On May 25, 2009, The Hollywood Reporter reported that Roy Lee and Doug Davison of Vertigo Entertainment were working with Fran Rubel Kuzui and Kaz Kuzui on a re-envisioning or relaunch of the Buffy film for the big screen.

On November 22, 2010, The Hollywood Reporter confirmed that Warner Bros. had picked up the movie rights to the remake.

According to The Hollywood Reporter < nowiki >'</ nowiki > s annual Star Salary Top 10, she was tied for eighth place on the top ten list of actresses ' salaries, commanding 10 to 12 million dollars per movie for 2006.

While originally conceived and edited for American television ( and announced in an advertisement by NBC in the Tuesday, July 9, 1963 issue of The Hollywood Reporter ), the production was re-edited for a British theatrical run before the American television debut.

Ray Bennett of the Hollywood Reporter described Cruz's performance as being " outstanding in an otherwise lame male fantasy.

" I knew I wanted Kramer to think of watching the operation like going to see a movie ", explained Seinfeld writer / producer Andy Robin in an interview published in the Hollywood Reporter.

* May 10 – Tichi Wilkerson Kassel, American film personality and publisher of The Hollywood Reporter ( d. 2004 )

The film's opening weekend drew what The Hollywood Reporter dubbed " a dispiriting $ 8. 4 million ".

Aniston was also included in the annual Star Salary Top 10 of trade magazine The Hollywood Reporter for 2006.

On May 25, 2009, The Hollywood Reporter revealed Roy Lee and Doug Davison of Vertigo Entertainment would be working with Fran Rubel Kuzui and Kazi Kuzui on a relaunch of the Buffy series for the big screen.

In 2012, Bogdanovich made news with an essay in the Hollywood Reporter, published in the aftermath of the Aurora, Colorado theater shooting, in which he argued against excessive violence in the movies:

" The Hollywood Reporter provided some positive comments, such as, " Sharon Tate emerges as the film's most sympathetic character ... William H. Daniels ' photographic caress of her faultless face and enormous absorbent eyes is stunning.

William Wilkerson of The Hollywood Reporter wrote: " This sterling performer has finally been given an opportunity to show an ability that has been boxed in by gangster roles ... film has introduced Mr. Tracy as one of the screen's best performers ".

In reviewing the performance, Jack Moffitt of the Hollywood Reporter said it was " so intimate and revealing of universal human experience that, to me, it almost transcended acting and became reality.

" Similar concerns over the production's casting and performances were also raised by critics from the New York magazine, The Hollywood Reporter, The Wall Street Journal, New York Daily News, Time Out New York and Bloomberg News.

According to news items in Hollywood Reporter, Bobby Connolly started shooting the Hawaiian number on July 3, 1934 on the biggest set ever constructed at Warner Bros. studios.

This decision received criticism from Spike Lee, who in a letter to the Hollywood Reporter accused the film ’ s portrayal of slavery as being " a complete whitewashing of history ".

The Hollywood Reporter called it " an artistic tour de force ... in all ways, a triumph for Frank Capra.

All This and Heaven Too ( 1940 ) was the most financially successful film of Davis's career to that point, while The Letter ( 1940 ) was considered " one of the best pictures of the year " by The Hollywood Reporter, and Davis won admiration for her portrayal of an adulterous killer, a role originated by famed actress Katharine Cornell.

The Hollywood Reporter wrote of mannerisms " that you'd expect to find in a nightclub impersonation of ", while the London critic, Richard Winninger, wrote, " Miss Davis, with more say than most stars as to what films she makes, seems to have lapsed into egoism.

He told The Hollywood Reporter, " The story my father wrote embodies the clash between primitive men and civilized men, and that obviously makes it a fertile area for re-examination.

Although the review in the New York Times called the film " the most brilliant picture yet this year " and praised Sturges's mix of escapist fun with underlying significance, the Hollywood Reporter said that it lacked the " down to earth quality and sincerity which made other three pictures a joy to behold " and that " Sturges ... fails to heed the message that writer Sturges proves in his script.

Detour was well received upon initial release with positive reviews in the Los Angeles Times, Variety and The Hollywood Reporter, among many others.

In May 1992, entertainment magazine The Hollywood Reporter reported that about 25 % of Euro Disney's workforce — approximately 3, 000 people — had resigned from their jobs because of unacceptable working conditions.

Situations often take the characters to other destinations, including New York City, Washington, D. C., Hollywood, tropical islands, the Moon, Mars, and some purely fanciful worlds of Capp's invention.

In 1970, De Palma left New York for Hollywood at age thirty to make Get To Know Your Rabbit, starring Orson Welles and Tommy Smothers.

De Palma is often cited as a leading member of the New Hollywood generation of film directors, a distinct pedigree who either emerged from film schools or are overtly cine-literate.

* BBS Productions, highly influential film production company of early 1970s New Hollywood

It was reviewed by Frank S. Nugent in the The New York Times, who noted that the film did not follow the usual Hollywood type-casting.

She used her Miss America scholarship money to study acting at HB Studios in New York City before moving to Hollywood to pursue a film and television career.

He is widely acclaimed as one of Hollywood's most innovative and influential film directors and he epitomized the group of filmmakers known as the New Hollywood, that includes Martin Scorsese, Terrence Malick, Robert Altman, Woody Allen, William Friedkin, Philip Kaufman and George Lucas, who emerged in the early 1970s with unconventional ideas that challenged contemporary film-making.

" Apocalypse Nows reputation has grown in time and it is now regarded by many as a masterpiece of the New Hollywood era, and is frequently cited as one of the greatest movies ever made.

For their influences the new generation of film-makers looked to Italian neorealism, the French Nouvelle Vague and the British New Wave but combined this eclectically with references to the well-established genres of Hollywood cinema.

French New Wave films and the non-narrative films of the 1960s used a carefree editing style and did not conform to the traditional editing etiquette of Hollywood films.

Japanese cinema later became one of the main inspirations behind the New Hollywood movement of the 1960s to 1980s.

The movement, while an inspiration to other national cinemas and unmistakably a direct influence on the future New Hollywood directors, slowly faded by the end of the 1960s.

From 1955 onwards, the works of directors of the so-called Polish Film School had a great influence on the contemporary trends such as French New Wave, Italian neorealism or even late Classical Hollywood cinema.

It is this branch of criticism that gives us such categories as the classical Hollywood cinema, the American independent movement, the New American independent movement, the new queer cinema, and the French, German, and Czech new waves.

City of Nets: A Portrait of Hollywood in the 1940s ; New York: Harper & Row, 1986 ; ISBN 0-06-015626-0 ( See e. g. pp. 45 – 46 for anecdotes revealing Lang's arrogance.

Offers from Hollywood began to arrive but Kelly was in no particular hurry to leave New York.

When Hollywood began to recruit New York theater talent for sound films, Cukor immediately answered the call.

Film critic David Thomson wrote of Hawks in The New Biographical Dictionary of Film " Far from the the meek purveyor of Hollywood forms, he always chose to turn them upside down, To Have and Have Not and The Big Sleep, ostensibly an adventure and a thriller, are really love stories.

Bogart shuttled back and forth between Hollywood and the New York stage from 1930 to 1935, suffering long periods without work.

They first lived in the President Hotel in Atlantic City, New Jersey, where his daughter Phyllis was raised, then the Knickerbocker Hotel in Hollywood.

Broke and working as a musician in New York City after returning from Paris in 1976, Jarmusch applied on a whim to the prestigious Graduate Film School of New York University's Tisch School of the Arts ( then under the direction of Hollywood director László Benedek ).

A deadpan comedy recounting a strange journey of three disillusioned youths from New York through Cleveland to Florida, the film broke many conventions of traditional Hollywood filmmaking.

After Swing Shift, Demme stepped back from Hollywood to make the Talking Heads concert film Stop Making Sense ; the eclectic screwball action-romantic comedy Something Wild ; a film-version of the stage production Swimming to Cambodia, by monologist Spaulding Gray ; and the New York Mafia-by-way-of Downtown comedy Married to the Mob.

" Maybe nobody in Hollywood ever heard of the Shubert Theatre in New York, but everybody certainly knows about the Mercury Theatre in New York.