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Replacements and never
Part of the mystique of The Replacements was the fact that the audience never knew until the start of a concert if the band would be sober enough to play.
The band recorded three albums in the late 1980s and early 1990s, but were never able to make much of a dent in the glam metal scene of the time due to the beginning of the grunge movement that interestingly, has been attributed to the influence of their fellow Minnesotans, The Replacements.

Replacements and any
On the Indigo Girls album 1200 Curfews ( Disc 2 ) Amy Ray starts the song " Land of Cannaan " ( which originally was on their 1987 Strange Fire album ) by saying " When I first wrote this song it was a ballad, and then I heard The Replacements, and it wasn't any more.

Replacements and significant
Eventually, well known artists including R. E. M., Ian Moore, Teenage Fanclub and The Replacements began touting the recordings of Big Star as significant works.

Replacements and success
The show at Folk City was not a success, because " the Replacements were so loud and obnoxious that the people just cleared right out ", according to manager Jesperson.
The Replacements, who " might be the most legendary " Minnesota rock musicians, eventually achieved some limited mainstream success, which led to member Paul Westerberg's solo career, while Hüsker Dü started on local Reflex Records and became the first hardcore outfit to sign to a major label.

Replacements and have
A track on the 2009 Art Brut album Art Brut vs. Satan called ' The Replacements ' features lyrics such as " I can't believe I've only just discovered The Replacements, how have I only just discovered The Replacements?
" Other television shows that have used her voice work include Galaxy High ; God, The Devil and Bob ; Goof Troop ; Mike, Lu & Og ; The Replacements ; Pinky and the Brain and Timberwolf.
Bands representing an assortment of genres, ranging from The Replacements and The Quireboys to You Am I, Guns N ' Roses, The Black Crowes and Pearl Jam have all acknowledged Faces ' musical influence.
A number of diverse artists have cited Slade as an influence, including 90s icons Nirvana and Smashing Pumpkins, punk pioneers The Ramones, Sex Pistols, The Undertones, The Runaways and The Clash, glam followers Kiss, Mötley Crüe, Twisted Sister, Quiet Riot, Poison and Def Leppard and pop-rock stalwarts The Replacements, Cheap Trick and Oasis.
Slade have influenced numerous artists including: Nirvana, Smashing Pumpkins, The Ramones, Sex Pistols, The Clash, Kiss, Mötley Crüe, Quiet Riot, Poison, Def Leppard, Oasis, Cheap Trick, Twisted Sister, The Undertones, The Replacements and The Runaways.
Replacements for Stellite have been developed by the industry, such as the Electric Power Research Institute's " NOREM ", that provide acceptable performance without cobalt.
Their style has been described as " art-punk ", and they have been compared to bands like The Clash, Fugazi, Bruce Springsteen, The Replacements, and Nick Cave.
Replacements for the toxic mercury in the HID lamps have been investigated and are a matter of ongoing research.
The Replacements have also performed it in concert on several occasions.
To that end, they have been compared to Mould's previous work as a member of Sugar and Hüsker Dü, as well as fellow Georgia-based rock acts such as Guadalcanal Diary and Let's Active and alternative rock pioneers Pixies and The Replacements.
Bands that have played there include, but are not limited to: The Flamin ' Oh's, Blondie, Hüsker Dü, The Replacements, The Suburbs, the Suicide Commandos, the Hypstrz, Naked Raygun, The Effigies, The Ramones, Pere Ubu, Lily Tomlin, The Plasmatics, Talking Heads, Elvis Costello, Curtiss A, The Nerves, The Stranglers, The Police ( on their first US tour ) and many more.

Replacements and influenced
The Replacements ' music was influenced by classic rock artists such as The Rolling Stones, Faces, Big Star, Slade, Badfinger, and The Beatles as well as punk rock bands such as The Ramones, Johnny Thunders, Dead Boys and The Clash.
Hüsker Dü also influenced the band's music ; The Replacements began playing faster and became more influenced by hardcore punk.
Lead singer of The Gaslight Anthem, Brian Fallon, has stated several times that without The Replacements there would be no Gaslight Anthem, as they are heavily influenced by their music, particularly ' Left of the Dial '.
The group claimed to be influenced by Fleetwood Mac, Wilco, The Beach Boys, Tom Petty, Ryan Adams, Beck, ELO, Big Star, Queen, The Replacements, The Beatles, Old 97's and The Flying Burrito Brothers.

Replacements and alternative
The Replacements were an American punk rock band formed in Minneapolis, Minnesota in 1979, and are considered pioneers of alternative rock.
The Replacements and Hüsker Dü set off the national alternative rock boom of the 1990s.
The hardcore punk scene grew with The Replacements and Hüsker Dü, who started too early to profit from, but were pivotal in, the development of alternative rock.
The Pedaljets toured the US extensively from 1984 – 1990, often opening for Husker Du, The Flaming Lips, Soul Asylum, The Replacements, the Meat Puppets, and other well known alternative bands of the 1980s.

Replacements and rock
In the United States, bands such as Hüsker Dü and their Minneapolis protégés The Replacements bridged the gap between punk rock genres like hardcore and the more melodic, explorative realm of what was then called " college rock ".
Unlike many of their underground contemporaries, the Replacements played " heart-on-the-sleeve " rock songs that combined Westerberg's " raw-throated adolescent howl ," with self-deprecating lyrics.
UK punk rock band The Cribs cite The Replacements as a key influence, and covered " Bastards of Young " on the B-Side to their " I'm a Realist " single.
The album was released on 3 October 2006, and features twenty-three Replacements cover songs by various rock, punk, pop, and country artists.
Despite being earlier dismissed as having a sound too similar to The Replacements, as well as being embraced by local college radio and punk scenes ( including playing such venues as CBGB ), the Goo Goo Dolls ' third release had incorporated elements of heavy metal, pop rock, and punk rock.
Pavement's most obvious influence during this time was English rock band The Fall, although Kannberg stated in a 1992 interview that he preferred The Replacements.
The Twin Cities rock scene came to national prominence by 1984, when the Village Voices critics poll, Pazz and Jop, named three Minneapolis recordings among the top ten of the year: Prince's Purple Rain, The Replacements ' Let It Be, and Hüsker Dü's Zen Arcade.
In the 1980s, it also led the pack on coverage of such upcoming rock icons as R. E. M., The Replacements, The Smiths and The Cure, among numerous others.
Despite their short 4-year stint together, the Suicide Commandos were considered the pioneers for jump-starting a punk rock music scene in the Twin Cities, which eventually produced bands like the Suburbs, Hüsker Dü, The Replacements and Soul Asylum.
* The rock and roll band The Replacements released their second album in 1983, entitled Hootenanny on Twin / Tone Records ( see Hootenanny ( album )).
Sorry Ma, Forgot to Take Out the Trash is the first studio album by the American punk rock band The Replacements.
* The Replacements ( band ), an American rock band

Replacements and .
Replacements for Moore and Finlay were elected on 19 September 1929 ; Henri Fromageot and Cecil Hurst respectively.
The Replacements were a notoriously wayward live act, often performing under the influence of alcohol and trashing their instruments.
The Replacements ' history began in Minneapolis in 1978 when a nineteen-year-old Bob Stinson gave his eleven-year-old brother Tommy Stinson a bass guitar to keep him off the streets.
After being banned from the venue for disorderly behaviour, they changed their name to the Replacements.
With the agreement of Stark and the rest of the band, the Replacements signed to Twin / Tone Records in 1980.
After the Replacements signed to Twin / Tone, Westerberg began to write new songs, and soon had a whole album's worth of material.
Because they were suspicious of the music business in general, the Replacements had not signed a written contract with Twin / Tone Records.
the Replacements had a friendly rivalry with the band, which started when Twin / Tone chose the Replacements over Hüsker Dü, and Hüsker Dü landed an opening slot at a Johnny Thunders gig that the Replacements wanted.
The Replacements began to distance themselves from the hardcore punk scene after the release of Stink.
With a batch of new songs, the Replacements entered a warehouse in Roseville, Minnesota to record their next album, with Twin / Tone co-owner Paul Stark engineering.
Stark's meticulous approach to recording was in contrast to that of the Replacements, which often frustrated the band.
By Hootenanny < nowiki >'</ nowiki > s release, the Replacements had begun to attract a following outside of Minneapolis.
The Replacements toured venues in the East Coast of the United States, including a tense gig at City Gardens in New Jersey where a number of punks lined the edge of the stage while the band were playing.
The Replacements returned to New York in June 1983, playing at CBGB.
The gig was a failure ; the band were almost refused entry, Bob Stinson was thrown out as soon as he walked in the door, and the Replacements were the last of five bands, which meant they played in the early morning on a Monday night.
It was not a successful tour ; by the end, various members had threatened to quit the Replacements.
For the recording of their next studio album, the Replacements decided to return to Blackberry Way Studios in late 1983.

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