Goya's works from 1814 to 1819 are mostly commissioned portraits, but also include the altarpiece of Santa Justa and Santa Rufina for the Cathedral of Seville, the print series of La Tauromaquia depicting scenes from bullfighting, and probably the etchings of Los Disparates.

Here in painted an eleven-panel altarpiece for the Freiburg Cathedral, still intact today, depicting scenes from the life of the Virgin, including, The Annunciation, The Visitation, The Nativity, The Flight into Egypt, The Crucifixion, Four Saints and The Donators.

Severn also painted such works as Cordelia Watching by the Bed of Lear, Shepherds in the Campagna, Shelley Composing Prometheus Unbound, Isabella and the Pot of Basil, Portia with the Casket, Ariel, Rienzi, The Infant of the Apocalypse Saved from the Dragon, a large altarpiece for the church of San Paolo fuori le Mura at Rome, and many portraits of statesman and aristocrats, including Baron Bunsen and William Gladstone.

According to Vasari, at their prompting in 1423 Masaccio travelled to Rome with Masolino: from that point he was freed of all Gothic and Byzantine influence, as may be seen in his altarpiece for the Carmelite Church in Pisa.

He also drew and painted numerous copies after Michelangelo, Raphael, Titian, and other artists of the Renaissance but, contrary to conventional practice, he usually selected from an altarpiece a detail that had caught his attention — a secondary figure, or a head which he treated as a portrait.

** Stone altarpiece of Sant Pere from the 10th century

A marble altarpiece from General George Wade in the sanctuary was removed and replaced with a decorative reredos.

An altarpiece in Culemborg had been commissioned in 1557 from the painter Jan Dey, was then destroyed in 1566 and in 1570 recommissioned from Dey, apparently as a copy of the first.

Apart from the altarpiece and the frescoes, all Giorgione's surviving works are small paintings designed for the wealthy Venetian collector to keep in his home ; most are under two feet ( 60 cm ) in either dimension.

The Chapel features the world's largest fan vault ceiling ; twenty-six large stained glass windows, twenty-four of which date from the sixteenth century ; and Peter Paul Rubens ' painting the Adoration of the Magi as an altarpiece.

The Utraquist churches had retained the use of relics and images in church, but Scultetus now launched an iconoclastic crusade against images: beginning on 21 December 1619, images were removed from St. Vitus Cathedral, and on 27 – 28 December, a famous altarpiece by Lucas Cranach the Younger depicting the Virgin Mary was destroyed.

It contains a fine altarpiece ( reredos ) carved by Kjørn from Heidal between 1781-1782.

The pulpit and baptismal font are from the Renaissance period ( 1697 ) and the altarpiece from 1703.

* Tønsberg Cathedral ( Tønsberg domkirke ) – Brick church from 1858 with pulpit from 1621 and an altarpiece from 1764.

The altarpiece of the Bielefeld church Neustädter Marienkirche from around 1400 is among the most prominent masterpieces of artwork of the German Middle Ages.

It is now widely believed that these three fragments came from the same large altarpiece depicting the ' Virgin and Child with Saints ', partly recorded in a later drawing now in Stockholm.

Image: The Magdalen Reading Rogier. jpg | The Magdalen Reading, one of three surviving fragments from a lost altarpiece, c. 1435-38

Nothing seems more natural than the conjunction of his name with that of Memling as the author of an altarpiece, since, though Memling's youth remains obscure, it is clear from the style of his manhood that he was taught in the painting-room of Van der Weyden.

Church of San Felipe Neri The Church of San Felipe Neri is considered a classic example of Baroque with estipite ( inverted truncated pyramid ) columns from the end of the 18th century, and has a large gilded main altarpiece.

On February 19, 1426 Masaccio was commissioned by Giuliano di Colino degli Scarsi da San Giusto, for the sum of 80 florins, to paint a major altarpiece, the Pisa Altarpiece, for his chapel in the church of Santa Maria del Carmine in Pisa.

The college accepted " this munificent gift " with the intention of displaying the painting in the chapel, possibly as an altarpiece.

In 1527, King Manuel I commissioned Nicolau Chanterene to build an altarpiece for the chapel ; this retable was considered one of his finest works.

Yepes mentioned that there was an altarpiece, now lost, in the chapel of the Holy Child of La Guardia in the town, which Alonso de Fonseca, archbishop of Toledo, had ordered to be painted, representing the scenes of the abduction, prosecution, scourging and crucifixion of the child, as well as the apprehension and execution of his murderers.

Impressed by his skill and the purity of the design, Gabrielli asked Batoni to see some of his works, and when conducted to the painter's studio he was so awed by his talent that he offered him to paint a new altarpiece for the chapel of his family in San Gregorio Magno al Celio, the Madonna on a Throne with child and four Saints and Blesseds of the Gabrielli family ( 1739 ).

The altarpiece in this chapel is considered medieval in date.

His early works are the terra cotta altarpiece in Santa Chiara at Monte San Savino, and the marble reliefs of the Annunciation, the Coronation of the Virgin, a Pietà, the Last Supper, and various statuettes in the Corbinelli chapel of Santo Spirito at Florence, all executed between the years 1488 and 1491.

When Caravaggio's notorious Death of the Virgin was rejected in 1606 as an altarpiece suitable for a chapel of Santa Maria della Scala, it was Saraceni who provided the acceptable substitute, which remains in situ, the only securely dated painting of his first decade in Rome.

The first chapel has a dramatic altarpiece of St. Michael the Archangel ( c. 1635 ) by Guido Reni, and Gherardo delle Notti's Christ Mocked.

In the 1370s, magnificent gothic choir stalls where installed in the church, and in 1398 a gothic, cupboard-shaped wooden altarpiece was placed in the main chapel.

The first chapel on the right has an 18th-century altarpiece showing Saints Stanislaus Kostka and John Francis Regis Worshiping the Virgin and Child.

The second chapel has an altarpiece depicting St. Joseph and the Virgin and a lunette ( right wall ) with The Last Communion of St. Luigi Gonzaga, both by Francesco Trevisani ( 1656 – 1746 ); the cupola was painted by Luigi Garzi ( 1638 – 1721 ).

The third chapel has an 18th-century altarpiece of The Presentation of the Virgin in the Temple by Stefano Pozzi ( 1699 – 1768 ).

The chapel in the left transept has a marble altarpiece of the Annunciation by Filippo Della Valle, with allegorical figures and angels ( 1649 ) by Pietro Bracci, and a frescoed ceiling with The Assumption by Andrea Pozzo.

The altarpiece of the next chapel has a Trinity with Saint Jerome and two saints ( c. 1455 ) by Andrea del Castagno, who also painted the mural of The Vision of St. Julian in the next chapel, called the Feroni chapel.

The painting of the vault has disappeared but in the chapel can still be seen the Four Evangelists in the pendentives and two of the greatest masterpieces by Pontormo: the Virgin and the Angel Gabriel on the side wall and the altarpiece of the Deposition above the end altar.

** Madonna and Child with Saints, altarpiece in the third south choir chapel

In 1539, Coxie returned to Mechelen, where he matriculated and painted the wings of an altarpiece for the chapel of the guild of St Luke.

* Fra Filippo Lippi ( altarpiece of the Annunciation in the north transept chapel )

A chapel dedicated to St Fina was built off the right aisle by Giuliano da Maiano, and architectural details and a finely carved altarpiece by Benedetto da Maiano.

The third chapel to the right is the Cappella degli Angeli has a ceiling fresco of the Coronation of Virgin and altarpiece of Angels worshiping Trinity by Federico Zuccari.

The third chapel to the left is the Cappella della Santissima Trinità, commissioned initially by the clerical patron Pirro Taro, is named due to the main altarpiece by Francesco Bassano the Younger.