The band he co-led with trombonist Kid Ory was considered New Orleans ' hottest and best in the 1910s.

Ory started playing music with home-made instruments in his childhood, and by his teens was leading a well-regarded band in Southeast Louisiana.

While in Los Angeles Ory and his band recorded two songs, " Ory's Creole Trombone " and " Society Blues.

His band recorded with the recording company Nordskog and Ory paid them for the pressings and then sold them under his own label of " Kid Ory's Sunshine Orchestra " at a store in Los Angeles called Spikes Brothers Music Store.

The Ory band, with New Orleans-born clarinetist Wade Whaley, played a blues ( titled " Blues for Jimmie " by Welles ) in his honor on the radio, and the number eventually became a regular feature for the Ory band.

When Ory moved to Chicago, Illinois, Carey took over leadership of the band which was based in Los Angeles, California through the 1930s.

The Ory sides were the first recorded jazz by an African American band from New Orleans.

For some or all of the Louis Armstrong and his Hot Seven sides, Ory was in New York City working with King Oliver's band, and was replaced, probably by John Thomas.

Jimmy Strong on clarinet and Fred Robinson on trombone were not as strong soloists as Dodds and Ory had been with the earlier band, but with pianist Earl Hines Armstrong here met a musician who was more nearly his equal technically and creatively than any other in either band.

He played with Ory, King Oliver, Frankie Duson, and led his own band in Storyville.

Kid Ory formed a band in Los Angeles after moving to California in 1919.

Edward " Kid " Ory ( December 25, 1886 – January 23, 1973 ) was a jazz trombonist and bandleader.

Ory was a banjo player during his youth and it is said that his ability to play the banjo helped him develop " tailgate ," a particular style of playing the trombone.

In 1925, Ory moved to Chicago, where he was very active, working and recording with Louis Armstrong, Jelly Roll Morton, Joe " King " Oliver, Johnny Dodds, Bessie Smith, Ma Rainey, and many others.

LaPlace was the birthplace of early jazz musicians Kid Ory and Wellman Braud.

By 1912, he was playing professionally with Freddie Keppard in Storyville, and played with Buddy Petit, Kid Ory, Papa Celestin, the Eagle Band, and the Young Olympia Band, before joining the Original Creole Orchestra in Chicago, Illinois in 1917.

The early style was exemplified by the bands of such musicians as Freddie Keppard, Jelly Roll Morton, " King " Joe Oliver, Kid Ory.

Pops Foster was playing professionally by 1907 and worked with Jack Carey, Kid Ory, Armand Piron, King Oliver and other prominent hot bands of the era.

In 2006, Ory was ordered to pay McDonald $ 395, 000 for attorney fees and had to sell her copyrights to do so.

This was followed by her La Scala début as Isolier in Le comte Ory in 1991, a performance which solidified her reputation as one of the world's leading Rossini singers.

This run saw Chaykin return to writing the series, with Mike Vosburg and Richard Ory penciling and inking the interior art, but the franchise failed to recapture its early success and was canceled after 12 issues.

Two of Rossini's Paris operas ( Le comte Ory and Le siège de Corinthe ) had their British premières at the theatre during this period, and Laporte was also the first to introduce the operas of Vincenzo Bellini ( La sonnambula, Norma and I puritani ) and Gaetano Donizetti ( Anna Bolena, Lucia di Lammermoor and Lucrezia Borgia ) to the British public.

It did both new releases and reissues of classic jazz ; among the artists whose music was released on Good Time Jazz were Jelly Roll Morton, Burt Bales, Wally Rose, Luckey Roberts, Willie " The Lion " Smith, Lu Watters, Bob Scobey, Bunk Johnson, Kid Ory, George Lewis, Johnny Wiggs, Sharkey Bonano, and Don Ewell.

He was in a club listening to the radio when he first heard Parker and was one of the early adopters of the new style, a fact that was disapproved by older musicians like Kid Ory.

Benjamin Mazar's son Ory Mazar, grandchildren Eilat Mazar and Dan Mazar and nephew Amihai Mazar all played an important role in the study and dissemination of Israeli archaeology and historical knowledge.

In 1944 he rejoined Ory, and helped revive interest in traditional jazz on the West Coast.

The house on Jackson Avenue in the picture to the right is where Buddy Bolden discovered Ory, playing his first New trombone, instead of the old civil war trombone.

The original Hot Five were, other than Armstrong's wife Lil Hardin Armstrong on piano, all New Orleans musicians who Armstrong had worked with in that city in the 1910s: Kid Ory on trombone, Johnny Dodds on clarinet, and Johnny St. Cyr on guitar and banjo.

The major underpinnings of the style were in place by 1900 or a bit before, when New Orleans, Louisiana produced musicians like Buddy Bolden, Jelly Roll Morton and Kid Ory.

New Orleans jazz musicians like George Lewis and Kid Ory and locals like Turk Murphy, Burt Bales, Bob Mielke and others invited her onto the bandstand regularly.

He played with Kid Ory there in his youth, and followed Ory to New Orleans, Louisiana.

Kid Ory, the trombonist chicken farmer, is also one of the solid anchor points of jazz.

All this will serve to show off the Ory style in fine fashion and is a must for those who want to collect elements of the old-time jazz before it is too late to lay hands on the gems.

* December 25 – Kid Ory, American jazz musician ( d. 1973 )

* Kid Ory ( 1886 – 1973 ), trombonist and bandleader, Dixieland jazz

* December 25-Kid Ory, jazz musician ( d. 1973 )

" chorus part, as derived from the 1926 early jazz classic " Muskrat Ramble ", co-written by Kid Ory.

The recordings of this group are considered by many to be uneven, with some of the blunders ( e. g. the mis-timed hokum at the end of Heebie Jeebies ) becoming notorious in jazz circles, and the solos of Dodds, Ory and Hardin sounding distinctly pedestrian in comparison with Armstrong's.

He worked with Kid Ory on and off through the 1910s, and went to California with Ory in late 1919, making his first recordings there about 1921.

Did Ory Dobbins frame them?

He collaborated with Giacomo Meyerbeer on a number of occasions, and also provided the words for works by Giuseppe Verdi, Vincenzo Bellini, Daniel Auber ( La muette de Portici, Gustave III and others ), Fromental Halévy ( including La Juive, Guido et Ginevra, and Le Juif errant ), François-Adrien Boieldieu, Gaetano Donizetti and Gioachino Rossini ( Le comte Ory ).