As it would with its later Godzilla releases, Cinema Shares opted to use the English dub created by Toho.

After the film was released in Japan, Toho commissioned a Hong Kong company to dub the film into English.

After the film was released in Japan, Toho commissioned a Hong Kong company to dub the film into English.

After the film was released in Japan, Toho commissioned a Hong Kong company to dub the film into English.

After the film was released in Japan, Toho commissioned a Hong Kong company to dub the film into English.

After the film was released in Japan, Toho commissioned a Hong Kong company to dub the film into English.

After the film was released in Japan, Toho commissioned a Hong Kong company to dub the film into English.

* Lupin III ( 1979 Toho dub )-Lupin III, Dan Dunn, President Jimmy Carter ( all unconfirmed )

The Shintoho Company, which existed until 1964, was named New Toho because it broke off from the original Toho Company.

In 1962, Toho purchased a script from an independent producer from America named John Beck called King Kong vs Prometheus.

Beck, accompanied by two Warner Bros. representatives, attended at least two private screenings of the film on the Toho Studios lot before it was released in Japan.

Ebirah, Horror of the Deep, ( released in Japan as ) is a 1966 Japanese science fiction kaiju film produced by Toho.

Son of Godzilla, ( released in Japan as ), is a 1967 Japanese science fiction kaiju film produced by Toho.

Destroy All Monsters, ( released in Japan as, is a 1968 Japanese Science fiction Kaiju film produced by Toho.

Terror of Mechagodzilla, ( released in Japan as ) is a 1975 Japanese science fiction kaiju film produced by Toho.

The Return of Godzilla ( released in Japan as simply )), is a 1984 Japanese science fiction kaiju film produced by Toho.

In 1970, Saperstein led UPA into a contract with Toho Studios of Japan to distribute its " giant monster " ( see kaiju and tokusatsu ) movies in America.

Kurosawa first encountered Mifune when Toho Studios, the largest film production company in Japan, was conducting a massive talent search, during which hundreds of aspiring actors auditioned before a team of judges.

* Toho College of Music is established in Kawagoe, Saitama, Japan.

Bungeishunjū, Calbee, Creatures Inc., Datam Polystar, HAL Laboratory, Hakusensha, Jaleco, The Japan FM Network Company, Japan Freight Railway Company, Japan Post Holdings, KDDI, Konica Minolta, Mitsubishi Estate, MCDecaux, Mitsubishi UFJ Financial Group, Mizuho Financial Group, New Otani, NTT docomo, Stack Ltd. ( 0verflow ), Seibu Kaihatsu, Seven & i Holdings, Shinsei Bank, Shogakukan, Shueisha, Sony Music Entertainment Japan, Toho, Tokio Marine Nichido, Tokyo FM, Yamazaki Baking Company ( incl.

First released in Japan on 25 March 1943 by Toho film studios, the film was eventually released in the United States on 28 April 1974.

Godzilla vs. Gigan, ( released in Japan as is a 1972 Japanese Science Fiction Kaiju film produced by Toho.

All Monsters Attack, released in Japan as, is a 1969 Japanese Kaiju film produced by Toho.

Ghidorah, the Three-Headed Monster, ( released in Japan as, is a 1964 Japanese science fiction kaiju film produced by Toho.

Godzilla vs. Mechagodzilla II, ( released in Japan as, is a 1993 Japanese science fiction kaiju film produced by Toho.

In 2005, H2 was adapted into a live action drama series aired on TBS in Japan, and Touch was adapted into a live action movie released by Toho.

In 2003, Konami teamed up with the Japanese film production company Toho Company, Ltd. in creating their own genre of tokusatsu TV series, known as the Chouseishin Series, in attempt to emulate and rival the success of Toei's Super Sentai genre.

, translated into English as Ultra Star God Gransazers or Super Star God Gransazers, is a tokusatsu superhero TV series, produced by Toho Company Ltd., and Konami.

Toho had long wanted to make a King Kong film and decided to replace the Frankenstein creature with their own monster Godzilla.

Toho had planned to shoot this film on location in Sri Lanka, but had to forgo that ( and scale back on production costs ) because they ended up paying RKO roughly $ 200, 000 ( US ) for the rights to the King Kong character.

Godzilla Vs. Megalon was originally planned as a non-Godzilla film, a solo vehicle for Jet Jaguar, which was the result of a contest Toho had for children in mid-to-late 1972.

Toho had no intention of permanently ending the Godzilla series.

After this, Toho had the idea of making Godzilla vs. Mechani-Kong, but Kazuki Omori feared that this would ultimately violate Turner's copyright.

Prior to New World Pictures ' release of the film, Toho had the film dubbed in Hong Kong.

Toho also had a theater in San Francisco and opened a theater in New York in 1963.

Kurosawa refused to shoot the peasant village at Toho Studios and had a complete set constructed on the Izu Peninsula.

At this time, a large number of Toho actors, after a prolonged strike, had left to form their own company, Shin Toho.

Toho, the creators of Godzilla, also had their hands in creating the Chouseishin Series of programs from 2003 to 2006.

While only a few hundred were built, Prince Motors had a very aggressive product placement group and they can be seen ( along the company's mainstream models ) in many Toho films of the early 1960s.

A fan of the original Kozure Ōkami films, Weisman had obtained the rights for $ 50, 000 from the American office of Toho Studios.

Years later in 1962, Cooper had found out that RKO was licensing the character through John Beck to Toho studios in Japan for a film project called King Kong vs Godzilla.

Director Shūsuke Kaneko's original script originally had Anguirus, Varan and Baragon defend Japan against Godzilla, but Toho told him to replace the former two with the more popular King Ghidorah and Mothra, as Anguirus and Varan were not considered bankable enough to guarantee a box-office hit.

After the film was completed, Toho had their international versions of the movie dubbed in Hong Kong.

* As has been done since the early 1970s, Toho had the international version of Godzilla Against Mechagodzilla dubbed in Hong Kong.

Any hopes Toho had of Godzilla: Final Wars ending the series with a box office bang were crushed when the film opened in Japan on December 4, 2004.

Was removed due to the fact that Atari had no idea if her final design was approved by Toho, was then locked, however it was discovered that Simon Strange had left her in the game still and that she can still be used via Hacking, so he was ordered to removed her completely prior to release, all that remains of Biollante is her Weapon Animation for her Acid Spray.

Toho had always been interested in the Frankenstein character, as years earlier producer Tomoyuki Tanaka had originally commissioned a film called Frankenstein vs. the Human Vapor ( フランケンシュタイン対ガス人間-Furankenshutain tai Gasu Ningen ), with a draft written by Kimura.

Although Eiji had strong political power at Toho, he and the company were at odds with each other until his death in 1970.