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Page "Bedřich Smetana" ¶ 58
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Piano and Trio
* Performance of Piano Trio No. 1 by the Claremont Trio from the Isabella Stewart Gardner Museum in MP3 format
* Performance of Piano Trio No. 3, I Allegro con brio
Piano Trio 01
* Performances of Piano Trio Op.
70 No. 1 and Piano Trio Op.
Piano Trio 70
The Piano Trio in B-flat major, Op.
Piano Trio 97
5, alludes to the finale of Mendelssohn's Piano Trio in C minor ).
Antonín Dvořák, who received substantial assistance from Brahms, deeply admired his music and was influenced by it in several works, such as the Symphony No. 7 in D minor and the F minor Piano Trio.
* Trio for Flute, Bassoon and Piano in F major
During 1914, just as World War I began, Ravel composed his Piano Trio ( for piano, violin, and cello ) with its Basque themes.
* Piano Trio A minor ( 1914 )
4 ( the original Octet was later published as Op. 103 ); an arrangement of his Piano Trio Op.
Smetana wrote his Piano Trio in G minor as a tribute to her memory ; it was performed in Prague on 3 December 1855 and, according to the composer, was received " harshly " by the critics, although Liszt praised it.
On 4 January 1880, a special concert in Prague marked the 50th anniversary of his first public performance ; Smetana attended, and played his Piano Trio in G minor from 1855.
* Piano Trio ( premiered in 1906 in Vienna by Walter and members of the Rose Quartet )
* Piano Trio ( 1905 )
The DOREMI set includes two string quartets, two fugatos for string quintet, a Piano Trio, a Piano Quartet, a Serenade Concertante, two Overtures, an Offertorium, five Lieder, and etude for piano and Variations Brilliantes on a theme of Bellini for Piano 6 hands.
* John Ireland-Phantasy Piano Trio
* Max Reger – Piano Trio in E minor, Op.

Piano and G
Mozart's Davide penitente ( 1785 ), his Piano Concerto in E flat major ( 1785 ), the Clarinet Quintet ( 1789 ) and the great Symphony in G minor ( 1788 ) had been premiered on the suggestion of Salieri, who supposedly conducted a performance of it in 1791.
Clarity, balance, and transparency are the hallmarks of his work, but simplistic notions of its delicacy mask the exceptional power of his finest masterpieces, such as the Piano Concerto No. 24 in C minor, K. 491 ; the Symphony No. 40 in G minor, K. 550 ; and the opera Don Giovanni.
* Largo / Moderato for Cello and Piano in G minor
* Adagio and Allegro for Piano in G major
* Fugue for Piano in G minor
* Sonata for Piano in G major
* Variations for Piano in G major
This characterization, however, does not do justice to the extreme drama and topical contrast in all his works such as the Piano Concerto No. 4 in G minor.
By age fifteen, he had mastered Mendelssohn's Piano Concerto in G minor and finished a piano reduction of a string quartet by Glazunov, who reportedly considered Stravinsky to be unmusical and thought little of his skills.
His admiration for American jazz is echoed in L ' enfant et les sortilèges, the Violin Sonata and the Piano Concerto in G, while the Russian school of music inspired homage in " À la manière de Borodin " and the orchestration of Mussorgsky's Pictures at an Exhibition.
For example, he made extensive use of rollicking jazz tunes in his Piano Concerto in G Major in the first and third movements.
* Sonata for Violin and Piano in G major ( 1923 – 1927 )
* Piano Concerto in G ( 1929 – 1931 )
Harold Bauer playing Saint-Saëns ' Piano Concerto No. 2 ( Saint-Saëns ) | Piano Concerto No. 2 in G minor, Op.
* Maurice Ravel's Piano Concerto in G ( 1931 ) ( 2nd movement )
** Piano Quintet in G minor ( 1915 )
** Piano Quintet in G minor, Op.
** Piano Quintet in G minor, Op.
** Piano Quintet in G Major, Op.
** Piano Quintet in G minor, Op.
** Piano Quintet ( left-hand ) in G major ( 1926 )
** Piano Quintet in G minor, Op.
** Piano Quintet in G minor ( 1890 )
** Piano Quintet in G minor, Op.

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