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Shares and Fletcher
* Cyrus Hoy: The Shares of Fletcher and His Collaborators in the Beaumont and Fletcher Canon.
* Hoy, Cyrus H. " The Shares of Fletcher and His Collaborators in the Beaumont and Fletcher Canon.
* Oliphant, E. H. C. Beaumont and Fletcher: An Attempt to Determine Their Respective Shares and the Shares of Others.

Shares and .
Shares of capital stock at $15 each in the latter company were payable at the Bank of Manchester or at various other Vermont banks.
Shares are sold at the same price as the current cost of one share of stock in the acquired chain.
* Shares St. Louis Blues team record for assists in one game ( 5 on February 27, 1988 )
The film was released theatrically in the United States in the summer of 1976 by Cinema Shares.
In 1976, Cinema Shares released Godzilla vs. Megalon theatrically.
As it would with its later Godzilla releases, Cinema Shares opted to use the English dub created by Toho.
Cinema Shares originally released the film with very few edits.
With this being the first of the three Cinema Shares Godzilla releases, the publicity factor was high.
Just as Cinema Shares had done with the previous three Godzilla movies, Bob Conn Enterprises chose to utilize the Toho-produced English dub instead of hiring American voice actors to re-dub the film.
This includes, but is not limited to, Domain Name System ( DNS ) Servers, Network Authentication, Network Shares, Network Resources, Email accounts, and all aspects of server software.
Shares in the listed hedge fund are not generally traded on the exchange.
Shares an identical boundary to the Ballaugh Curraghs ASSI.
* Shares in treasury: it increases financial slack ( if they don ’ t have to be repurchased on the market ), may improve debt rating and reduce cost of debt.
His two Historical Baseball Abstract editions and Win Shares book have continued to advance the field of sabermetrics, 25 years after he began.
Equal Shares: Making Market Socialism Work, Verso.
Shares had a total value of $ 50 billion in 1987 and only $ 15 billion in 1991 ; Belich says that at one point the crash was " the worst in world.
Shares held in un-certificated book-entry form have the same rights and privileges as shares held in certificated form.
Shares in the secondary markets are always undivided.
* 49 % Tognum of Germany due to the 50 % share in Engine Holding, which holds 98 % of the Tognum Shares.
Shares of the company were owned by wealthy merchants and aristocrats.
Evolution of National Nobel Prize Shares in the 20th Century at arXiv: 1009. 2634v1 with graphics: National Physics Nobel Prize shares 1901-2009 by citizenship at the time of the award and by country of birth.
The Rules Governing the Substantial Acquisition of Shares, which used to accompany the Code and which regulated the announcement of certain levels of shareholdings, have now been abolished, though similar provisions still exist in the Companies Act 1985.
Shares could be purchased for a 10 % deposit with the railway company holding the right to call in the remainder at any time.

Fletcher and Beaumont
For the 1960-1961 season, The Carleton Players have announced Blood Wedding by Federico Garcia Lorca, The Knight Of The Burning Pestle by Beaumont and Fletcher and A Moon For The Misbegotten by Eugene O'Neill, with a pre-season production of The Glass Menagerie by Tennessee Williams.
Raphael Holinshed also included her story in his Chronicles ( 1577 ), based on Tacitus and Dio, and inspired Shakespeare's younger contemporaries Francis Beaumont and John Fletcher to write a play, Bonduca, in 1610.
Despite the success of his masterwork Dido and Aeneas ( 1689 ), in which the action is furthered by the use of Italian-style recitative, much of Purcell's best work was not involved in the composing of typical opera, but instead he usually worked within the constraints of the semi-opera format, where isolated scenes and masques are contained within the structure of a spoken play, such as Shakespeare in Purcell's The Fairy-Queen ( 1692 ) and Beaumont and Fletcher in The Prophetess ( 1690 ) and Bonduca ( 1696 ).
** The Scornful Lady, a comedy stage play written by Francis Beaumont and John Fletcher, is published.
One was the innovation in tragicomedy initiated by John Fletcher and developed in the early Beaumont and Fletcher collaborations.
Pericles ( 1609 ) and The Two Noble Kinsmen ( 1634 ) also appeared separately before their inclusions in folio collections ( the Shakespeare Third Folio and the second Beaumont and Fletcher folio, respectively ).
( Brewster, Chiswell, and Herringman were members of the six-man syndicate that published the third Ben Jonson folio in 1692 ; Herringman was one of three stationers who issued the second Beaumont and Fletcher folio in 1679.
* Beaumont and Fletcher folios
* Wit at Several Weapons, a city comedy ( 1613 ); printed as part of the Beaumont and Fletcher Folio, but stylistic analysis indicates comprehensive revision by Middleton and William Rowley.
Printed as part of the Beaumont and Fletcher Folio, but stylistic analysis indicates comprehensive revision by Middleton.
* Evadne is a character in The Maid's Tragedy, a play by Francis Beaumont and John Fletcher
* Fletcher, Beaumont.
* The Captain ( play ), a 1647 stage play by Francis Beaumont and John Fletcher
He issued annotated editions of George Peele, Robert Greene, John Webster, Thomas Middleton, Marlowe, and Beaumont and Fletcher, with lives of the authors and much illustrative matter.
But he was in great demand and also appeared in the plays of many of the great contemporary writers, such as Ben Jonson ( the title role in Volpone, and Subtle in The Alchemist ), John Marston ( The Malcontent ), John Webster ( The Duchess of Malfi ) and Beaumont and Fletcher ( The Maid's Tragedy ).
* selections from Beaumont and Fletcher ( 1855 )
He also produced an edition of the works of Beaumont and Fletcher ( 1778 ), a version of the Ars Poëtica of Horace, an excellent translation from the Mercator of Plautus for Bonnell Thornton's edition ( 1769 – 1772 ), some thirty plays, many parodies and occasional pieces.
Sir Aston Cockayne, Massinger's constant friend and patron, refers in explicit terms to this collaboration in a sonnet addressed to Humphrey Moseley on the publication of his folio edition of Beaumont and Fletcher ( Small Poems of Divers Sorts, 1658 ), and in an epitaph on the two poets he says: " Plays they did write together, were great friends, And now one grave includes them in their ends.
With John Fletcher and Francis Beaumont:
* Ian Fletcher: Beaumont and Fletcher.
* Colley Cibber, Love Makes a Man ; or, The Fop's Fortune: A comedy ( published ; performed 13 December 1700 ); a combination of two plays by Beaumont and Fletcher: The Custom of the Country and The Elder Brother

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