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The celesta is used in many 20th century opera scores, including Puccini's Tosca ( 1900 ), Ravel's L ' heure espagnole ( 1911 ), Strauss's Ariadne auf Naxos ( 1912 ), and Die Frau ohne Schatten ( 1918 ), while " an excellent example of its beauty when well employed ", is the Silver Rose scene in his Der Rosenkavalier ( 1911 ), Busoni's Arlecchino ( 1917 ) and Doktor Faust ( 1925 ), Orff's Der Mond ( 1939 ), Menotti's Amelia Goes to the Ball ( 1937 ), Britten's The Turn of the Screw ( 1954 ) and A Midsummer Night's Dream ( 1960 ), Susa's Transformations ( 1973 ), and Philip Glass ' Akhnaten ( 1984 ).
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celesta and is
An American in Paris is scored for 3 flutes ( 3rd doubling on piccolo ), 2 oboes, English horn, 2 clarinets in B flat, bass clarinet in B flat, 2 bassoons, 4 horns in F, 3 trumpets in B flat, 3 trombones, tuba, timpani, snare drum, bass drum, triangle, wood block, cymbals, low and high tom-toms, xylophone, glockenspiel, celesta, 4 taxi horns resembling the pitches A, B, C and D, alto saxophone / soprano saxophone, tenor saxophone / soprano saxophone / alto saxophone, baritone saxophone / soprano saxophone / alto saxophone, and strings.
( The part is sometimes performed on a celesta, however, which sounds quite different from the intended effect.
The celesta () or celeste () is a struck idiophone operated by a keyboard.
One of the best-known works that makes use of the celesta is Tchaikovsky's " Dance of the Sugar Plum Fairy " from The Nutcracker.
The sound of the celesta is similar to that of the glockenspiel, but with a much softer and more subtle timbre.
The celesta is a transposing instrument ; it sounds an octave higher than the written pitch.
The celesta part is normally written on two bracketed staves, called a grand staff.
The celesta is also notably used in Gustav Mahler's Symphony No. 6, particularly in the 1st, 2nd and 4th movements, in his Symphony No. 8 and Das Lied von der Erde.
The keyboard glockenspiel part in Mozart's The Magic Flute is nowadays played by a celesta.
A celesta provides the introduction to a song Louis Armstrong recorded for RCA entitled " Someday You'll Be Sorry ", and is featured prominently throughout the song.
While the celesta is not overly common in popular music, it has been used now and again.
The reaction of the startled director was said to be, " My wife is being raped and you write celesta music?
* The celesta is invented by Auguste Mustel.
Among other things, the score is noted for its use of the celesta, an instrument that the composer had already employed in his much lesser known symphonic ballad The Voyevoda.
Chausson is believed to be the first composer to use the celesta.
It is scored for Western orchestra but, in McPhee's description, the core of the ensemble is a "' nuclear gamelan ' composed of two pianos, celesta, xylophone, marimba, and glockenspiel ," giving it a highly percussive balance of sound.
Das Lied von der Erde is scored for a large orchestra consisting of piccolo, three flutes ( the third doubling on second piccolo ), three oboes ( the third doubling on English horn ), three clarinets, E-flat clarinet, bass clarinet, three bassoons ( the third doubling on contrabassoon ), four horns, three trumpets, three trombones, bass tuba, percussion ( timpani, bass drum, side drum ( omitted in the revised score ), cymbals, triangle, tambourine, tamtam, glockenspiel ), celesta, two harps, mandolin, and strings.
The tracks " Sun in My Mouth " and " Heirloom " are missing, of which " Heirloom " received its first performance on the subsequent 2003 Greatest Hits Tour, and " Sun in My Mouth " was performed live at the Icelandic television in February 2011 in a celesta version of the song, played by Jónas Sen. Track 1 is mistitled as " Frosti ", which is on the album too, but it is actually the music box version of Pagan Poetry found on the Cocoon single. Tracks 3 & 7: Original versions on HomogenicTracks 2 & 8: Original versions on SelmasongsTrack 16: Original version on the It's in Our Hands single.
The work is scored for two flutes and piccolo, two oboes, two clarinets and E-flat clarinet, two bassoons and contrabassoon, four horns, three trumpets, three trombones, tuba, timpani, snare drum, triangle, cymbals, bass drum, tam-tam, glockenspiel, xylophone, two harps ( one part ), piano, celesta and strings.
This symphony is scored for piccolo, 2 flutes, 3 oboes ( 3rd doubling cor anglais ), 4 clarinets ( 3rd doubling Eb clarinet, 4th doubling bass clarinet ), 3 bassoons ( 3rd doubling contrabassoon ), 4 horns, 3 trumpets, 3 trombones, tuba, timpani, snare drum, bass drum, cymbals, triangle, tambourine, tam-tam, xylophone, harp, celesta and strings.
celesta and used
The following year, he used the celesta in passages in his ballet The Nutcracker ( Op.
Since its adoption by Earl Hines in 1928, the celesta has been used occasionally by jazz pianists as an alternative instrument.
The work is scored for a large orchestra including three flutes doubling piccolos, two oboes, cor anglais, two clarinets, bass clarinet, two bassoons, contrabassoon, four horns, three trumpets, three trombones, tuba, timpani, four percussionists ( playing side drum, bass drum, cymbals, triangle, gong, bells, xylophone, glockenspiel, vibraphone, and wind machine ), celesta, harp, piano, organ ( used quite startlingly and effectively in a spot towards the end of the third movement ) and strings.
celesta and many
And although not an organ manufacturer, the J. C. Deagan Company built many of the chromatic percussions ( xylophone, chrysoglott-Wurlitzer's name for a celesta, glockenspiel, etc.
celesta and opera
Next followed Ravel's music for the opera L ' heure espagnole ( The Spanish Hour ), full of humor and rich in color, employing a wide variety of instruments and their characteristic qualities, including the trombone, sarrusophone, tuba, celesta, xylophone, and bells.
celesta and including
For this reason, keyboard instruments are often regarded as inhabiting a category of their own, including all instruments played by a keyboard, whether they have struck strings ( like the piano ), plucked strings ( like the harpsichord ) or no strings at all ( like the celesta ).
In orchestrated form " Noctuelles " is scored for triple woodwind ( including E-flat clarinet ) less a contrabassoon ; four horns, three trumpets, three trombones and tuba ; timpani, percussion, two harps, celesta and strings.
These pieces, also collectively titled " Chansons de Bilitis ," were scored for two flutes, two harps, and celesta including another six poems making a total of twelve scored poems.
The work lasts thirteen minutes in performance, and the scoring is for a triple woodwind-sized orchestra including a cimbalom, piano doubling celesta, organ and SATB chorus.
The score calls for an unusually large orchestra: 16 woodwinds ; 6 horns, 4 trumpets and 4 trombones plus tuba, full strings, including three violin sections, and a percussion section calling for a number of performers who address themselves not only to glockenspiel, celesta, vibraphone and marimba but also to spring coils, tamtam, tom-tom, temple blocks, wood blocks, caisse claire, bongos, timpani, cowbells, chimes, claves, guiro, censerros, cymbals, snare drum, tambourine, etc.
celesta and ),
* Trilogie van de Laatste Dag ( 1996 – 97 ) ( each of its three sections may be performed separately: ( i ) The Last Day ( texts by Lucebert, folksong A Woman and Her Lass ) for boy soprano, 4 male voices, orchestra ; ( ii ) TAO ( texts by Laozi, Kotaro Takamura ) for 4 female voices, piano voice, koto, small orchestra winds, 2 horns, harp, piano (+ celesta ), 2 percussion, minimum 14 strings ; ( iii ) Dancing on the Bones ( text by the composer ) for children's chorus, orchestra, 1997 )
Herrmann chose unusual instrumentation for the film: violin, cello, and bass ( all three electric ), two theremin electronic instruments ( played by Dr. Samuel Hoffman and Paul Shure ), two Hammond organs, a large studio electric organ, three vibraphones, two glockenspiels, marimba, tam-tam, 2 bass drums, 3 sets of timpani, two pianos, celesta, two harps, 1 horn, three trumpets, three trombones, and four tubas.
** 3 harps ( special tuning required for the two of them ), celesta, mandolin, guitar
* Octet, ( for flute (+ piccolo ), clarinet, violin, viola, cello, double bass, celesta, percussion ), 1978
13 ( 1975 ), for flute, cor anglais, clarinet, horn, piano, celesta & string trio centennial commission
celesta and Ravel's
" Oiseaux tristes " has been scored by Felix Günther ( instrumentation: double woodwind plus piccolo, 2 horns, 2 trumpets, percussion, harp, celesta and strings ; publisher: Edward B Marks Music Corp, 1941 ) though aimed at intermediate rather than advanced players, transposed down a semitone and with some of Ravel's rhythms simplified.
celesta and 1911
The original 1911 version of Petrushka is scored for 4 flutes ( 3rd and 4th doubling piccolo ), 4 oboes ( 4th doubling English horn ), 3 clarinets in B flat, bass clarinet in B flat ( doubling clarinet 4 ), 3 bassoons, contrabassoon ( doubling bassoon 4 ), 4 horns in F, 2 trumpets in B flat ( often doubling piccolo trumpet ), 2 cornets in B flat and A, 3 trombones, tuba, timpani, bass drum, cymbals, 2 snare drums ( one offstage ), tambourine ( tambour de Basque ), tenor drum ( tambourin ) ( offstage ), triangle, tamtam, glockenspiel, xylophone, piano, celesta, 2 harps and strings.
celesta and its
The solo cello plays the its first melody in artificial harmonics with answers by the celesta, which leads into the cadenza.
celesta and well
His theme — emphasizing coloristic instruments such as the harp, piano, celesta, and other keyboards, as well as percussion — suggests the childlike nature of E. T.
Harp and celesta play prominent roles here as well.
celesta and ",
", begins with a dreamy sequence on celesta.
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