plays, wove them together, and then breathed into them his spark of life.
Harris J. Griston, in Shaking The Dust From Shakespeare ( 216 ), writes: `` There is not a word spoken by Shylock which one would expect from a real Jew ''.
Shakespeare does not tell us that Shylock was an aberrant individual.
We are all, though many of us are snobbish enough to wish to deny it, in far closer sympathy with the art of the music-hall and picture-palace than with Chaucer and Cimabue, or even Shakespeare and Titian.
In the imagination of the nineteenth century the Greek tragedians and Shakespeare stand side by side, their affinity transcending all the immense contrarieties of historical circumstance, religious belief, and poetic form.
The sense of relationship overreaches the historical truth that Shakespeare may have known next to nothing of the actual works of Aeschylus, Sophocles, and Euripides.
It is not between Euripides and Shakespeare that the western mind turns away from the ancient tragic sense of life.
Shakespeare is closer to Sophocles than he is to Pope and Voltaire.
In Greek tragedy as in Shakespeare, mortal actions are encompassed by forces which transcend man.
These conceptions and the manner in which they were transposed into poetry or engendered by poetic form are intrinsic to western life from the time of Aeschylus to that of Shakespeare.
After Shakespeare the master spirits of western consciousness are no longer the blind seers, the poets, or Orpheus performing his art in the face of hell.
In his letter mentioning Shakespeare on January 24, 1597/8, Sturley asked Quiney especially that `` theare might ( be ) bi Sir Ed. Grev. some meanes made to the Knightes of the Parliament for an ease and discharge of such taxes and subsedies wherewith our towne is like to be charged, and I assure u I am in great feare and doubte bi no meanes hable to paie.
He had been in London for several weeks when he wrote to Shakespeare on October 25.
This seems to refer, not to the loan Richard had asked for, but to a proposed bargain with Shakespeare.
His letter of October 26 named two of the men about whom Quiney had written to Shakespeare the day before.
If he borrowed money from Shakespeare or with his help, he would now have been able to repay the loan.
Since more is known about Quiney than about any other acquaintance of Shakespeare in Stratford, his career may be followed to its sudden end in 1602.
Quiney was in London again in June, 1601, and in November, when he rode up, as Shakespeare must often have done, by way of Oxford, High Wycombe, and Uxbridge, and home through Aylesbury and Banbury.
And other defenders invariably argue that, after all, Shakespeare and Moliere were adapters too.
People who have mastered Kant, Hegel, Shakespeare, Marx, Freud, and the Bible find this statement utterly impenetrable.
They want to own a junior-grade castle, or a manor house, or some modest little place where Shakespeare might once have staged a pageant for Great Elizabeth and all her bearded courtiers.
Shakespeare had a word for everything, even for the rain that disrupted Wednesday night's `` Much Ado About Nothing '' opening the season of free theatre in Central Park.

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