Bernardo is the hero of a cantar de gesta ( chanson de geste ) written to please the anarchical spirit of the nobles.

Roland pledges his fealty to Charlemagne ; from a manuscript of a chanson de geste, c. 14th. c .(?

The melody of the Wilhelmus originates from a French catholic soldiers ' song titled " Autre chanson de la ville de Chartres assiégée par le prince de Condé " ( English: " Another song about the city of Chartres under siege by the Prince de Condé ").

Her nickname was " la tragédienne de la chanson ", and amongst her big hits were " Les goélands ", " Johnny Palmer ", " C ' est mon gigolo " and " Tu ne sais pas aimer "-- the latter song became a theme for French sufferers of AIDS.

The album included " Mon enfance " ( My childhood ), " Fils de ..." ( Sons of ...), " Les bonbons 67 " ( The candies 67 ), and " La chanson des vieux amants " ( Song of the old lovers ).

In 1961, French singer-songwriter Serge Gainsbourg paid tribute to " Les feuilles mortes " in his own song " La chanson de Prévert.

Roland appears in Entrée d ' Espagne, a 14th century Franco-Venetian chanson de geste ( in which he is transformed into a knight errant, similar to heroes from the Arthurian romances ) and La Spagna, a 14th century Italian epic.

Poetry flourished, however, in the hands of the troubadours, whose courtly romances and chanson de geste amused and entertained the upper classes who were their patrons.

Note présentée par la noblesse d ' Haïti aux trois grands alliés ," an 1820 chanson written by Pierre-Jean de Béranger.

Many of Wallonia's rivers, villages and other places are named in another song about Charlemagne: the Old French 12th-century chanson de geste " Quatre Fils Aymon ".

The name Oberon got its literary start in the first half of the 13th century from the fairy dwarf Oberon that helps the hero in the chanson de geste, titled Les Prouesses et faitz du noble Huon de Bordeaux.

The literature which was popular then was heroic-romantic literature derived from the French and in turn English courts, notably chanson de geste around Charlemagne ( the Matter of France ) and tales of King Arthur ( the Matter of Britain ).

Gabriel Fauré composed many mélodies, such as the song cycles Cinq mélodies " de Venise " and La bonne chanson, which were settings of Verlaine's poems.

In 1964, French singer Léo Ferré set to music fourteen poems from Verlaine ( Écoutez la chanson bien douce, Il patinait merveilleusement, Mon rêve familier, Soleils couchants, L ' espoir luit (...), Art poétique, Pensionnaires, Âme, te souvient-il ?, Chanson d ' automne, Green, Je vous vois encor, Ô triste, triste était mon âme, Clair de lune, Sérénade ) along with Arthur Rimbaud in his album Léo Ferré chante Verlaine et Rimbaud.

Huon of Bordeaux is the title character of a 13th-century French epic ( chanson de geste ) with romance elements.

The chanson de geste that has come down to us ( in 3 more or less complete manuscripts and 2 short fragments ) comprises 10, 553 decasyllable verses grouped in 91 assonanced laisses.

* Apart from the main block is the Rocher Bayard that was said to have been split by giant hoof of Bayard, the giant horse carrying the four sons of Aymon on their legendary flight from Charlemagne through the Ardennes, told in Les Quatre Fils Aymon, a famous 12th-century chanson de geste.

* Hommage à Chao Pangkham, la grande dame de la chanson laotienne, par S. AMPHONESINH

As a further distinction between his and Chopin's sets, Alkan provides programmatic titles for several of his preludes, including the most famous of the set, La chanson de la folle au bord de la mer ( The Song of the Madwoman by the Seashore ).

The epic poem is the first and most outstanding example of the chanson de geste, a literary form that flourished between the eleventh and fifteenth centuries and celebrated the legendary deeds of a hero.

The horn that came to symbolize Orange when heraldry came in vogue much later in the 12th century was a pun on his name in French, from the character his deeds inspired in the chanson de geste, the Chanson de Guillaume, " Guillaume au Court Nez " or " Guillaume au Cornet ".

* chanson de geste

In addition to epic poems in the Germanic tradition ( e. g. Beowulf and Nibelungenlied ), epic poems in the tradition of the chanson de geste ( e. g. The Song of Roland and Digenis Acritas which deal with the Matter of France and the Acritic songs respectively ) and courtly romances in the tradition of the roman courtois, which deal with the Matter of Britain and the Matter of Rome, achieved great and lasting popularity.

The roman courtois is distinguished from the chanson de geste not only by its subject matter, but also by its emphasis on love and chivalry rather than acts of war.

Following the Norman Conquest of 1066, the development of Anglo-Norman literature in the Anglo-Norman realm introduced literary trends from Continental Europe such as the chanson de geste.

The narrative structure of the chanson de geste has been compared to the one in the Nibelungenlied and in creole legends by Henri Wittmann on the basis of common narreme structure as first developed in the work of Eugene Dorfman and Jean-Pierre Tusseau

As an indication of the role played by orality in the tradition of the chanson de geste, lines and sometimes whole stanzas, especially in the earlier examples, are noticeably formulaic in nature, making it possible both for the poet to construct a poem in performance and for the audience to grasp a new theme with ease.

The chanson de geste was also adapted in southern ( Occitan-speaking ) France.

In Italy, there exists several 14th century texts in verse or prose which recount the feats of Charlemagne in Spain, including a chanson de geste in Franco-Venetian, the Entrée d ' Espagne ( c. 1320 ) ( notable for transforming the character of Roland into a knight errant, similar to heroes from the Arthurian romances ), and a similar Italian epic La Spagna ( 1350-1360 ) in ottava rima.

Doon himself was probably one of the last characters to be clearly defined, and the chanson de geste relating his exploits was drawn up partly with the view of supplying a suitable ancestor for the other heroes — in modern terms, a prequel.

Ogier the Dane ( French: Ogier le Danois or archaically Ogier de Danemarche, Danish: Holger Danske ) is a legendary character who first appears in an Old French chanson de geste, in the cycle of poems Geste de Doon de Mayence.

# REDIRECT chanson de geste

Bayard first appears as the property of Renaud de Montauban ( Italian: Rinaldo ) in the Old French twelfth century chanson de geste Quatre Fils Aymon.

Another form which Lassus cultivated was the French chanson, of which he wrote about 150.

The following example of the twelve-syllable rhymed form is from the opening lines of Les Chétifs, a chanson in the Crusade cycle.

When he first began to cultivate the chanson, it was a minor and little-regarded form, restricted to slight subjects and a humorous guise of treatment.

The amount of influence was roughly inversely proportional to the strength of the local secular musical tradition: for example France, which had the robust and sophisticated form of the chanson during the 16th century, never adopted the madrigal – they did not need it.

The chanson courtoise or grand chant was an early form of monophonic chanson, the chief lyric poetic genre of the trouvères.

In Portuguese chanson de geste has survived to this day, but there are medieval poems of romantic adventure given prose form ; for example, the Demanda do Santo Graal ( Quest for the Holy Grail ) and " Amadis of Gaul ".

Finally, about 1280, Guillaume Anelier, a native of Toulouse, composed, in the chanson de geste form, a poem on the war carried on in Navarre by the French in 1276 and 1277.

The frottola was a significant influence not only on the madrigal, but on the French chanson, which also tended to be a light, danceable, and popular form.

Because they were imitative, it was Crecquillon's chansons which provided some of the best models for the later development of the instrumental canzona, the instrumental form which developed directly from the chanson.

The canzona is an instrumental musical form of the 16th and 17th centuries that developed from the Netherlandish chanson ( Caldwell 2001 ).

In the medieval period, the choice of verse form was generally dictated by the genre: the Old French epics (" chanson de geste ", like the anonymous Song of Roland, regarded by some as the national epic of France ) were usually written in ten-syllable assonanced " laisses " ( blocks of varying length of assonanced lines ), while the chivalric romances (" roman ", such as the tales of King Arthur written by Chrétien de Troyes ) were usually written in octosyllabic rhymed couplets.

He was the primary representative of the musical movement known as musique mesurée, and a significant composer of the " Parisian " chanson, the predominant secular form in France in the latter half of the 16th century.

Le Jeune was the most famous composer of secular music in France in the late 16th century, and his preferred form was the chanson.