* Vocabulaire de l ' Opéra

* 1909 – The Phantom of the Opera ( original title: Le Fantôme de l ' Opéra ), a novel by French writer Gaston Leroux, is first published as a serialization in Le Gaulois.

51, a work commissioned by Serge Lifar, who had been appointed maitre de ballet at the Paris Opéra.

It was rendered as L ' Opéra de quat ' sous ; ( quatre sous, or four pennies being the idiomatically equivalent French expression for Threepenny and, by implication, cut-price, cheap ).

Georg Wilhelm Pabst produced a German film version in 1931 called Die 3-Groschen-Oper, and the French version of his film was again rendered as L ' Opéra de quat ' sous.

In 1986 Nespolo had the possibility of designing the stage sets for Ferruccio Busoni ’ s opera Turandot at Connecticut Grand Opera, Stamford, the first of several theatre works he made in the following years, such as the sets and costumes for Paisiello's Don Chisciotte at the Teatro dell ' Opera di Roma in 1990 and for Donizetti's L ' elisir d ' amore, a production for the Rome Opera, the Paris Opera and the Opéra de Lausanne, Liège and Metz in 1995.

* The Flying Dutchman ( 1993, L ' Opéra de la Bastille )

It was commissioned and produced by the Théâtre Impérial de l ’ Opéra ( Paris Opera ) and premiered at the company's theatre, the Salle Le Peletier, on 11 March 1867.

* Monaco: 1 February 1902, Opéra de Monte-Carlo in Monte Carlo with Nellie Melba as Mimì, Enrico Caruso as Rodolfo, Alexis Boyer as Marcello, and Léon Jehin conducting.

The opera was premiered at the Opéra National de Paris in 2005 and Viola's video work was subsequently shown as LOVE / DEATH The Tristan Project at the Haunch of Venison Gallery and St Olave's School, London, in 2006.

Old Nice is also home to the Opéra de Nice.

The main opera company in Rouen is the Opéra de Rouen Haute Normandie.

The Opéra de Lille, designed by Lille architect Louis M. Cordonnier, was dedicated in 1923.

* Le Directeur de l ' Opéra, Paris, Comédie des Champs-Elysées, 27 October 1972.

The two state-subsidised opera houses, the Opéra and the Opéra-Comique, each presented traditional repertoires that tended to stifle and frustrate new homegrown talent ; only eight of the 54 Prix de Rome laureates between 1830 and 1860 had had works staged at the Opéra.

Well received, the work was staged the following year at the Opéra de Monte-Carlo.

The opera debuted successfully in Monaco at the Opéra de Monte-Carlo on 15 March 1892.

" It is also the location of the Hôtel de Paris, the Café de Paris, and the Salle Garnier ( the casino theatre which is the home of the Opéra de Monte-Carlo ).

René Blum was retained to found the Ballet de l ' Opéra.

* Opéra de Monte-Carlo

: 1925: H Judith, libretto by René Morax, premiered at the Opéra de Monte-Carlo on 13 February 1925

: 1925: H L ' Aiglon, co-written with Jacques Ibert ; libretto for acts 2 – 4 by H. Cain, after E. Rostand, libretto for acts 1 and 5 by Ibert, Opéra de Monte-Carlo, 10 March 1937

In 1931, the prestige of Monaco's cultural life received a boost when René Blum was hired to form the " Ballet de l ' Opéra à Monte-Carlo.

La Damnation de Faust is performed regularly in concert halls, since its first successful complete performance in concert in Paris, in 1877 ; it is occasionally staged as an opera, for the first time in Opéra de Monte-Carlo on 18 February 1893, where it was produced by its director Raoul Gunsbourg, Jean de Reszke singing the role of Faust.

* La Wally ( Alfredo Catalani ): Fausto Cleva conducting L ' Orchestre National de l ' Opéra de Monte-Carlo, with Mario Del Monaco, Piero Cappuccilli, Justino Diaz.

Arthur Honegger and Jacques Ibert composed an opera in five acts, also with the title L ' Aiglon, to a libretto by Henri Cain based on Rostand's play, It was first performed at the Opéra de Monte-Carlo in 1937.

Seaside facade of the Salle Garnier, home of the Opéra de Monte-Carlo

The Opéra de Monte-Carlo is an opera house, which is part of the Monte Carlo Casino located in the principality of Monaco.

*: Category: Opéra de Monte-Carlo world premieres

* Opéra de Monte-Carlo

fr: Opéra de Monte-Carlo

pt: Opéra de Monte-Carlo

simple: Opéra de Monte-Carlo

* Werner Haas and Edo de Waart with Orchestre National de l ' Opéra de Monte-Carlo

Der Rosenkavalier reached Monaco on 21 March 1926 when it was performed by the Opéra de Monte-Carlo at the Salle Garnier in a French translation.

Kiri Te Kanawa sang the title role in three revivals, the first of which was presented by the Opéra de Monte-Carlo in 2001 and the last two in 2004 ( at the time, described as her farewell to the opera stage ), at the Washington National Opera and at the Los Angeles Opera.

Frémaux worked with the orchestra of the Opéra de Monte-Carlo, after having been released from the French Foreign Legion ( to which he had been recalled for service in Algeria ) at the request of Prince Rainier.

Charles Garnier (; 6 November 1825 – 3 August 1898 ) was a French architect, perhaps best known as the architect of the Palais Garnier and the Opéra de Monte-Carlo.

Other architectural contributions include the Grand Concert Hall of the Monte Carlo Casino ( 1876 / 79 – 1879 ; since remodeled as the Opéra de Monte-Carlo ) and the Salle de Jeu Trente-et-Quarante ( 1880 – 81 ), both on the Place du Casino in Monte-Carlo ; the Nice Astronomical Observatory ( 1879 – 88 ); the 117 boulevard Saint-Germain in Paris ( 1878 – 80 ); the Hôtel Hachette, 195 boulevard Saint-Germain in Paris ( 1878 – 1881 ); the Panorama Marigny in Paris ( 1883 – 84 ; now the Marigny Theatre ); and his last work, the Magasin ( storehouse ) de Décors de l ' Opéra on the rue Berthier in Paris ( 1894 – 95 ; now the Ateliers Berthier of the Odéon-Théâtre de l ' Europe ).

Act 3 scene 2 of Robert ( the ' Ballet of the Nuns ') at the Paris Opéra ( Salle Le Peletier ), 1832 The name Giacomo Meyerbeer first became known internationally with his opera Il crociato in Egitto — premiered in Venice in 1824 and produced in London and Paris in 1825 ; incidentally it was the last opera ever written to feature a castrato, and to require keyboard accompaniment for recitatives.

The score, written in 1881 – 82, was first performed on 14 April 1883 by the Opéra Comique at the Salle Favart in Paris.

While it was first performed by the Paris Opéra at the Salle Le Peletier on 3 August 1829,

The Opéra National de Paris was located in the Salle Peletier, in Rue le Peletier, between 1821 and 1873, when it was destroyed by fire.

Today the company's official name is Théâtre national de l ' Opéra-Comique, and its theatre, with a capacity of around 1, 248 seats, sometimes referred to as the Salle Favart ( the third on this site ), is located in Place Boïeldieu, in the 2nd arrondissement of Paris, not far from the Palais Garnier, one of the theatres of the Paris Opéra.

The first performance, in French, was at the Salle Le Peletier of the Paris Opéra on 9 October 1826.

On March 12, 1832, the first version of La Sylphide premiered at the Salle Le Peletier of the Paris Opéra with choreography by Filippo Taglioni and music by Jean-Madeleine Schneitzhoeffer.

Of his compositions in other forms, his ballet Le Forgeron de Gretna Green, given at the Salle Le Peletier of the Paris Opéra ( 5 May 1873 ), Caprice for violin and orchestra ( 1885 ), and Chasse fantastique, a symphonic poem ( 1887 ), are best known.

At the time of Marius's birth, Jean Petipa was engaged as Premier danseur ( Principal Male Dancer ) to the Salle Bauveau ( known today as the Opéra de Marseille ), and in 1819 he was appointed Maître de Ballet to that theatre.

He also took part in performances at the Salle Le Peletier of the Paris Opéra where his brother Lucien Petipa was engaged as Premier danseur.

Eugène Hus, creator of the role of Colas, staged Dauberval's La Fille mal gardée in 1803 at the old Paris Opéra, the Salle de la rue de Richelieu, predecessor of the Salle Le Peletier.

< center > Edgar Degas included Mérante in his Foyer de Danse à l ' Opéra de la rue Le Peletier, which shows the Balletmaster rehearsing in the Foyer de la Danse of the Salle Le Peletier, 1872