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artists and have
A Southerner married to a New Englander, I have lived for many years in a Connecticut commuting town with a high percentage of artists, writers, publicity men, and business executives of egghead tastes.
The breakdown of classical structures of meaning in all realms of western culture has given rise to several generations of artists who have documented the disintegrative processes.
Deciding to become a painter, he entered the studio of Gerome in Paris, where he enjoyed the life of the artists, but soon found that whatever talent he might have did not lie in that direction.
Difficult as it may have been at times, Pozzatti and I saw enough, talked to enough artists, historians and others to realize that the issue is quite clear.
Unfortunately, few of the artists ( writers, movie producers, dramatists and musicians ) who have used American folklore since 1900 have known enough to distinguish between the two streams even in the most general of ways.
Few artists have left a life work so eloquent of the period in which they lived.
One of these days, I'm going to organize a gigantic exhibition that will span everything that's being painted these days, from extreme abstract expressionism to extreme photorealism, and then you'll be able to see at a glance how much artists have in common with each other.
The artists seem to have been dominated by geometrical pattern and order, and this was improved when classical art brought a greater freedom and economy.
However, it is the Jewish artists, Gustav Mahler and Franz Kafka in music and literature that have embraced the theme of angst so highly in their work that they have become synonymous with the term to the point of popular joking and cartoons today.
The best artists have predated society's changes due not to any prescIence, but because sensitive perceptivity is part of their ' talent ' of seeing.
While Renaissance artists sought nature to find their style, the Mannerists looked first for a style and found a manner. In Mannerist paintings, compositions can have no focal point, space can be ambiguous, figures can be characterized by an athletic bending and twisting with distortions, exaggerations, an elastic elongation of the limbs, bizarre posturing on one hand, graceful posturing on the other hand, and a rendering of the heads as uniformly small and oval.
Limited possibilities have been explored by artists as an outlet to artistic expression, and has been cultivated to become a positive style and tradition, emphasizing the decorative function of art, or its religious functions via non-representational forms such as Geometric patterns, floral patterns, and arabesques.
His intense and self-dramatizing self-portraits have continued to have a strong influence up to the present, and have been blamed for some of the wilder excesses of artists ' self-portraiture, especially in the nineteenth and twentieth centuries.
Co-ed groups have produced many up-and-coming and major artists, including John Legend, an alumnus of the Counterparts at the University of Pennsylvania, and Sara Bareilles, an alumna of Awaken A Cappella at University of California, Los Angeles.
Among these have been many writers, artists and musicians ; these include Pulitzer Prize-winning and Nobel Laureate Saul Bellow, Andrei Bely, Joseph Beuys, Owen Barfield, Wassily Kandinsky, Nobel Laureates Selma Lagerlöf and Albert Schweitzer, Andrei Tarkovsky, Bruno Walter, and Right Livelihood Award winner Ibrahim Abouleish.
( Relatively recently, water-miscible oil paints have been developed for artists ' use.
Many artists, including Martin Schongauer, Hieronymus Bosch, Dorothea Tanning, Max Ernst, and Salvador Dalí, have depicted these incidents from the life of Anthony ; in prose, the tale was retold and embellished by Gustave Flaubert in The Temptation of Saint Anthony.
Some artists from elsewhere in New York City have begun to converge on the area, and housing prices have nearly quadrupled in the area since 2002.
Zuni artists have developed a tradition of three-dimensional beaded sculptures.
Since their invention and subsequent proliferation in the mid-20th Century, ballpoint pens have proven to be a versatile art medium for professional artists as well as amateur doodlers.

artists and exhibited
Between March and April 2009, 150 artists exhibited 300 pieces of graffiti at the Grand Palais in Paris — a clear acceptance of the art form into the French art world.
Anquetin worked closely and exhibited with the artists Vincent van Gogh, Charles Angrand, Emile Bernard, Paul Gauguin, Camille Pissarro, Georges Seurat, Paul Signac and Henri de Toulouse-Lautrec.
In 1934 he exhibited with the Sark artists both in the Sark Gallery built by Drake and at the Cooling Galleries in London.
Later Leo Castelli exhibited the works of other American artists, including those of Andy Warhol and Roy Lichtenstein for most of their careers.
This painting created a sensation among critics and artists when it was exhibited that year at the Artistic Congress in Antwerp.
Innovative contemporaneous artists from Europe and the United States exhibited together in a massive group exhibition in New York City, and Chicago.
But " this view of Cubism is associated with a distinctly restrictive definition of which artists are properly to be called Cubists ," writes the art historian Christopher Green: " Marginalizing the contribution of the artists who exhibited at the Salon des Indépendants in 1911 [...]"
Léonce Rosenberg exhibited not only the artists stranded by Kahnweiler ’ s exile but others including Laurens, Lipchitz, Metzinger, Gleizes, Csaky, Herbin and Severini.
This group of artists exhibited in Glasgow, London and Vienna, and these exhibitions helped establish Mackintosh's reputation.
In 1905, Matisse and a group of artists now known as " Fauves " exhibited together in a room at the Salon d ' Automne.
Contemporary art is exhibited by commercial contemporary art galleries, private collectors, art auctions, corporations, publicly funded arts organizations, contemporary art museums or by artists themselves in artist-run spaces.
The Falmouth Art Gallery is a public gallery with a diverse nineteenth century and twentieth century art collection including many notable modern Cornish artists exhibited in four to five seasonal exhibitions a year, as well as a " family friendly and free " community and schools education programme.
Whistler exhibited the work in the Grosvenor Gallery, an alternative to the Royal Academy exhibition, alongside works by Edward Burne-Jones and other artists.
The gallery exhibited artists from around the world.
Opening its doors in 1980 and hosting its first national juried show in 1981 the privately owned and funded Terrance Gallery exhibited more than 1200 artists from all over the country, in a call to revisit the historic gathering place of the 19th century painters.
In 1928, Rothko exhibited works with a group of other young artists at the appropriately named Opportunity Gallery.
Interactive installations were most frequently created and exhibited in the 1990s, when artists were particularly interested in using the participation of the audiences to co-author the meaning of the installation.
During her visits, she established contacts with the " Volumen Uno " artists, created works in natural settings, and exhibited at the National Museum in Havana.
Before its publication a proof of concept work for the artists ' book was exhibited at the Aardklop cultural festival and later at the University of Johannesburg.
Many of these works were exhibited at the New English Art Club, a group of French-influenced realist artists with which Sickert was associated.
After graduating from Goldsmiths in 1988 he exhibited in the Freeze exhibition, organized by Damien Hirst and Carl Freedman — an exhibition which first brought together a group of artists that would later become known as the YBAs.
In 1990 Landy exhibited in East Country Yard with several of the artists from Freeze.
Although they often exhibited together, Post-Impressionist artists were not in agreement concerning a cohesive movement.

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