A female dragon named Delphyne ( δελφύς: womb ), who is obviously connected with Delphi and Apollo Delphinios, and a male serpent Typhon ( τύφειν: smoke ), the adversary of Zeus in the Titanomachy, who the narrators confused with Python.

Before his theft of fire, Prometheus played a decisive role in the Titanomachy, securing victory for Zeus and the other Olympians.

Styx supported Zeus in the Titanomachy where she was the first to rush to his aid.

According to Hyginus, the cause of the Titanomachy is as follows: " After Hera saw that Epaphus, born of a concubine, ruled such a great kingdom ( Egypt ), she saw to it that he should be killed while hunting, and encouraged the Titans to drive Zeus from the kingdom and restore it to Cronus, ( Saturn ).

A lost Titanomachy that dealt with the struggle that Zeus and his siblings, the Olympian Gods, had in overthrowing their father Cronos and his divine generation, the Titans, was traditionally ascribed to Eumelus of Corinth, a semi-legendary bard of the Bacchiad ruling family in archaic Corinth, who was treasured as the traditional composer of the Prosodion, the processional anthem of Messenian independence that was performed on Delos.

The battle of Olympians and Titans was preceded by some sort of theogony, or genealogy of the Primeval Gods, in which, the Byzantine writer Lydus remarked, the author of Titanomachy placed the birth of Zeus, not in Crete, but in Lydia, which should signify on Mount Sipylus.

Perhaps foreshadowing his eventual reconciliation with Prometheus, we learn that Zeus has released the other Titans whom he imprisoned at the conclusion of the Titanomachy.

According to the Byzantine commentator John the Lydian, the unknown author of the 7th century BCE epic poem, the Titanomachy, placed the birth of Zeus, not in Crete, but in Lydia, which should signify Mount Sipylus.

This punishment is especially galling since Prometheus was instrumental in Zeus ' victory in the Titanomachy.

A fragment translated into Latin by the Roman statesman Cicero demonstrates that the chorus of this play is constituted by a group of Titans, recently freed from Tartarus by Zeus despite their defeat in the Titanomachy.

In some records she is a sororal twin to the Titaness Arke ( arch ), who flew out of the company of Olympian gods to join the Titans as their messenger goddess during the Titanomachy, making the two sisters enemy messenger goddesses.

There is little to no reference to Hyperion during the Titanomachy, the epic in which the Olympians battle the ruling Titans, or the Gigantomachy, in which Gaia attempts to avenge the Titans by enlisting the aid of the giants ( Γίγαντες ) that were imprisoned in Tartarus to facilitate the overthrow of the Olympians.

This punishment is especially galling since Prometheus was instrumental in Zeus's victory in the Titanomachy.

A longer Epic Cycle, as described by the 9th-century CE scholar and clergyman Photius in his Bibliotheca, also included the Titanomachy and the Theban Cycle, which in turn comprised the Oedipodea, the Thebaid, the Epigoni and the Alcmeonis ; however, it is certain that none of the cyclic epics ( other than Homer ) survived to Photius ' day, and it is likely that Proclus and Photius were not referring to a canonical collection.

Atlas and his brother Menoetius sided with the Titans in their war against the Olympians, the Titanomachy.

In most variations of the war between the Titans and the Olympians, or Titanomachy, Oceanus, along with Prometheus and Themis, did not take the side of his fellow Titans against the Olympians, but instead withdrew from the conflict.

After the Titanomachy, the goddess Gaia, seeking revenge, brought forth the Giants, including Enceladus and Porphyrion, telling them to " take arms against the great gods ".

The Titanomachy, or War of the Titans, may be regarded as a Theomachy in which the Olympian Gods fought against their predecessor generation, the Titans.

From the very patchy evidence, it seems that " Eumelos "' account of the Titanomachy differed from the surviving account of Hesiod's Theogony at salient points.

* The Last Olympian ( 2009-Final novel in the Percy Jackson and the Olympians series that takes its plot from the Titanomachy )

Apollo as a handsome beardless young man, is often depicted with a kithara ( as Apollo Citharoedus ) or bow in his hand, or reclining on a tree ( the Apollo Lykeios and Apollo Sauroctonos types ).

He is usually described as small, youthful and beardless.

Christ is shown as a young beardless man clothed in purple robe and tunic embroidered with gold, flanked by two Archangels, clothed in white robes representing the sacred bodyguard.

Afterwards, a woman ’ s scream is heard, and only the Duc re-emerges ; and he is beardless.

From left: the proedros and epi tou kanikleiou, the protoproedros | prōtoproedros and protovestiarios | prōtovestiarios ( a eunuch, since he is beardless ), the emperor, the proedros and dekanos, and the proedros and megas primikerios | megas primikērios.

On stylistic grounds, it is dated to the 4th century ; its central roundel represents a beardless male head and bust draped in a pallium in front of the Chi-Rho symbol, flanked by pomegranates, symbols of eternal life.

His likeable face is completely beardless ; his chest remarkably broad and powerful.

This is a typical beardless Iris of subgenus Limniris, series Californicae, growing from a rhizome that is typically under a centimetre in diameter.

Subgenus Limniris is one subgenus of beardless irises, which don't have hair on their drooping sepals, also called their falls.

Longipetalea, the Long-petaled Irises, is a sub-classification of beardless Irises.

In art, the Beloved Disciple is often portrayed as a beardless youth, usually as one of the Twelve Apostles at the Last Supper or with Mary at the crucifixion.

However, this structure is missing in species of the subgenus Ephebomyrmex ( Greek ἔφηβος / ephēbos, " beardless lad "): these species generally have smaller individuals and colonies.

Bacha bazi ( Persian: بچه بازی, literally " playing with children " in Iranian dialect and " playing with boys " in Afghani dialect ), also known as bacchá ( from the Persian bacheh بچه ‌ " child, young man, kid ") or bacha bereesh ( beardless boy ), is sexual slavery and child prostitution in which prepubescent and adolescent boys are sold to wealthy or powerful men for entertainment and sexual activities.

Some authors, such as R. A. Salvatore, have followed suit in their writing, though the game rules ' official position is that females do not grow beards — the fourth edition of Dungeons and Dragons portrayed dwarves as " beardless and even attractive ".

On the left, Jesus is always depicted as young, beardless man, dressed as a Roman Emperor.

Jesus is shown as a beardless and naked androgyne, half-submerged in the Jordan.

The photos were actually out-of-date, as Frida was depicted still with her frizzy perm, while Bjorn was beardless.

In a tradition from the Arabian Nights, a collection of myths and folk tales, Muhammad was said to have warned his followers against staring at youth because of their beauty: " Be careful, do not gaze at beardless youth, for they have eyes more tempting than the houris.

He rebelled against his father from about 55 to 58 CE and must have occupied Ecbatana, since he issued coins from the mint there, bearing the likeness of a young beardless king wearing a diadem with five pendants.

) bends over as though listening at the head or head and torso of another, beardless figure embedded in or arising from the ground.

In an earlier scene, when the Nerdlucks hold all the toons hostage, Sam sneaks up on the Nerdlucks, pointing his pistols at them, and orders them to release all the toons, only to have the Nerdlucks fire a laser pistol back at him, which leaves Sam naked and beardless as the phasers burned off his mustache.