* The Tragedy of Othello: The Moor of Venice ( 1952 )

* William Shakespeare: The Tragedy of Othello, the Moor of Venice ( no adulterers / esses, though the plot revolves around the perception of adultery )

-Shakespeare, The Tragedy of Othello, the Moor of Venice Act II.

-Shakespeare, The Tragedy of Othello, the Moor of Venice Act II.

: First published: version of the play published in quarto in 1622 as The Tragedy of Othello, the Moore of Venice

Then he published Electra, a Tragedy, and Ljubmir, a Pastoral History ( a collection of his translations ) and Love and Death of Pyramus and Thisbe, Translated into Croatian from Several Foreign Languages, in Venice in 1597.

* Elektra, trađeija, Ljubmir, pripovijes pastijerska ( Electra, a Tragedy, and Ljubmir, a Pastoral History ), Venice, 1597

He concluded that " the only excuse which I have yet discovered for writing anything is that I want to write it ; and I should be as proud to be delivered of a Telephone Directory con amore as I should be ashamed to create a Blank Verse Tragedy at the bidding of others.

He is certainly retired at the time of Three Act Tragedy ( 1935 ) but he does not enjoy his retirement and comes repeatedly out of it thereafter when his curiosity is engaged.

The title of Nicholas Blake's 1949 detective novel Head of a Traveller is a quotation from Housman's parody Fragment of a Greek Tragedy.

* Tragedy: a drama in which a character's downfall is caused by a flaw in their character or by a major error in judgment.

The Tragedy of Hamlet, Prince of Denmark is a tragedy by William Shakespeare.

The upshot is that scholars cannot assert with any confidence how much material Shakespeare took from the Ur-Hamlet ( if it even existed ), how much from Belleforest or Saxo, and how much from other contemporary sources ( such as Kyd's The Spanish Tragedy ).

One of the best known of all Irish stories, Oidheadh Clainne Lir, or The Tragedy of the Children of Lir, is also part of this cycle.

The Tragedy of Macbeth ( commonly called Macbeth ) is a play written by William Shakespeare.

Overgrazing is used as the canonical example of the Tragedy of the commons.

Neither of the two plays place any emphasis on Richard's physical appearance, though the True Tragedy briefly mentions that he is " A man ill shaped, crooked backed, lame armed " adding that he is " valiantly minded, but tyrannous in authority.

Now, according to our definition, Tragedy is an imitation of an action that is complete, and whole, and of a certain magnitude … As therefore, in the other imitative arts, the imitation is one when the object imitated is one, so the plot, being an imitation of an action, must imitate one action and that a whole, the structural union of the parts being such that, if any one of them is displaced or removed, the whole will be disjointed and disturbed.

Epic poetry agrees with Tragedy in so far as it is an imitation in verse of characters of a higher type.

Tragedy of the anticommons is related to other concepts:

Cymbeline (), also known as Cymbeline, King of Britain or The Tragedy of Cymbeline, is a play by William Shakespeare, based on legends concerning the early Celtic British King Cunobelinus.

Philip Henslowe's diary records payment to Ben Jonson for additions that year, but it is disputed whether the published additions reflect Jonson's work or if they were actually composed for a 1597 revival of The Spanish Tragedy mentioned by Henslowe.

It has been argued that it's useful to view many natural systems as capital because they can be improved or degraded by the actions of man over time ( see Tragedy of the commons ), so that to view them as if their productive capacity is fixed by nature alone is misleading.

The Tragedy of Julius Caesar, also known simply as Julius Caesar, is a tragedy by William Shakespeare, believed to have been written in 1599.

In the same work, Aristotle attempts to provide a scholastic definition of what tragedy is: Tragedy is, then, an enactment of a deed that is important and complete, and of certain magnitude, by means of language enriched ornaments, each used separately in the different parts the play: it is enacted, not recited, and through pity and fear it effects relief ( catharsis ) to such similar emotions.

Nietzsche discussed the origins of Greek tragedy in his early book, The Birth of Tragedy ( 1872 ).

Arthur Miller's essay " Tragedy and the Common Man " ( 1949 ) argues that tragedy may also depict ordinary people in domestic surroundings.

Nietzsche, another German philosopher, dedicated his first full-length book, The Birth of Tragedy ( 1872 ), to a discussion of the origins of Greek tragedy.

His own plays from this decade reveal a somewhat mellowed temper ; certainly there is no comedy among them with the satiric depth of Michaelmas Term and no tragedy as bloodthirsty as The Revenger's Tragedy.

The Changeling, a late tragedy, returns Middleton to an Italianate setting like that in The Revenger's Tragedy ; here, however, the central characters are more fully drawn and more compelling as individuals, again, assuming he wrote The Revenger's Tragedy.

* A Yorkshire Tragedy, a one-act tragedy ( 1605 ); attributed to Shakespeare on its title page, but stylistic analysis favours Middleton.

* The Second Maiden's Tragedy, a tragedy ( 1611 ); an anonymous manuscript ; stylistic analysis indicates Middleton's authorship ( though one scholar, Charles Hamilton, has attributed it to Shakespeare ; see The History of Cardenio for details ).

The Tragedy of Macbeth ( commonly called Macbeth ) is a tragedy by William Shakespeare about a man who commits regicide so as to become king and then commits further murders to maintain his power.

Tragedy is then a corrective ; through watching tragedy, the audience learns how to feel these emotions at proper levels.

Tragedy had compounded tragedy as the conflict reached into the nation's cities for the first time.

Silk wrote in his book “ Tragedy and the Tragic: Greek Theatre and Beyond ” that “ Aristotle's theory of tragedy and its underlying philosophical tenets have little in common with the tragic philosophy of German idealism, as analyzed by Szondi.

* The Maid's Tragedy, tragedy ( c. 1609 ; printed 1619 )

The story was used by Thomas Southerne for a tragedy entitled Oroonoko: A Tragedy.

A Yorkshire Tragedy is an early Jacobean era stage play, a domestic tragedy printed in 1608.

Collier, instead, preferred his restrictions imposed on comedy ( e. g. his rigid Neoclassical notions of dramatic decorum ), and in doing so he followed the same twisted moral logic found in the work of other critics who had imposed the law of poetic justice on tragedy ( e. g. Thomas Rymer and his A Short View of Tragedy ( 1693 )).

For example, Bradley's treatment of Hamlet in Shakespearean Tragedy is an excellent corrective to the over-dreamy picture of Hamlet we inherit from the Romantics, for Bradley shows why Hamlet is not merely a soft contemplative, incapable action, but a truly great-souled figure, worthy of tragedy.

For an in-depth account of the tragedy, see Well of Lies: The Walkerton Water Tragedy ( McClelland & Stewart 2002 ) by Colin N. Perkel.

Bourgeois Tragedy ( German: Bürgerliches Trauerspiel ) is a form of tragedy that developed in 18th century Europe.

The Revenger's Tragedy is an English language Jacobean revenge tragedy, attributed to either Cyril Tourneur or Thomas Middleton.

His plays include Tragedy: a tragedy, The Flu Season, King: a problem play, Thom Pain ( based on nothing ), Middletown, Oh, the Humanity and other good intentions, The Realistic Joneses, Title and Deed ( a collaboration with the Gare St. Lazare Players of Ireland ), and an adaptation of Ibsen's Peer Gynt titled Gnit.