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Verve and imprint
American Decca's jazz catalogue is managed by GRP Records, an imprint of Verve Records.
They released Laughing Stock on Polydor's Verve Records imprint in 1991.
" The Riverside recordings led to her inclusion in a star-studded 1961 NBC network special, " Chicago and All That Jazz ," and a follow-up album released through the Verve Records imprint.
This remained so, even after the 1998 mega-merger with parent Universal Music Group and PolyGram ( which incidentally was Island's parent by that time ) and being put under the fold of the Verve Music Group, continuing to be Verve's imprint for non-jazz releases.
In early 2005, the Blue Thumb imprint was deactivated and was replaced with Verve Forecast to handle such releases.
These albums were all released by Verve Records under the " Bizarre Productions " imprint.
As Verve ( by then an imprint of Polygram ) prepared to re-release the band's three Verve / MGM albums on vinyl and, for the first time, on CD, they found nineteen previously unreleased tracks: five Cale-era tracks and the fourteen " lost album " tracks, some of them in two-track mixdown format, some of them even on multitracks.
As Verve ( by then an imprint of Polygram ) prepared to re-release the band's three Verve / MGM albums on vinyl and CD, they found nineteen previously unreleased tracks: five Cale-era tracks and the fourteen " lost album " tracks, some of them in two-track mixdown format, some of them even on multitracks.

Verve and much
They released the " So I'm Wrong and You Are Right " b / w " The People Had No Faces " single on Verve Records, but did not gain the band much recognition.
The Verve had negotiated this legally ; however, The Rolling Stones ' record company successfully sued and argued that they had used " too much.
Post-Britpop bands like The Verve, Radiohead, Travis, Stereophonics, Feeder, and particularly Coldplay, achieved much wider international success than most of the Britpop groups that had preceded them, and were some of the most commercially successful acts of the late 1990s and early 2000s.
Klein argued that The Verve had violated the previous licensing agreement by using too much of the sample in their song.
Although EmArcy is currently part of the Decca Label Group, much of its earlier catalogue is now managed by Verve Records.
Originally, The Verve had negotiated a licence to use a sample from the Oldham recording, but it was successfully argued that the Verve had used " too much " of the sample.
Post-Britpop bands like The Verve, Radiohead, Travis, Stereophonics and Feeder, achieved much wider international success than most of the Britpop groups that had preceded them, and were some of the most commercially successful acts of the late 1990s.

Verve and jazz
* Verve Records, an American jazz record label
It was the band's first release under the name The Verve, following legal difficulties with the jazz label Verve Records.
With his father's help, he secured a one-record deal with Verve Records, an important jazz label looking for a young and popular personality who could sing or be taught to sing.
* High Life is an album by jazz saxophonist Wayne Shorter that was released on Verve Records in 1995.
MCA's jazz catalogue is managed by Verve Records ( through either the GRP or Impulse!
The Decca-era Brunswick jazz catalogue is managed by Verve Records.
While still working with the Gilbertos, he recorded the jazz album Nobody Else but Me ( 1964 ), with a new quartet including vibraphonist Gary Burton, but Verve Records, wishing to continue building the Getz brand with bossa nova, refused to release it.
In 1961, MGM Records acquired the noted jazz label Verve Records and later added a sublabel Verve Forecast Records.
The Velvet Underground was the band's first album for MGM Records, the band's first two albums having been issued by MGM subsidiary and legendary jazz label, Verve Records.
Verve Records is an American jazz record label now owned by Universal Music Group.
The Verve catalog grew throughout the 1950s and 1960s to include most of the major figures in jazz.
Besides its main focus on jazz, Verve did host a handful of rock artists in the 1960s, including The Righteous Brothers, Frank Zappa & The Mothers of Invention, The Velvet Underground, and The Blues Project.
Today, Verve is one of the world's leading jazz labels.
Stitt experimented with Afro-Cuban jazz in the late 1950s, and the results can be heard on his recordings for Roost and Verve, on which he teamed up with Thad Jones and Chick Corea for Latin versions of such standards as " Autumn Leaves.
Taylor had previously founded Impulse Records and worked for Verve Records, earning a reputation as a respected producer of jazz albums.
Horizon's jazz catalog is now managed by Verve Records.
is now part of Universal Music Group's jazz holdings, The Verve Music Group, and has been relegated to a reissue-only label.
Stacey Kent, the American expatriate singer based in London, was among those who have recorded for the revitalised labelwhich led to furthering her recording career with Blue Note / EMI ; as are Clare Teal, who has since moved to Sony with the biggest ever recording-deal by a British jazz singer ; and singer-pianist Jamie Cullum – whose debut album ( funded by a student loan ) was taken on by the labeland eventually saw him land a million pound record deal with Verve Records.
GRP Records is an American jazz record company, owned by Universal Music Group and operates through its Verve Music Group.
Pablo Records was a record label founded by Norman Granz in 1972, some ten years after he had sold his jazz labels ( including the world-famous Verve Records ) to MGM Records.
By the mid-1990s, Polygram Classics handled the classical labels ( Philips, Mercury, Decca, DGG ) and Verve Music Group handled the jazz back catalogue ( from Verve, Mercury, etc.

Verve and catalog
The Workshop Jazz catalog is currently managed by Verve Records.
This label ( including its roster and catalog ) was folded into Verve Records after the PolyGram / Universal merger.
Released in 1956 by Verve Records under catalog number MG V-4005, the album is an unusual mix of Jones ' ongoing ( and offbeat ) commentary on the relatively new technology of high fidelity audio combined with then-new recordings of some of his classic comedy numbers, again in a high fidelity format.

Verve and once
Ashcroft had been adamant that The Verve would not reform, once remarking: " You're more likely to get all four Beatles on stage ".

Verve and PolyGram
PolyGram subsequently trimmed most of Polydor's staff and roster, and shifted it to operate under the umbrella of PolyGram Label Group ( PLG ), a newly constructed ' super label ' specifically designed to oversee the operations of PolyGram's lesser performing imprints ( which included Island Records, London Records, Atlas Records and Verve Records ) at the time.
Verve Records became the Verve Music Group after PolyGram was merged with Seagram's Universal Music Group in 1998.
GPG needed to move into the US and UK markets, and did so by a process of both formation and acquisition: Polydor Records established its American operations in 1969, Mercury Record Productions ( US ) was acquired in 1972 from sister company North American Philips Corp., RSO ( UK ) in 1967, MGM Records and Verve ( US ) in 1972, Casablanca ( US ) in 1977, Pickwick in 1978, and Decca ( UK ) in 1980 ( the latter acquisition basically brought PolyGram full circle, see the HDD section above ).
Upon the Universal Music Group's acquisition of PolyGram in 1998, GRP became one of a series of labels managed by the Verve Music Group.

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