* 1934 – Paul Panhuysen, Dutch composer

* 1962 – Paul Haslinger, Austrian-born composer

* 1910 – Paul Bowles, American composer and author ( d. 1999 )

Paul Dukas is another French composer sometimes considered an Impressionist, but his style is perhaps more closely aligned to the late Romanticists.

* 1938 – Paul Chihara, Japanese-American composer

Two years after Wizards publication, Baum and Denslow teamed up with composer Paul Tietjens and director Julian Mitchell to produce a musical stage version of the book under Fred R. Hamlin.

* 1931 – Paul Motian, American jazz drummer and composer ( d. 2011 )

* Jean Paul Egide Martini ( 1741 – 1816 ), Franco-German composer

* 1569 – Paul Sartorius, German composer and organist ( d. 1609 )

* 1895 – Paul Hindemith, German composer ( d. 1963 )

* 1906 – Paul Creston, American composer ( d. 1985 )

Paul Desmond ( born Paul Emil Breitenfeld ; November 25, 1924 – May 30, 1977 ) was a jazz alto saxophonist and composer born in San Francisco, best known for the work he did in the Dave Brubeck Quartet and for penning that group's greatest hit, " Take Five ".

Even the Reichstag itself, the German Parliament, occupied the former home of the family of composer Felix Mendelssohn ( 1809 – 47 ) in Leipziger Straße before moving in 1894 to the vast new edifice near the Brandenburg Gate, erected by Paul Wallot ( 1841 – 1912 ).

* 1887 – Paul Kochanski, Polish violinist and composer ( d. 1934 )

* 1940 – Paul Williams, American actor and composer

* Official site for Paul Farrer — composer of the music for each show

* Paul Hindemith – composer, violist ( Mathis der Maler )

* October 1 – Paul Dukas, French composer ( d. 1935 )

** Paul McCartney, British musician and composer ( The Beatles )

* October 13 – Paul Simon, American singer and composer

** Paul Hindemith, German composer ( b. 1895 )

* November 16 – Paul Hindemith, German composer ( d. 1963 )

* May 17 – Paul Dukas, French composer ( The Sorcerer's Apprentice ) ( b. 1865 )

Paul Lansky ( born June 18, 1944, in New York ) is an American electronic-music or computer-music composer who has been producing works from the 1970s up to the present day ( see discography, below ).

Paul Abraham Dukas ( 1 October 1865 – 17 May 1935 ) was a French composer, critic, scholar and teacher.

In 2011, the Grove Dictionary of Music and Musicians observed, " The popularity of L ' apprenti sorcier and the exhilarating film version of it in Disney's Fantasia possibly hindered a fuller understanding of Dukas, as that single work is far better known than its composer.

* October 1-Paul Dukas, composer ( d. 1935 )

The composer Paul Dukas is perhaps best known for his tone poem The Sorcerer's Apprentice, based on a tale from Goethe.

In the hands of a skilled composer or arranger, the natural harmonics can be used to haunting melancholy effect or, by contrast, to create a charming pastoral flavor, as in the lilting " Ranz des Vaches " and works by Brahms, Rossini, and Britten cited below.

The composer used his knowledge of synthesizers and was able to present many cues in a mock-up form before he took them in front of an orchestra.

The Italian composer Luigi Dallapiccola used some of the text in his choral work Canti di prigionia ( 1938 ).

Leading contemporary composer Philip Glass described Low as " a work of genius " in 1992, when he used it as the basis for his Symphony No. 1 " Low "; subsequently, Glass used Bowie's next album as the basis for his 1996 Symphony No. 4 " Heroes ".

It is also one of the spirituals used in the oratorio " A Child of Our Time " by the English composer Michael Tippett.

The police still used gross indecency laws instead to harass homosexuals, but the gay community in Poland thrived, with many important public figures, such as the composer Karol Szymanowski, the poet Bolesław Leśmian and the novelists Jarosław Iwaszkiewicz and Maria Dąbrowska being of homosexual orientation.

The music from Mythodea by Greek composer Vangelis was used as the theme music for the mission.

In the realm of classical music, semi-spoken music was popular stylized by composer Arnold Schoenberg as Sprechstimme, and famously used in Ernst Toch's 1924 Geographical Fugue for spoken chorus and the final scene in Darius Milhaud's 1915 ballet Les Choéphores.

* Renaissance composer Giovanni Pierluigi da Palestrina used Song of Songs as the text setting for his Fourth Book of Motets in Five Voices.

The Italian opera composer Giacomo Puccini used an extract of melody to write the aria " Ovunque al mondo ... ", in 1904 for his work Madama Butterfly.

The music from the film was bootlegged unofficially onto an undated German CD that featured 11 tracks of film composer Alex North's score from the film ( other music releases from the film used conductor Jerry Goldsmith's music, which also added snippets of dialog on a couple tracks, especially Elizabeth Taylor shouting " SNAP!

This interest was first manifested in Weber's incidental music for Schiller's translation of Gozzi's Turandot, for which he used a Chinese melody, making him the first Western composer to use an Asian tune that was not of the pseudo-Turkish kind popularized by Mozart and others.

If a composer writes a large action cue, and no woodwinds are used, the orchestrator will often add woodwinds by doubling the brass music up an octave.

Playing on the node produces a sonically weak tone, and the technique is only used when the player or composer is looking for a muted sound from the instrument.

They were used in numerous soundtracks and other recordings, including by composer Johnny Mandel.

American composer Charles Ives used " In Flanders Fields " as the basis for a song of the same name that premiered in 1917.

* Japanese composer Nobuo Uematsu used portions of " O Fortuna ", " Estuans interius ", and " Veni, veni, venias " for the final boss theme " One-Winged Angel " in Square Enix's Final Fantasy VII.

If the composer wants a triplet feel to the march, 6 / 8 is used.

The music played during the scene where Helena showers in a fountain, while a party crowd watches was originally scored by the film's composer, Graeme Revell, based on the " Love Theme " used sparsely elsewhere in the film, with vocals by Bobbi Page.

* One of the most famous symphonic poems in a mythological series composed by the French composer Camille Saint-Saëns in the 1870s is titled Le Rouet d ' Omphale, or The Spinning Wheel Of Omphale, the rouet being a spinning wheel that the queen and her maidens used — in this version of the myth, it was Delphic Apollo who condemned the hero to serve the Lydian queen disguised as a woman.

Claudius's poem Death and the Maiden was used by composer Franz Schubert in 1817 for one of his most celebrated songs, which in turn became the basis for the 1824 string quartet of the same name.

The music was composed by veteran composer Koji Kondo, who used new interpretations of the familiar melodies from earlier games as well as entirely new material.

For the company's 1960s superhero efforts composer John Gart ( under the stage name John Marion ) and music supervisor Gordon Zahler created strong themes and backing cues using a large orchestra until 1968's Batman entry, which used sparser production and jazzier themes.