The image of Nossa Senhora da Piedade was stolen from this chapel.

Its construction began in 1646 when a woman named Maria Jácome de Melo donated the land for the construction of the village of Paraty, however she demanded two conditions: The first was the building of a chapel dedicated to Nossa Senhora dos Remédios and the second was that no one would harm the Indians that lived in the area at that time.

The Alans were the first to occupy these lands ( but left few remnants ), and later the Visigoths, who constructed a chapel dedicated to Nossa Senhora dos Prazeres, on the sight of the medieval-era Chapel of Nossa Senhora da Vitória ( Our Lady of Victory ).

While there, the knight founded and consecrated a chapel to Nossa Senhora do Socorro, which he later offered, along with the estate, to the Carmelites, who founded a convent on the site.

In October 2006, on the statue's 75th anniversary, Archbishop of Rio Cardinal Eusebio Oscar Scheid consecrated a chapel ( named after the patron saint of Brazil — Nossa Senhora Aparecida, or " Our Lady of the Apparition ,") under the statue.

The barrio of São Ginês ( São Gens ), a local ex-libris, is the location of the chapel of Nossa Senhora do Carmo, an ancient Visigothic chapel.

Established on 15 September 1861 by Major Vitoriano de Souza Rocha and Domiciano Santana, the city was developed around the chapel of Our Lady of the Good Death (" Nossa Senhora da Boa Morte ").

* Chapel of Nossa Senhora da Veiga ( Our Lady of Veiga )-reference to this chapel, came from abbot João de Loureiro Medeiros ( 21 Abril 1758 ), who mentioned the chapel dedicated to Nossa Senhora da Encarnação ( Our Lady of the Incarnation ), situated in this place called Veiga ; the local religious brotherhood celebrated a festival on 25 March, with a sermon and procession ; on 25 April by the locals ; and it was believed that the patron saint granted miracles to the faithful, resulting in an annual pilgrimage to the small chapel.

In the region there was a spring with a dam that supplied water to the small settlement that had grown around a chapel dedicated to Our Lady of the Light, or Nossa Senhora da Luz.

In Manadas, the cornerstone for chapel of Santa Rita de Cássia was laid in 1757, while in 1762 the Church of Nossa Senhora dos Neves over the older 17th Century chapel was constructed.

Nossa Senhora do Rosário was constructed over an older chapel of the same name that had existed since the 16th Century.

Similarly, on 28 September 1969, a chapel in Ponta was completed, to the invocation of Nossa Senhora da Fátima.

Between the football stadium and Aquatic park it's located the Nossa Senhora das Vitórias's chapel.

In 1519, a chapel was constructed in this parish to the invocation of Nossa Senhora da Natividade ( English: Our Lady of the Nativity ), and as legend describes it was built entirely from one cedar, which was transported by water to its site.

In addition, a chapel was dedicated to Nossa Senhora da Penha de França ( English: Our Lady of the Rock of France ), in Fazenda, around 1680.

A chapel to Nossa Senhora da Esperança () was later constructed near the old church ( which has since disappeared from the landscape ).

The Captain-major at the time, D. Martinho de Mascarenhas ( sixth Count of Santa Cruz ) also supported the claims of the citizens, and offered to build a chapel and to donate a statue of Senhora do Pilar.

On February 19, 1426 Masaccio was commissioned by Giuliano di Colino degli Scarsi da San Giusto, for the sum of 80 florins, to paint a major altarpiece, the Pisa Altarpiece, for his chapel in the church of Santa Maria del Carmine in Pisa.

* The Church of the Eremitani is an Augustinian church of the 13th century, containing the tombs of Jacopo ( 1324 ) and Ubertinello ( 1345 ) da Carrara, lords of Padua, and for the chapel of SS James and Christopher, formerly illustrated by Mantegna's frescoes.

When he was seventeen a pupil of Correggio, named Daniele da Parma, engaged him to assist in painting a series of frescoes in a chapel at Vitto near Sora, on the borders of the Abruzzi ( not corroborated by Freedburg ).

Named for Giovanni da Capistrano, a 15th century theologian and " warrior priest " who resided in the Abruzzo region of Italy, San Juan Capistrano has the distinction of being home to the oldest building in California still in use, a chapel built in 1782 ; known alternately as " Serra's Chapel " and " Father Serra's Church ," it is the only extant structure where it has been documented that the padre Junipero Serra celebrated mass.

Other artworks include several 15th and 16th centuries paintings, and, in the chapel, a terracotta relief depicting a Dormitio Virginis, attributed to Michele da Firenze.

The screen or transenna in marble by Mino da Fiesole, Andrea Bregno, and Giovanni Dalmata divides the chapel into two parts.

When the Pope's own Master of Ceremonies Biagio da Cesena said " it was mostly disgraceful that in so sacred a place there should have been depicted all those nude figures, exposing themselves so shamefully, and that it was no work for a papal chapel but rather for the public baths and taverns ," Michelangelo worked da Cesena's semblance into the scene as Minos, judge of the underworld.

The chapel of Saint-Hubert where Leonardo da Vinci is buried

The painting in the chapel is Maso da San Friano's Salutation or Visitation, depicting Mary's visit to Elizabeth, mother of John the Baptist.

This chapel, designed by Giuliano da Sangallo, is situated on the left side of the main altar and dates from the end of the 13th century.

On the ground floor of the bell tower ( built from 1441 over the ancient baptistry ) is a chapel which is completely adorned with frescoes by Vitale da Bologna ( 1349 ).

Attractions on the island include the Church of Santa Maria e San Donato ( known for its twelfth century Byzantine mosaic pavement and said to house the bones of the dragon slain by Saint Donatus ), the church of San Pietro Martire with the chapel of the Ballarin family built in 1506 and artworks by Giovanni Bellini, and the Palazzo da Mula.

Leo X built a chapel with a Madonna by Raffaello da Montelupo.

The Ermida da São Sebastião is a 16th century chapel, adjacent to Praça da República.

The first chapel on the right, the Chapel of the Annunciation, has a fresco of the Annunciation attributed to Melozzo da Forlì.

This refers to the confraternity of artists and musicians that was formed here by a 16th-century Canon of the church, Desiderio da Segni, to ensure that worship was maintained in the chapel.

Additionally there is a very small chapel called Capela da Generosa which according to legend, was constructed in 1901 by the order of a generous female patron, in memory of Teodoro.

The second chapel has a Santa Felice da Cantalice by Alessandro Turchi, while the first has a painting of Saint Paul restores vision ( c. 1631 ) by Pietro da Cortona.

The chapel also holds a Madonna by Giovanni Battista Salvi da Sassoferrato.

A Catholic priest recently recounted how in the chapel of a large city university, following Anglican evensong, at which there was a congregation of twelve, he celebrated Mass before more than a hundred.

In the centre of the Rotunda is the chapel called The Edicule, which contains the Holy Sepulchre itself.

Beyond that to the rear of the Rotunda is a very rough hewn chapel, containing an opening to a rock-cut chamber, from which several kokh-tombs radiate.

The three Greek Orthodox chapels of St. James the Just, St. John the Baptist and of the Forty Martyrs of Sebaste, south of the rotunda and on the west side of the front courtyard originally formed the baptistery complex of the Constantinean church, the southern most chapel being the vestibule, the middle chapel being the actual baptistery and the north chapel being the chamber in which the patriarch chrismated the newly baptized before leading them into the rotunda north of this complex.

In his memory, the Dowager Queen Maria arranged to establish a King's chapel at the accident place, which was consecrated one year later.

A former chapel, the theater's previous life was evident in the boxes — which looked like confessionals — and in the angels over the orchestra.

His description of the Doge ’ s close relationship with the saint, through the “ solemn pomp ” with which he attends mass at the saint ’ s chapel, attaches him to the aforementioned “ exceeding honour ”, in a similar fashion to the way in which Sanudo glorifies Venice as a whole by constantly referring to the beauty and worth of St. Mark ’ s square and chapel as part of his panoramic praise of the city.

The painting was eventually finished ; in fact, two versions of the painting were finished, one which remained at the chapel of the Confraternity and the other which Leonardo carried away to France.

Deceased children were put in big " jars " which were placed in the family chapel.

The fortress incorporates some of the pre-existing southern walls, the pre-existing structures including the keep of Santo Martini, the San Giovanni tower and an ancient basilica which now serves as the fortress chapel. Though the town itself was eventually conquered, the fortress itself was never taken, an admirable feat, considering the size of the Sienese and Florentine forces that besieged Montalcino at varying intervals.

The work is part of a larger scheme of decoration within the chapel which represents much of the doctrine of the Catholic Church.

At the same time, Charlemagne was consciously reviving the Roman expression in his " palace " at Aachen, of which only his chapel remains.

He died in August 1672 and his body was entombed in the east wall of St. Mark's Church in-the-Bowery, which sits on the site of Stuyvesant ’ s family chapel.

Many of the composers had a direct connection to the Vatican and the papal chapel, though they worked at several churches ; stylistically they are often contrasted with the Venetian School of composers, a concurrent movement which was much more progressive.

Also while in Ferrara he was formally employed as the organist to the ducal chapel, which was one of the most opulent musical establishments in Europe.

In 1610, by which time most Dutch and English ships visited the island on their home voyage, François Pyrard de Laval deplored the deterioration since his last visit in 1601, describing damage to the chapel and destruction of fruit trees by cutting down trees to pick the fruit.

This small park sits between Crosby Hall and Chelsea Old Church, an Anglican church on Old Church Street whose southern chapel was commissioned by More and in which he sang with his parish choir.

It was the custom for traitors executed at Tower Hill to be buried in the mass grave beneath this chapel, which is accessible to visitors to the Tower.

He became organist of the Octagon Chapel, Bath, a fashionable chapel in a well-known spa, in which town he was also Director of Public Concerts.