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The Stuckists gained significant media coverage for eight years of protests ( 2000-2006 and 2008 ) outside Tate Britain against the Turner Prize, sometimes dressed as clowns.
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Stuckists and gained
In July 1999, the Stuckists were first mentioned in the media, in an article in The Evening Standard and soon gained other coverage, helped by press interest in Tracey Emin, who had been nominated for the Turner Prize.
Stuckists and media
The emergence at the same time of an anti-YBA group, The Stuckists, co-founded by her ex boyfriend, Billy Childish, gave another angle to media coverage.
The rejection galvanised the Stuckists into a media campaign over the Tate's purchase of its trustee Chris Ofili's work, The Upper Room.
Stuckists and for
Childish and Thomson have issued several manifestos, the first one being The Stuckists, consists of 20 points starting with " Stuckism is a quest for authenticity ".
In August 1999, Childish and Thomson wrote The Stuckists manifesto which places great importance on the value of painting as a medium, as well as its use for communication, the expression of emotion and of experience – as opposed to what Stuckists see as the superficial novelty, nihilism and irony of conceptual art and postmodernism.
Manifestos have been written by other Stuckists, including the Students for Stuckism group.
An " Underage Stuckists " group was founded in 2006 with their own manifesto for teenagers by two 16-year olds, Liv Soul and Rebekah Maybury, on MySpace.
In August 2005 the Stuckists initiated a major controversy over the Tate's purchase of its trustee Chris Ofili's work The Upper Room for £ 705, 000.
At the end of May 2001, she exhibited some of her paintings publicly for the first time in the Vote Stuckist show in Brixton, and formed The Westminster Stuckists group.
* In 2004, Paul Harvey's painting of Palmer-Tomkinson was exhibited in The Stuckists Punk Victorian show at the Walker Art Gallery for the Liverpool Biennial.
He co-curated the Stuckists ' first major exhibition in a public gallery, The Stuckists Punk Victorian show at the Walker Art Gallery, for the 2004 Liverpool Biennial.
He writes a regular arts column for 3: AM Magazine, which carries work by a number of Stuckists, ex-Stuckists and their opponents.
She subsequently met Thomson on 30 May 2001 at the private view of the Vote Stuckist show in Brixton, where she accepted his invitation to form The Westminster Stuckists group and to exhibit some of her paintings publicly for the first time in the show.
In 2001, she was exhibited by the Stuckists group, which she joined for a short time ; she was married briefly to the group co-founder, Charles Thomson.
In 2004, he was one of the fourteen " founder and featured " artists in The Stuckists Punk Victorian held at the Walker Art Gallery for the Liverpool Biennial.
I get the impression a lot of Stuckists are well used to life on society's fringes, on the receiving end of welfare-to-work policies which just don't work for many.
He was a featured artist in The Stuckists Punk Victorian show at the Walker Art Gallery for the 2004 Liverpool Biennial, and was one of the ten " leading Stuckists " in Go West at Spectrum London gallery in 2006.
Machine has exhibited widely with the Stuckists, most notably in their first national museum exhibition, at the Walker Art Gallery for the 2004 Liverpool Biennial.
He was a featured artist in The Stuckists Punk Victorian show at the Walker Art Gallery for the 2004 Liverpool Biennial, His painting of artist and model Emily Mann was used to promote the show.
Howard exhibited in group shows, including The Stuckists Punk Victorian ( 2004 ) at the Walker Art Gallery for the Liverpool Biennial and Go West at Spectrum London ( 2006 ).
In 2004, she was one of the fourteen artists in the " founder and featured " section of The Stuckists Punk Victorian show held at the Walker Art Gallery for the Liverpool Biennial.
In 2004, he was one of the fourteen " founder and featured " artists in The Stuckists Punk Victorian held at the Walker Art Gallery for the Liverpool Biennial.
In 2004, he was one of the fourteen " founder and featured " artists in The Stuckists Punk Victorian held at the Walker Art Gallery for the Liverpool Biennial.
Stuckists and eight
In 2004, Richards was one of eight artists in the " International Stuckists " section of The Stuckists Punk Victorian show at the Walker Art Gallery during the Liverpool Biennial.
Stuckists and 2008
Mafa Bamba founded The Abidgan Stuckists in 2001 in Ivory Coast and Kari Seid founded The Cape Town Stuckists in 2008 in South Africa.
Stuckists and outside
In 2005, Fraser Kee Scott, owner of A Gallery, demonstrated with the Stuckists art group outside the Tate Gallery against the gallery's purchase of The Upper Room, a work by Chris Ofili, then a serving Tate trustee.
In 2000, Susan Constanse founded the first US group The Pittsburgh Stuckists in Pittsburgh — the second group to be founded outside the UK.
In October 2000, Regan Tamanui founded The Melbourne Stuckists in Melbourne, the fourth Stuckist group to be started and the first one outside the UK.
Image: The Stuckists Punk Victorian 7. jpg | Banner outside the Walker Art Gallery, 2004
Image: The Stuckists Punk Victorian 8. jpg | Banner outside the Lady Lever Art Gallery, 2004
Stuckists and Tate
In 2005 the Stuckists offered a donation of 175 paintings from the Walker show to the Tate that was rejected by the Tate Board of Trustees.
Outside the Turner Prize, Tate Britain, 2005: Stuckists demonstrate against the purchase of Chris Ofili's The Upper Room ( paintings ) | The Upper Room.
He was dubbed the " least likely visitor " to The Stuckists Punk Victorian show at the Walker Art Gallery in 2004, which included a wall of work satirising him and the Tate, including Thomson's painting.
In 2005, the Stuckists offered 160 paintings from the Walker show as a donation to the Tate.
In 2005 he offered of a donation of 175 paintings by Stuckists artists from the Walker Gallery show to the Tate Gallery: this was rejected by the trustees.
In 1999, he was one of the founder members of the Stuckists art group, launched by Thomson and Childish ; he has regularly exhibited in Stuckist shows, and also participated in most of the group's demonstrations against the Turner Prize at Tate Britain.
In 2005, the Stuckists offered 160 of the paintings as a donation to the Tate gallery.
In 2005, the Stuckists offered a donation of 160 paintings from the show with a value of £ 500, 000 to the Tate.
Stuckists and Britain
Serota wrote to the Stuckists, rejecting this on the grounds that the work was not of " sufficient quality in terms of accomplishment, innovation or originality of thought to warrant preservation in perpetuity in the national collection ", and was accused of " snubbing one of Britain ’ s foremost collections ".
Stuckists and against
Philip Absolon ( born 24 November 1960 ) is a British artist and a founder member of the Stuckists art group, exhibiting in the group shows, including The Stuckists Punk Victorian at the Walker Art Gallery in 2004, and taking part in Stuckist demonstrations against the Turner Prize.
Stuckists and Turner
The first Stuckists group of 13 artists at the Real Turner Prize Show, Pure Gallery, Shoreditch, London, in October 2000
His painting Diana Dors With an Axe was used on the front cover of the first book on the group, The Stuckists, and also to promote the show The Real Turner Prize Show in Shoreditch in 2000.
In 2002, he joined Murray's re-formed punk band Penetration ; he curated the show, Stuck in Newcastle, at the Newcastle Arts Centre, and was a joint winner of the Stuckists Real Turner Prize Show 2002.
The painting was based on a photograph of Mann by Charles Thomson and was originally intended to promote the Stuckists Real Turner Prize Show 2003: at that time the placard contained the text, " Serota needs a good spanking ".
The image on the cover is a painting by Paul Harvey ( acrylic on canvas, 212. 5 × 75. 5 cm ), and was originally intended to accompany a previous show, the Stuckists Real Turner Prize Show 2003, when the placard held by the main figure read " SEROTA NEEDS A GOOD SPANKING ".
It then traces the history of the group from origins in 1979 to its foundation in 1999, reviews " A Dysfunctional Decade of Saatchi Art ", describes Stuckist demonstrations at the Turner Prize and gives background on artists who have left the Stuckists — co-founder Billy Childish, Stella Vine and Gina Bold.
They were guest artists at the Stuckists Real Turner Prize Show 2000.
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