[permalink] [id link]
The Fiction of Narrative: Essays on History, Literature, and Theory, 1957 – 2007.
from
Wikipedia
Some Related Sentences
Fiction and Narrative
* Beer, Gillian, Darwin's Plots: Evolutionary Narrative in Darwin, George Eliot and Nineteenth-Century Fiction, London, Routledge & Kegan Paul, 1983, ISBN 0-521-78392-5.
* Martha J. Cutter, " Sliding Significations: Passing as a Narrative and Textual Strategy in Nella Larsen's Fiction ," in Passing and the Fictions of Identity, ed Elaine Ginsberg, Duke UP 1996, pages 75 – 100.
“ Trauma, Narrative and Ethics in Recent American Fiction .” Other People ’ s Pain: Narratives of Trauma and the Question of Ethics, edited by Martin Modlinger and Phillip Sonntag.
* Elizabeth C. Inglesby: "' Expressive Objects ': Elizabeth Bowen's Narrative Materializes " in MFS Modern Fiction Studies Vol.
Hans Ulrich Seeber: Narrative Fiction and the Fascination with the New Media Gramophone, Photography and Film: Metafictional and Media-Comparative Aspects of H. G. Wells ’ A Modern Utopia and Beryl Bainbridge ’ s Master Georgie / Daniella Jancsó: Metareference and Intermedial Reference: William Carlos Williams ’ Poetological Poems
' Writing Responsibly: Narrative Fiction and Organization Studies ', The Organization: The Interdisciplinary Journal of Organizationory and Society, 12, 4, pp. 467 – 491
*“ Monologues of the Mad: Paris Cabaret and Modernist Narrative from Twain to Eliot ” ( ISSEI, Aalborg, Denmark, 8 / 25 / 92 ) in Studies in American Fiction, 20: 2 ( Dec, 1992 )
* Mysterious Martin: A Fiction Narrative Setting Forth the Development of Character Along Unusual Lines ( 1912 )
* 2006-Linda Wight, " Magic, Art, Religion, Science: Blurring the Boundaries of Science and Science Fiction in Marge Piercy's Cyborgian Narrative.
Fiction and Essays
* For Martin Greenberg's Fantastic Lives: Autobiographical Essays by Notable Science Fiction Writers ( Southern Illinois University Press, 1981 ) she wrote " The Expanding Mind ," a memoir of her youth and the impact of science fiction on the mind of a young girl.
) ( 2008 ), The Truth of Buffy: Essays on Fiction Illuminating Reality, McFarland & Company, Inc., Publishers.
His contributions to the reviews were collected in volumes entitled Essays on Fiction ( 1864 ); Biographical Sketches ( 1865, chiefly of noted lawyers ); and Historical and Philosophical Essays ( 1865 ).
* Fictional Space: Essays on Contemporary Science Fiction, Editor ( Oxford: Basil Blackwell, 1991, ISBN 0-631-17129-0 ).
Mark Lipovestky is the author of five books and more than seventy articles including: Russian Postmodernist Fiction: Dialogue with Chaos ( 1999 ) and Russian Postmodernism: The Essays of Historic Poetics ( 1997 ).
* Fine, David, ed., Los Angeles in Fiction: A Collection of Essays from James M. Cain to Walter Mosley ( Albuquerque: University of New Mexico, 1995 ).
) ( 2008 ), The Truth of Buffy: Essays on Fiction Illuminating Reality, McFarland & Company, Inc., Publishers.
) ( 2008 ), The Truth of Buffy: Essays on Fiction Illuminating Reality, McFarland & Company, Inc., Publishers.
His fiction, essays and reviews have appeared in the New Yorker, Harpers, Review of Contemporary Fiction, London Magazine, Gangway, Granta, Stand, Bananas, Overland, Meanjin, Southerly, Quadrant, London Review of Books, San Francisco Review of Books, New Statesman, Essays in Criticism, Journal of Commonwealth Literature, Oxford Review, Modern Language Review, Griffith Review, Nation Review, National Times, the Australian, the Bulletin, the Sydney Morning Herald & c.
Each book belonged to one of the following genres: Travel, Science, Fiction, Theology & Philosophy, History, Classical, For Young People, Essays, Oratory, Poetry & Drama, Biography, Reference, and Romance.
* John Goode, " The Art of Fiction: Walter Besant and Henry James ," in David Howard, John Lucas, and John Goode, eds., Tradition and Tolerance in Nineteenth-Century Fiction: Critical Essays on Some English and American Novels ( London: Routledge and Kegan Paul, 1966 ).
) Strange Shadows: The Uncollected Fiction & Essays of Clark Ashton Smith ( with Steve Behrends and Rah Hoffman ; New York: Greenwood Press, 1989 ).
She has also contributed to several other scholarly publications including Archiv fur der neueren Sprachen und Literaturen, Commonwealth Essays and Studies and the online The Literary Encyclopedia, and The Blackwell Encyclopedia of Twentieth Century Fiction.
Fiction and on
Bulwer-Lytton's name lives on in the annual Bulwer-Lytton Fiction Contest, in which contestants think-up terrible openings for imaginary novels, inspired by the first line of his novel Paul Clifford: It was a dark and stormy night ; the rain fell in torrents — except at occasional intervals, when it was checked by a violent gust of wind which swept up the streets ( for it is in London that our scene lies ), rattling along the housetops, and fiercely agitating the scanty flame of the lamps that struggled against the darkness.
At one point in the earliest 1940s, approximately half of all the pulp sf and fantasy magazines in the U. S. were being edited by Futurians: Frederik Pohl at the Popular Publications offshoot Fictioneers, Inc. ( Astonishing Stories and Super-Science Stories ); Robert Lowndes at Columbia Publications, most notably with Science Fiction and Future Fiction ( though through the decade to come, Lowndes's responsibilities would expand to other types of fiction magazine in the chain ), and Donald Wollheim at the very marginal Albing Publications with the short-lived, micro-budgeted Cosmic Stories and Stirring Science Stories ( Wollheim soon moved on to Avon Books ; Doë " Leslie Perri " Baumgardt also worked on a romance fiction title for Albing ).
For example, a Dinosaur is a member who was active before the first Worldcon ( World Science Fiction Convention ) held on July 4, 1939, while Associate Membership requires provable activity in fandom for more than three decades.
The categorization " hard Science Fiction " represents a position on a scale from " softer " to " harder ", not a binary classification.
Long Form improvisation has been growing on the west coast with such groups as True Fiction Magazine, Three for All and the Awkward Dinner Party.
Fenton judges the Parsons based on their attractiveness and is agitated when they do not “ fulfil stereotypical female roles ,” as author Anne Cranny-Francis describes it ( Feminist Science Fiction, 30 ).
Ron Miller's cover on the June 1950 issue of Astounding Science Fiction, featuring MacLean's novelette " Incommunicado ".
In 1985 CompuNet started a project named Multi-User Galaxy Game as a Science Fiction alternative to MUD1 which ran on their system at the time.
* Gerald Graff ( 1973 ) The Myth of the Postmodernist Breakthrough, TriQuarterly, 26 ( Winter, 1973 ) 383 – 417 ; rept in The Novel Today: Contemporary Writers on Modern Fiction Malcolm Bradbury, ed., ( London: Fontana, 1977 ); reprinted in Proza Nowa Amerykanska, ed., Szice Krytyczne ( Warsaw, Poland, 1984 ); reprinted in Postmodernism in American Literature: A Critical Anthology, Manfred Putz and Peter Freese, eds., ( Darmstadt: Thesen Verlag, 1984 ), 58 – 81.
" Brown also quoted William Shaw, a broadcaster who was presenting the Cult Fiction series on BBC Radio Five Live: " Most Moonies embrace a morality which would make them acceptable in the most genteel Anglican social circle.
* Perelman's Song, by Tina S. Chang, listed on Kasman's Mathematical Fiction website, appeared Math Horizons.
It was based on a character ( The Bride ) and a plot that he and Kill Bills lead actress, Uma Thurman, had developed during the making of Pulp Fiction.
* Robin Hood the Facts and the Fiction, has a lot of information on Robin Hood, ballads, medieval records, place names, analysis on the legend etc.
Among the most respected awards for science fiction are the Hugo Award, presented by the World Science Fiction Society at Worldcon ; the Nebula Award, presented by SFWA and voted on by the community of authors ; and the John W. Campbell Memorial Award for Best Science Fiction Novel and Theodore Sturgeon Memorial Award for short fiction.
0.963 seconds.