Beginning with Bingo in 1976, the RSC revived and toured his plays regularly until the early 1990s, and Bond, though often disagreeing with the aesthetic choices of its productions or protesting at not being consulted sufficiently, recognized the genuine support the company gave to his work.

Dench won the 1977 SWET Best Actress award for her performance and in 2004, members of the RSC voted her performance the greatest by an actress in the history of the company.

Among her roles with the RSC, she was the Duchess in John Webster's The Duchess of Malfi in 1971.

" One of her most notable achievements with the RSC was her performance as Lady Macbeth in 1976.

At the RSC she began her long-time collaboration with Fiona Shaw.

In 1985, she played Nurse in Romeo and Juliet with the Royal Shakespeare Company and her other credits with the RSC in the mid to late-1980s included Maria in Twelfth Night, First Witch in Macbeth, Glinda / Aunt Em in The Wizard of Oz and Parthy Ann in an Opera North version of Show Boat.

In 1994 she completed her run at the RSC playing in Macbeth and A Christmas Carol.

Directly after her run in Time Stephanie took on the role of Kate / Lili Vanessi in the RSC production of Kiss Me Kate at the Savoy Theatre.

In 1982, to coincide with the opening of the Barbican Theatre in London, the Oxford University Press published her study of The Royal Shakespeare Company: A History of Ten Decades ( ISBN 0192122096 ), chronicling the turbulent history of what was to become the RSC from its first founding as a worthy provincial company at the Shakespeare Memorial Theatre in Stratford upon Avon in 1879.

Russell began her career playing Fantine in Les Misérables and performed with the Royal Shakespeare Company ( RSC ) for the first portion of her career.

She was also nominated for a Best Actress award for her performance in Golden Girls at the RSC.

In 1980, David Jones revived the play for the RSC ; the production was in general a disappointment, although Judi Dench as Imogen received reviews that rivalled Ashcroft's.

In 1981, John Barton followed the 1957 Old Vic model and directed a heavily edited version of the play as a double bill with The Two Gentlemen of Verona for the RSC, starring Patrick Stewart as Titus, Sheila Hancock as Tamora, Hugh Quarshie as Aaron and Leonie Mellinger as Lavinia.

Antoon's 1990 production at the New York Shakespeare Festival, starring Morgan Freeman and Tracey Ullman, which was set in the old west ; Bill Alexander's 1992 RSC production at the Barbican, starring Anton Lesser and Amanda Harris, in which the Induction was rewritten in modern language, and the play-within-the-play featured actors carrying scripts and continually forgetting lines ; Delia Taylor's 1999 production at the Clark Street Playhouse, which featured an all female cast, with Diane Manning as Petruchio and Elizabeth Perotti as Katherina ; Phyllida Lloyd's 2003 production at the Globe, again with an all female cast, starring Janet McTeer as Petruchio and Kathryn Hunter as Katherina ; Gregory Doran's 2003 RSC production at the Royal Shakespeare Theatre, where the play was presented with Fletcher's The Tamer Tamed as a two-part piece, with Jasper Britton and Alexandra Gilbreath ( playing both Katherina in The Shrew and Maria ( Petruchio's second wife ) in The Tamer Tamed ); Edward Hall's 2006 Propeller Company production at the Courtyard Theatre as part of the RSC's presentation of the Complete Works, featuring an all-male cast, with Dugald Bruce Lockhart as Petruchio and Simon Scardifield as Katherina ; and Conall Morrison's 2008 RSC production at the Royal Shakespeare Theatre, starring Stephen Boxer and Michelle Gomez.

And in August 2007, as an RSC Honorary Artist, he returned to Stratford for the first time in over 40 years to play Sir John Falstaff in the Courtyard Theatre revival of Henry IV, Part 1 and Henry IV, Part 2 which were part of the RSC Histories Cycle – making him the only British actor to have played Hamlet, Lear and Falstaff in major theatrical productions.

The play was presented with the five other history plays to form a complete eight-part history cycle under the general title This England: The Histories ( the first time the Royal Shakespeare Company ( RSC ) had ever attempted to stage the eight plays as one sequence ).

The production usually credited with establishing the reputation of the play in the modern theatre is John Barton and Peter Hall's 1963 / 1964 RSC production of the tetralogy, adapted into a three-part series, under the general title The Wars of the Roses, at the Royal Shakespeare Theatre.

The play was presented with the five other history plays ( Richard II, 1 Henry IV, 2 Henry IV, Henry V and Richard III ) to form a complete eight-part history cycle under the general title This England: The Histories ( the first time the RSC had ever attempted to stage the eight plays as one sequence ).

The production which is usually credited with establishing the reputation of the play in the modern theatre is John Barton and Peter Hall's 1963 / 1964 RSC production of the tetralogy, adapted into a three-part series, under the general title The Wars of the Roses, at the Royal Shakespeare Theatre.

In 1994, Katie Mitchell directed the play as a stand-alone piece for the Royal Shakespeare Company ( RSC ) at The Other Place theatre in Stratford, under the title Henry VI: The Battle for the Throne.

The play was presented with the other five history plays ( Richard II, 1 Henry IV, 2 Henry IV, Henry V and Richard III ) to form a complete eight-part history cycle under the general title This England: The Histories ( the first time the RSC had ever attempted to stage the eight plays as one sequence ).

The production which is usually credited with establishing the reputation of the play in the modern theatre is John Barton and Peter Hall's 1963 / 1964 RSC production of the tetralogy, adapted into a three-part series, under the general title The Wars of the Roses, at the Royal Shakespeare Theatre.

Warren cites a number of productions of the play as evidence for this argument, including Robin Phillips ' Royal Shakespeare Company ( RSC ) production at the Aldwych Theatre in 1970, where Valentine kisses Silvia, makes his offer and then kisses Proteus.

" In the program notes for John Barton's 1981 RSC production at the Royal Shakespeare Theatre, Anne Barton, his wife, wrote that the central theme of the play was " how to bring love and friendship into a constructive and mutually enhancing relationship.

Hall had only recently been appointed as Artistic Director of the RSC, and, somewhat unexpectedly, he chose Two Gentlemen as his inaugural production, relocating the play to a late medieval milieu.

The RSC again staged the play at the Royal Shakespeare Theatre in 1981, as a double bill with Titus Andronicus, under the direction of John Barton, with Peter Land as Proteus, Peter Chelsom as Valentine, Julia Swift as Julia and Diana Hardcastle as Silvia.

A 1991 RSC production at the Swan Theatre saw director David Thacker use an on-stage live band for the duration of the play, playing music from the 1930s, such as Cole Porter and George Gershwin.

* David Oyelowo played King Henry VI of England ( the first black actor to play a king for the RSC )

With the RSC he also played " the gruelling role " of Father Riccardo Fontana in Rolf Hochhuth's controversial play The Representative at the Aldwych in December 1963.

In 1998, Laurence Boswell directed the play for the RSC at the Swan Theatre.

In 2000, a production of the play was presented in Los Angeles by the ARK Theatre Company, founded by former RSC member Paul Wagar.

In the summer of 1981, Arnesen was bought by Spanish side Valencia CF, and two years later he went to Belgium to play for RSC Anderlecht.

With the RSC in the town many famous actors have at some point lived or stayed in the town or surrounding villages.

Elaborate ESC and ESP systems ( including Roll Stability Control ( RSC )) are available for many commercial vehicles, including transport trucks, trailers, and buses from manufacturers such as Bendix Corporation, WABCO Daimler, Scania AB, and Prevost, and light passenger vehicles.

Over the next six years, she played many small roles with the RSC in a variety of plays, gradually building up to larger parts such as Hoyden in The Relapse and culminating in Peter Brook's acclaimed production of A Midsummer Night's Dream in which she played Helena as a comic " tour de force ".

Among his many notable stage appearances for the RSC are in The Wars of the Roses ( as the Duke of York ) opposite Peggy Ashcroft ( as Queen Margaret ).

His theatre acting work includes Peter Dews ' production of As You Like It, Same Time Next Year ( Prince of Wales Theatre ), Macbeth ( RSC ), Rocky Horror Show ( as the Narrator ), The Spider's Web ( UK Tour for Ian Dickens ), Romeo and Juliet ( UK Tour with Sean Maguire ), The Importance of Being Earnest ( English Speaking Theatre, Frankfurt ) and many pantomimes.

She worked with many companies, including Birmingham and Bristol, before joining the RSC in 1962.

Spriggs was a regular performer with the RSC under Peter Hall until 1976, playing many important Shakespearean roles, including Nurse in Romeo and Juliet, an acclaimed Gertrude in Hamlet opposite David Warner, Calpurnia in Julius Caesar, Mistress Ford in The Merry Wives of Windsor and a witty Beatrice in Much Ado About Nothing.

The RSC later stage many of Mercer's works, including his next play Belcher's Luck ( 1966 ), " a wild tragi-comedy full of Lawrentian symbolism about fertility and impotence ".

His first Shakespearean role for the RSC was in As You Like It ( 1996 ); having auditioned for the role of Orlando, the romantic lead, he was instead cast as the jester Touchstone, which he played in his natural Scottish accent.