Then followed a period in which he wrote reviews for The New York Times Book Review, The Commonweal, Commentary, had a small piece in Partisan Review, and moved on to Hudson, The Village Voice, and Exodus.

In a glowing review for his " Consumer Guide " column published by The Village Voice, Robert Christgau wrote: " Before minstrelsy scholar Eric Lott gets too excited about having his title stolen.

Later, when The Village Voice conducted its Pazz & Jop Critics Poll for 2001, " Love and Theft " topped the list, the third Dylan album to accomplish this.

" Celebrity Skin went on to go multi-platinum, and topped " Best of Year " lists at Spin, the Village Voice, and other periodicals.

* God Save the Teens: Local Kids Seek a New Kind of Church Through Hardcore and Hip-Hop by Lauren Sandler in the Village Voice 30 May-5 June 2001

Morris attended Hewlett Elementary School in a class with Brent Glass, Tony Kornheiser and former Village Voice editor David Schneiderman.

Among the first venues for what would soon be called " Off-Off-Broadway " ( a term supposedly coined by critic Jerry Tallmer of the Village Voice ) were coffeehouses in Greenwich Village, in particular, the Caffe Cino at 31 Cornelia Street, operated by the eccentric Joe Cino, who early on took a liking to actors and playwrights and agreed to let them stage plays there without bothering to read the plays first, or to even find out much about the content.

* Village Voice

ANb's Frozen Corpse Stuffed with Dope has been described as " the Paul's Boutique of grindcore ", by Village Voice critic Phil Freeman, for its " hyper-referential, impossibly dense barrage of samples, blast beats, answering machine messages, and incomprehensibly bellowed rants.

The Village Voice offered a lukewarm review, noting that " the many eight-to-11-year-olds in the audience seemed completely enthralled ".

Indeed, the term " raga rock " was coined by The Byrds ' publicist in the press releases for the single and was first used in print by journalist Sally Kempton in her review of " Eight Miles High " for The Village Voice.

The Village Voice held a $ 200 lightbulb joke contest around the time of the Iran hostage crisis, with the winning joke being:

Village Voice jazz critic Gary Giddins argues that as the creation and dissemination of jazz is becoming increasingly institutionalized and dominated by major entertainment firms, jazz is facing a "... perilous future of respectability and disinterested acceptance.

In June 1982, a Village Voice report by Geoffrey Stokes and Eliot Fremont-Smith accused Kosiński of plagiarism, claiming that much of his work was derivative of prewar books unfamiliar to English readers, and that Being There was a plagiarism of Kariera Nikodema Dyzmy — The Career of Nicodemus Dyzma — a 1932 Polish bestseller by Tadeusz Dołęga-Mostowicz.

Despite repudiation of the Village Voice allegations in detailed articles in The New York Times, The Los Angeles Times, and other publications, Kosiński remained tainted.

However, Jessica Winter of The Village Voice complimented Dunst, stating that her performance was " as sprightly and knowingly daft as her turn in Dick.

These have been criticised by Alan Scherstuhl of The Village Voice as expressions of hatred towards women.

The break-through moment came in the fall of 1987, during the Open Theatre Festival in Wrocław, when the Village Voice reported the Orange Alternative's action known as " Distribution of Toilet Paper " – a happening that satirized the annoying lack of that consumer product at the time.

Nation of Millions ... was voted Album of the Year by The Village Voice Pazz and Jop Poll, the first hip hop album to be ranked number one by predominantly rock critics in a major periodical.

Jeff Vice of the Deseret News commented that " unfortunately, casting Cruz as a tough girl is a hilariously bad ..." and Michael Miller of the Village Voice writing that " as Satan's helper Carmen, Penélope Cruz doesn't hold a candle to her cocaine-huffing enabler in Blow.

* " We Have to Deal With It: Punk England Report ", by Robert Christgau, Village Voice, January 9, 1978

" This sense of exclusion was articulated by Jonathan Lethem in an essay published in the Village Voice entitled " Close Encounters: The Squandered Promise of Science Fiction.

A 2000 poll of critics conducted by The Village Voice named it the 89th greatest film of the 20th century.

" Ten police officers — including two policewomen — barricaded themselves, Van Ronk, Howard Smith ( a writer for The Village Voice ), and several handcuffed detainees inside the Stonewall Inn for their own safety.

During this time, Hickman released a first solo recording, " Palmhenge ", which received " Voices Choice " accolades in The Village Voice by the rock critic Robert Christgau and a positive review in Blender magazine.

" Wrenchingly beautiful … the film is one of the few commanding works of personal cinema in the late 80's – a call to open our eyes to a world violated by greed and repression, to see what irrevocable damage has been wrought on city, countryside and soul, how our skies, our bodies, have turned poisonous ", wrote a Village Voice critic.

In 1999, film critic J. Hoberman and film section editor Dennis Lim began a similar Village Voice Film Poll for the year's movies.

In a 1982 post-series analysis in the Village Voice published just as it was first entering syndication, TV critic Tom Carson lauded the ensemble saying that " the cast matches the best TV series rep troupes ever.

In his consumer guide for The Village Voice, critic Robert Christgau gave the album a C + rating, indicating " a not disreputable performance, most likely a failed experiment or a pleasant piece of hackwork ".

"< ref name =" Kimball "> In his consumer guide for The Village Voice, critic Robert Christgau gave At Fillmore East a B – rating, indicating " a competent or mildly interesting record that will usually feature at least three worthwhile cuts.

According to a review attributed to New York's Village Voice food critic Robert Seitsema, the Flagel was first created by Brooklyn's Tasty Bagels deli in the early 1990s.

In an article in The Village Voice, film critic J. Hoberman described the film as "... an outrageous masala of apparently discordant elements.

As a critic for The Village Voice ( from November 1986 to December 2005 ) and other publications he has been a supporter of progressive music including such Downtown movements as postminimalism and totalism.

He has been a rock critic and columnist for Rolling Stone ( where he was the first reviews editor, at $ 30 a week ) and other publications, including Creem, The Village Voice, and Artforum.

Tom Johnson, one of the few composers to self-identify as minimalist, also claims to have been first to use the word as new music critic for The Village Voice.

During the late 1960s and early 1970s, Roxon became close friends with critic and rock manager Danny Fields, Village Voice journalist Blair Sabol, musician and writer Lenny Kaye ( later the guitarist in Patti Smith's band and compiler of the original Nuggets LP ), photographers Linda McCartney and Leee Black Childers and Australian academic, author and feminist Germaine Greer.

* Michael Townsend Smith ( born 1935 ), theatre critic for The Village Voice, music and dance critic for the Santa Barbara News-Press ; also playwright

In 2003, Village Voice film critic Ed Halter described the film as: "... legendary ... a canonical study of a Gen-X media manipulation.

In his consumer guide for The Village Voice, critic Robert Christgau gave Follow the Leader an A – rating, indicating " a very good record.

" In a review of the book in the Village Voice, critic Robert Christgau wrote, "... Let me give Michael Azerrad's Our Band Could Be Your Life its well-earned thumbs-up.

The focal point of The Go-Betweens was the song writing skills of Forster and McLennan, described by The Village Voice critic Robert Christgau as " the greatest songwriting partnership working today.

Dawson's authentic persona has a demeanor which is " sheepish and guileless and awkward in a way that you really can't fake " and who sometimes looks " legitimately terrified " during performances, according to Village Voice music critic Rob Harvilla.

In December 2005, Village Voice art critic Jerry Saltz described " Day is Done " as a pioneering example of " clusterfuck aesthetics ," the tendency towards overloaded multimedia environments in contemporary art.