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album's and cover
The album's cover features a withered starving African child's hand being held and dwarfed by a white man's hand.
The album's lead single, " She's Every Woman " peaked at number-one on the Billboard Country Chart, however its follow-up single, " The Fever " ( a cover of an Aerosmith song ) only peaked at number 23, becoming Brooks's first released Country single to not chart on the Top 10.
The album's cover, which " shows lying on his back in bed with his ravishing wife's ample posterior in full view and one of her legs coyly draped over his private parts ," was considered to be too suggestive for most retailers, many of which were reluctant to stock the album.
The album's lead single was a cover of Bad Company's " Feel Like Makin ' Love ".
Although the children are not shown from the front, the cover was controversial at the time of the album's release.
When being photographed for the album's cover, Potger was replaced by Ray – his day job with the Australian Broadcasting Commission ( ABC ) as a radio producer barred him from involvement in a commercial enterprise.
Although the album's cover features the original line-up of Kool Keith, Ced Gee, Moe Love and TR Love, TR ( along with Tim Dog ) is notably absent.
The album's cover has the four main actors on the cover and the back cover has some background information about the four actors, information about the five month shooting schedule, some information about Albee and a brief synopsis of the film.
Hipgnosis's first Genesis album cover was for The Lamb Lies Down on Broadway, which featured a male model, credited simply as " Omar ", portraying the album's protagonist " Rael ".
The album's cover photograph – which showed the three band members posing with their shirts unbuttoned, on a tropical beach – engendered no small amount of ridicule, with Palmer complaining the group looked like disco stars the Bee Gees.
Dressed on the cover all in leather, the album's singles " A Little More Love " ( No. 3 Pop, No. 94 Country, No. 4 AC ), " Deeper than the Night " ( No. 11 Pop, No. 87 Country, No. 4 AC ), and the title track ( No. 52 Pop ) all demonstrated a more aggressive and uptempo sound for Newton-John.
Although it had some progressive rock stylings, it also had a darker edge, suggested by the bedsit squalour on the album's cover.
He is reputed to have given the album its name by throwing a tomato at a showing of the art used for the album's cover.
The album's cover artwork was photographed and designed by Cal Schenkel and shows Van Vliet wearing the raw head of a carp, bought from a local fish market and fashioned into a mask by Schenkel.
Music critic Stephen Thomas Erlewine of Allmusic said, " It was inevitable that the constant grind of touring, writing, promoting, and recording would grate on the Beatles ," leading to the inclusion of several cover versions after the all-original A Hard Day's Night ; the band's visible weariness on the album's cover is noted by narrator Malcolm McDowell during The Compleat Beatles.
John Lennon complained to EMI Australia at a meeting about the changes, but the cover remained the same until the album's release on compact disc in 1988.
The band's name was discreetly embossed slightly below the middle of the album's right side, and the cover also featured a unique stamped serial number, " to create ," in Hamilton's words, " the ironic situation of a numbered edition of something like five million copies.
A painting of the band by " Patrick " ( John Byrne ) was at an earlier point under consideration to be used as the album's cover.
" The album's singles — the Bruce Johnston-produced original " Bluebirds Over the Mountains " ( Billboard # 64 ) and the Carl Wilson-produced cover of The Ronettes ' " I Can Hear Music "— won lukewarm attention, with the latter reaching # 24 on the Billboard single chart in April 1969 ; the lead track, the Wilson / Love-authored " Do It Again ", an unabashed throwback to the band's earlier surf hits, had been an international hit in the summer of 1968, reaching # 20 in the US charts and # 1 the UK while also scoring well in other countries.
Two weeks after the album's release, Martin was featured on the cover of Time with the title " Latin Music Goes Pop!
The album's cover and single artwork were undertaken by graffiti artist Banksy, with the single featuring a spoof image of the British Royal Family, replicated as a mural on the building.

album's and photos
Norman asked the band to replace two songs, had the album mixed and took new photos of the band for the album's cover to replace those he deemed too controversial for the Christian market, and in September 1979, Norman released a test pressing.
Norman had the album mixed and took photos of the band for the album's cover.
The limited edition box set ( only 1, 000 available ) included remastered versions of the album's track listing, extended artwork, handwritten lyrics, unreleased photos, guitar picks, a commemorative tour laminate, all encased in an intricate Swiss army knife case.
Brackstone played on the entire album ; bassist Gary Lalonde ( formerly with Rose and Toronto ) was added to the line-up after the album was completed, and appeared in the album's group photos and played with the band live.
Another trademark was that many of their cover photos told " stories " directly related to the album's lyrics, often based on puns or double meanings of words in the album title.
The album's original cover featured individual photos of Folds, Sledge, and Jessee, along with a hand-drawn Ben Folds Five logo, and a hand-drawn " Whatever and Ever Amen.
Edelstein agreed to travel to Katonah, New York four days a week to produce the band's first album, which was about to be recorded in a large shed on Black's parents ' property ( featured in " Before and After " photos on the album's cover and sleeve art ) which was constructed in May and June 2002.
Many photos from that album's CD sleeve are close-up photos of the Synthi 100's control panels and displays.

album's and were
Five of the album's tracks were Neil's solo compositions and two were by Hester, the exuberant " Italian Plastic ", which became a crowd favourite at concerts and the hidden track " I'm Still Here ".
The album's three new songs, which were released as singles, were " Instinct ", " Not the Girl You Think You Are " and " Everything Is Good for You ", which featured backing vocals from Pearl Jam's Eddie Vedder.
As Sherrod and Hart had not participated in the initial sessions, four new tracks were recorded with producer Steve Lillywhite including the album's first single " Don't Stop Now ".
The album's original songs were the result of a very productive songwriting partnership between Parsons and Hillman, who were sharing a bachelor pad in LA during this period.
The album's first two singles were successful on rock radio in " So Hott " and " Amen ".
After the album's completion, the band were forced to change their name after Dreja issued a cease and desist letter, stating that Page was only allowed to use the New Yardbirds moniker for the Scandinavian dates.
The album's first week sales were the second highest of any album that year, a significant achievement for a hard rock band at a time when music charts were largely dominated by hip hop and teen-pop acts.
Although composition credit went to the band as a whole, the album's primary writers were Morrison and Krieger.
Blue Lines was seen widely as the first major manifestation of a uniquely British hip hop movement, but the album's hit single " Unfinished Sympathy " and several other tracks, while their rhythms were largely sample-based, were not seen as hip hop songs in any conventional sense.
The album, which was produced and arranged by former Lovin ' Spoonful member Jerry Yester, received positive reviews, but Waits did not gain widespread attention until a number of the album's tracks were covered by more prominent artists.
Although signs of the failing of Partridge's first marriage were evident as far back as English Settlement ( notably on the album's closing track, " Snowman "), it was some time before the still-married Partridge felt comfortable with Wexler's advances and his mixed feelings about the situation were chronicled in the song " Another Satellite ".
While still fast and loud, the album's country leanings were evolving and its raw punk sound was channeling raw guitar power chords.
The announcement of the album's release included a press photo featuring the phrase " British Image 1 " spraypainted behind the band ( who were dressed in a mixture of mod and skinhead attire ) and a mastiff-breed dog.
Many fans were reminded of the band's 1970s sound largely because of Khoroshev's classically oriented approach, though White also brought in world music influences with Latinesque arrangements, and with multi-instrumentalist Randy Raine-Reusch contributing to the album's textures.
Metal Rhythms sales were arguably confounded by the lack of strong promotion and IRS's inappropriate choices of singles ( the record label also changed the album's title to New Anger, changed the album colour shade from black to blue, and remixed several of its tracks for its American release against Numan's wishes ).
Nevertheless, some critics were less appreciative ; John Wirt, in The Advocate, praised the album's sense of humour and " delicious " irreverence but noted that " musicianship in Motorcade of Generosity suggests the Cake guys are mediocre players ".
Comfort Eagle itself was released on July 24, 2001, to good reviews ; Michael D. Clark of The Houston Chronicle described it as " Cake at its best ", while a reviewer for the The Atlanta Journal-Constitution stated that the album's songs were " among the best of the band's career ", praising McCrea for widening his vocal repertoire.

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