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San and Giovenale
The first works attributed to Masaccio are the San Giovenale Triptych ( 1422 ) and the Virgin and Child with Saint Anne ( Sant ' Anna Metterza ) ( c. 1424 ) at the Uffizi.
Juvenal ( i. e. San Giovenale ) and Anthony Abbot in the right panel.
* San Giovenale Triptych ( 1422 )
Albaneto, Casanova, Fontenova, Leonessa Colleverde, Cumulata, Sala, San Clemente, San Vito, Vallimpuni, Viesci, Vindoli, Volciano, Casale dei Frati, Villa Alesse, Villa Berti, Villa Bigioni, Villa Bradde, Villa Carmine, Villa Ciavatta, Villa Climinti, Villa Colapietro, Villa Cordeschi, Villa Gizzi, Villa Lucci, Villa Massi, Villa Pulcini, Villa Zunna, Albaneto, Piedelpoggio, Villa Immagine, Corvatello, Sant ' Angelo, Terzone, Casa Buccioli, Capodacqua, Ocre, Pianezza, San Giovenale, Vallunga

San and altarpiece
The latter two completed his design for an altarpiece of the Vision of Saint Nicholas ( San Nicola da Tolentino, Rome ) using two separate marble pieces linked together in one event and place, yet successfully separating the divine and earthly spheres.
On November 26, 1510 Pier Soderini commissioned him an altarpiece for the Sala del Consiglio of Florence, now in the Museum of San Marco.
Severn also painted such works as Cordelia Watching by the Bed of Lear, Shepherds in the Campagna, Shelley Composing Prometheus Unbound, Isabella and the Pot of Basil, Portia with the Casket, Ariel, Rienzi, The Infant of the Apocalypse Saved from the Dragon, a large altarpiece for the church of San Paolo fuori le Mura at Rome, and many portraits of statesman and aristocrats, including Baron Bunsen and William Gladstone.
On February 19, 1426 Masaccio was commissioned by Giuliano di Colino degli Scarsi da San Giusto, for the sum of 80 florins, to paint a major altarpiece, the Pisa Altarpiece, for his chapel in the church of Santa Maria del Carmine in Pisa.
Originally part of the altarpiece of the church of San Gaggio in Florence.
In 1585, Annibale completed an altarpiece of the Baptism of Christ for the church of San Gregorio in Bologna.
Church of San Felipe Neri The Church of San Felipe Neri is considered a classic example of Baroque with estipite ( inverted truncated pyramid ) columns from the end of the 18th century, and has a large gilded main altarpiece.
( For an example of Mantegna's use of a lowered view point, see the image at right of Saints Peter and Paul ; though much less dramatic in its perspective than the St. James picture, the San Zeno altarpiece was done shortly after the St. James cycle was finished, and uses many of the same techniques, including the classicizing architectural structure.
In Verona around 1459, he painted a grand altarpiece for the church of San Zeno Maggiore, depicting a Madonna and angels, with four saints on each side ( at right ; detail above ).
Impressed by his skill and the purity of the design, Gabrielli asked Batoni to see some of his works, and when conducted to the painter's studio he was so awed by his talent that he offered him to paint a new altarpiece for the chapel of his family in San Gregorio Magno al Celio, the Madonna on a Throne with child and four Saints and Blesseds of the Gabrielli family ( 1739 ).
A notable 15th-century drawing is the project for the altarpiece on the high altar of San Juan de los Reyes in Toledo, attributed to Juan Guas.
In 1508 he began the Recanati Polyptych altarpiece for the church of San Domenico.
San Romualdo, from the San Marco, Florence | San Marco altarpiece by Fra Angelico ( Minneapolis Institute of Arts )
His early works are the terra cotta altarpiece in Santa Chiara at Monte San Savino, and the marble reliefs of the Annunciation, the Coronation of the Virgin, a Pietà, the Last Supper, and various statuettes in the Corbinelli chapel of Santo Spirito at Florence, all executed between the years 1488 and 1491.
* The San Jose altarpiece.
Other attractions include the Museum Hassler in San Bernardino, the site where the battle was fought in Acosta Ñu in Eusebio Ayala ; the Basilica and the churches of Caacupé, Altos, Piribebuy, Valenzuela and Atyrá that still retains its original Franciscan altarpiece.
The only dates that can with certainty be given about his life as a painter are his first appearance, already a master of his own shop, in 1457, in a matter of adultery for which he was imprisoned for six months ; and the earliest and the latest years signed on his pictures, 1468 on an altarpiece in the church of San Silvestro at Massa Fermana, near Fermo, and 1493 on The Dead Christ between St John, the Virgin and Mary Magdalene ( Brera Gallery, Milan ).
Concurrently he painted his first, and most celebrated, altarpiece, The Last Communion of St. Jerome for the church of San Girolamo della Carità ( signed and dated, 1614 ).
It houses a famous fresco of San Rocco and an altarpiece by the native Renaissance painter Giovanni Antonio de ' Sacchis ( commonly known as Il Pordenone ).
Trevi's main museum is the Museo S. Francesco, attached to the Gothic church of that name, now secularized ; it contains some slight Roman lapidary material, but a more important collection of Umbrian painting from the late Middle Ages through the 17th century: the main work is the Coronation of the Virgin altarpiece by Lo Spagna, originally in San Martino.

San and was
Lane was still burning because he had narrowly missed election as governor of California in 1902 and laid his defeat to the antagonism of Hearst's San Francisco Examiner.
In his fight for the Illinois and Indiana delegations, Hearst made several trips to Chicago to confer with Andrew Lawrence, the former San Francisco Examiner man who was now his Chicago kingpin, and once to meet with Bryan.
The Jewish section was in Trastevere, near the Tiber at the church of San Francesco a Ripa.
Coaching had declined considerably by 1905, but the sign was still there, near the old Wells Fargo building in San Francisco, creaking in the fog as it had for thirty years.
His patronage on this stretch was made up largely of San Franciscans -- regulars, most of them, and trenchermen like himself.
Louis Sherry once stayed a fortnight at the Palace, and he was so pleased with omelet Arbogast that he introduced it at his restaurant in New York J. Pierpont Morgan had come in his private train to San Francisco, to attend an Episcopal convention, and brought the restaurateur with him.
I, one that was specifically adapted to the San Joaquin Valley.
The first superhighways -- New York's Henry Hudson and Chicago's Lake Shore, San Francisco's Bay Bridge and its approaches, a good slice of the Pennsylvania Turnpike -- were built as part of the federal works program which was going to cure the depression.
Living in San Francisco I saw them seldom enough to see them with a perspective which was not distorted by exasperation or fatigue.
At twelve minutes after five on the morning of Wednesday, April 18, 1906, San Francisco was shaken by a severe earthquake.
I noticed that he was in Unit 12 and that he had registered under the name of Oscar L. Palmer and wife, giving a San Francisco address.
Miss Glenda Kay Meredith of Denton was her sister's maid of honor, and Vernon Lewelleyn of San Angelo was best man.
Enrique Jorda, conductor and musical director of the San Francisco Symphony, will fulfill two more guest conducting engagements in Europe before returning home to open the symphony's Golden Anniversary season, it was announced.
she was already considering putting in rebellious requests for duty at San Diego, Bremerton, the Great Lakes, Pensacola -- any place the Navy had a hospital -- with a threat to resign her commission if the request were not granted.
An adjacent marker was erected by the San Jacinto Chapter of the Daughters of The Republic of Texas and the Lee, Roberts, and Davis Chapter of the United Daughters of the Confederate States of America.
He was stationed in San Francisco from 1869 through 1871 and he took out a patent for the cable car railway that still runs there, receiving a charter for its operation, but signing away his rights when he was reassigned.
Although he was in charge of the project for the papal villa, the Villa Pamphili, now Villa Doria Pamphili, outside the Porta San Pancrazio in Rome, he may have had professional guidance on the design of the casino from the architect / engineer Girolamo Rainaldi and help with supervising its construction from his assistant Giovanni Francesco Grimaldi.
Albert Goodwill Spalding ( Byron, Illinois September 2, 1850 – September 9, 1915 in Point Loma, San Diego, California ) was a professional baseball player, manager and co-founder of A. G. Spalding sporting goods company.
In 1900 he moved to San Diego and became a prominent member and supporter of the Theosophical community Lomaland, which was being developed on Point Loma by Katherine Tingley.
He died on September 9, 1915 in San Diego, and was cremated .< ref name =" referspalding ">
Immediately after, he received several marks of distinction: he was made President of the Accademia di San Luca, the main artistic institution in Rome, and by the hand of the Pope himself his name was inscribed in " the Golden Volume of the Capitol ", and he received the title of Marquis of Ischia, with an annual pension of 3000 crowns.
He was flying a postal route for the Mexican company Transportes Aeras Transcontinentales, ferrying mail from San Luis Potosí to Toreon and then on to Guadalajara.

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