In painting buon fresco, a rough underlayer called the arriccio is added to the whole area to be painted and allowed to dry for some days.

Once a giornata is dried, no more buon fresco can be done, and the unpainted intonaco must be removed with a tool before starting again the next day.

It is important to distinguish between a secco work done on top of buon fresco, which according to most authorities was in fact standard from the Middle Ages onwards, and work done entirely a secco on a blank wall.

Generally, buon fresco works are more durable than any a secco work added on top of them, because a secco work lasts better with a roughened plaster surface, whilst true fresco should have a smooth one.

In most early examples this work has now entirely vanished, but a whole fresco done a secco on a surface roughened to give a key for the paint may survive very well, although damp is more threatening to it than to buon fresco.

By the end of the sixteenth century this had largely displaced buon fresco, and was used by painters such as Gianbattista Tiepolo or Michelangelo.

The two types of fresco painting are buon fresco and fresco secco.

) in the ruins of Pompeii, and others at Herculaneum, were completed in buon fresco.

By the end of the sixteenth century this had largely displaced the buon fresco method, and was used by painters such as Gianbattista Tiepolo or Michelangelo.

A close examination of the frescoes of the lunettes convinced the restorers that Michelangelo worked exclusively in " buon fresco "; that is, the artist worked only on freshly laid plaster and each section of work was completed while the plaster was still in its fresh state.

After treatment, only that which was painted " buon fresco " would remain.

His frescoes were executed entirely in buon fresco which, in Italian art terminology, refers to abstention from additions in tempera.

In buon fresco painting, limewater is used as the colour solvent to apply on fresh plaster.

In true fresco ( buon fresco ), the plaster is still fresh and has not dried when the watercolors are introduced.

Because the pigments do not become part of the wall, as in buon fresco, fresco-secco paintings are less durable.

The lobby is decorated with murals by Victor Arnautoff in the " buon fresco " styles.

* Martelli, Mario ( 1993 ), “ Il buon geometra di questo mondo ”, in N. M. Tutte le opere, Sansoni editore, Milano, pp. xi-xlvii.

Other discs of arias singled out for praise by Pleasants, Steane and / or Scott include Ruffo's acoustic Victor / HMV versions of the following arias: " Pari siamo ", " Urna fatale ", " Credo in un Dio crudel ", " Tremin gl ' insani ", " Buona Zazà, del mio buon tempo ", " Nemico della partria " and the " Prologo " from Pagliacci.

* " Some of the hardest things to translate into English from Italian are not great big words, such as you find in Eco, but perfectly simple things, ' buon giorno ' for instance.

; Sisters of the Conservatorio di S. Croce della Penitenza or del buon Pastore

Then, advised by the Architect of the Capitol, the Joint Committee for the Library, traditionally responsible for the works of art in the building, ordered the space cleared and painted in fresco, to show `` the Peace after the Civil War '', `` the Spanish-American War '', and `` the Birth of Aviation '', to match as nearly as feasible Brumidi's technique and composition.

It could be seen that both artists used a very thick final coat of plaster, one half inch, and that both followed the traditional Italian fresco technique as described by Cennino Cennini in the 14th Century, and current in Italy to this day.

The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting.

Buon fresco technique consists of painting in pigment mixed with water on a thin layer of wet, fresh ( hence the name ) lime mortar or plaster, for which the Italian word for plaster, intonaco, is used.

The most common form of fresco was Egyptian wall paintings in tombs, usually using the à secco technique.

Leonardo, instead of using the reliable technique of fresco, had used tempera over a ground that was mainly gesso, resulting in a surface which was subject to mold and to flaking.

For once, fresco proved to be a problematic technique for the English climate.

Johnston & Edleman were commissioned for the design of the Moody Tabernacle, with the interior decorative " fresco secco " stencils ( stencil technique applied on dry plaster ) designed by Sullivan .< ref > Louis Sullivan at www. prairiestyles. com

The fresco painting technique used in Bonampak is a three step process.

To Veit is due the credit of having been the first to revive the almost forgotten technique of fresco painting.

None of the painters had mastered the technique of fresco, and their pictures had begun to peel from the walls before they were completed.

His painstaking technique made him unsuited for large-scale fresco painting.

The work took more than a year to complete and was painted on site using the traditional technique of fresco painting.

The Gambier Parry process is a development of the classical technique of fresco for painting murals, named for Thomas Gambier Parry.

True fresco is the technique of painting on fresh lime plaster whereby the pigments are fixed by the carbonatation of the lime ( calcium hydroxide ).

After studying the technique of the Italian fresco painters, Thomas Gambier-Parry developed his own spirit fresco method and executed grand-scale mural projects at Ely Cathedral, Gloucester Cathedral and the parish church at Highnam.

After eight years in Italy he finally returned to Denmark, staying briefly in Munich where he studied the technique of fresco painting, in anticipation of a commission, along with Georg Hilker, to decorate the University of Copenhagen's vestibule on Frue Plads.

The technique used is called fresco, where the paint is applied on plaster on walls and / or ceilings.

The painting technique employed was fresco, in which the paint is applied to damp plaster.

The use of watercolor paints to inpaint damages on fresco is an example of a technique utilized to achieve almost complete reversibility.

Picturesque plafonds can be executed directly on plaster ( in technique of fresco, oil, glutinous, synthetic paints, etc.

The tomb is painted with the true fresco technique and its importance lies in being " the only example of Greek painting with figured scenes dating from the Orientalizing, Archaic, or Classical periods to survive in its entirety.

Painted using the al fresco technique, the piece depicts the most important moments of Romanian history, starting with the conquest of Dacia by Roman emperor Trajan and ending with the realization of Greater Romania in 1918.