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end and sequence
The physical film is cut with a knife at the end of one complete sequence, and the cut edge is joined physically, by cement, to the cut edge of the beginning of the next sequence.
The convention for a nucleic acid sequence is to list the nucleotides as they occur from the 5 ' end to the 3 ' end of the polymer chain, where 5 ' and 3 ' refer to the numbering of carbons around the ribose ring which participate in forming the phosphate diester linkages of the chain.
A new version of the film was published in 1938, including a longer sequence to reflect Stalin's " achievements " at the end of the film and leaving out footage with " enemies " of that time, including figures like Nikolai Yezhov, Nikita Khrushchev, Georgi Dimitrov and others.
The shoot-out that ends Sergio Leone's Spaghetti Western " Dollars " trilogy is a notable example of how these elements work together to produce an effect: The shot selection goes from very wide to very close and tense ; the length of shots decreases as the sequence progresses towards its end ; the music builds.
* The Chronicles of Narnia, a series by C. S. Lewis offers a description of Heaven at the end of the sequence in the ' Last Battle ', depicted as a lush green land surrounded by mountains under the rule of a lion Aslan.
At the end of this stroke, the exhaust valve closes, the inlet valve opens, and the sequence repeats in the next cycle.
An ISO 9660 compliant disk contains at least a primary descriptor describing the ISO 9660 file system and a terminating descriptor for indicating the end of the descriptor sequence.
It operates by beginning at the end of the sequence and shifting each element one place to the right until a suitable position is found for the new element.
In addition, they contain a branch point, a particular nucleotide sequence near the 3 ' end of the intron that becomes covalently linked to the 5 ' end of the intron during the splicing process, generating a branched ( lariat ) intron.
This targets the 3 ' ( sib ) end of the mRNA for RNAaseIII degradation, which results in a lower effective concentration of int mRNA than xis mRNA ( as the int cistron is nearer to the sib sequence than the xis cistron is to the sib sequence ), so a higher concentrations of xis than int is observed.
The 3 ' poly ( A ) tail is a long sequence of adenine nucleotides ( often several hundred ) added to the 3 ' end of the pre-mRNA.
* a work tape: a sequence of cells without beginning or end, each of which may contain a B ( for blank ) or a 1 ;
An ordinary polygon is unbounded because the sequence closes back in itself in a loop or circuit, while an apeirogon ( infinite polygon ) is unbounded because it goes on for ever so you can never reach any bounding end point.
He discovered that many proteins have a signal sequence, that is, a short amino acid sequence at one end that functions like a postal code for the target organelle.
The 5 ' end includes four regions, which are R, U5, PBS, and L. R region is a short repeated sequence at each end of the genome during the reverse transcription in order to ensure correct end-to-end transfer in growing chain.
R is the terminal repeated sequence at 3 ' end.
USA, Vol 75, pp 1473 – 1477, 1977 ) and the nucleotide sequence of an untranslated but conserved domain at the 3 '- end of the avian sarcoma virus genome was initially published by A. P.
Recognition sequences in DNA differ for each restriction enzyme, producing differences in the length, sequence and strand orientation ( 5 ' end or the 3 ' end ) of a sticky-end " overhang " of an enzyme restriction.

end and plays
It is true that the theme of marriages in various difficulties was heavily present throughout his plays in the early seventies, around the time his own marriage was coming to an end.
He often plays songs on his acoustic guitar which typically end in him being severely hurt and in some cases almost killed.
Sometimes condemned by critics as an unimaginative way to end a story, the spectacle of a ' god ' making a judgement or announcement from a theatrical crane might actually have been intended to provoke scepticism about the religious and heroic dimension of his plays.
Under his direction, the theater produced plays about a class of people who were not considered appropriate subjects in other venues: prostitutes, criminals, street urchins, and others at the lower end of Paris's social echelon.
The player plays the cartridge and finds a physical cache sometime during cartridge play, usually at the end.
In the end, Paganini's salvation — administered by a god-like Clockmaker — turns out to be imprisonment in a large bottle where he plays his music for the amusement of the public through all eternity.
He seems to have begun furiously, scrubbing out Plautus ' alphabetically arranged plays with zest, before growing lazy, before finally regaining his vigour at the end of the manuscript to ensure not a word of Plautus was legible.
Although modern technology has allowed classicists to view much of the effaced material, plays beginning in letters early in the alphabet have very poor texts ( e. g. the end of Aulularia and start of Bacchides are lost ), plays with letters in the middle of the alphabet have decent texts, while only traces survive of the play Vidularia.
Against the spirit of the Greek original, he engineers events at the end ... or alter the situation to fit his expectations .” Anderson ’ s vehement reaction to the co-opting of Greek plays by Plautus seems to suggest that they are in no way like their originals were.
In Elizabethan romantic comedy, it is common for the plays to end with multiple marriages and couplings of pairs.
If no range is specified, the stream is played from the beginning and plays to the end, or, if the stream is paused, it is resumed at the point it was paused.
From the 16th century on, there were attempts to elevate Robin Hood to the nobility and in two extremely influential plays Anthony Munday presented him at the very end of the 16th century as the Earl of Huntingdon, as he is still commonly presented in modern times.
He was given several opportunities to score near the goal line, but New England stopped him every time before he reached the end zone ( such as his 2-yard loss from the New England 3-yard line a few plays before Butler's second field goal, and his 2-yard run from the 4-yard line right before McMahon's first rushing touchdown ).
Baltimore gained 4 yards on their next 2 plays, but on the first play of the fourth quarter, Morrall's pass was intercepted by Howley in the end zone.
But three plays later, Staubach threw a 7-yard touchdown pass to tight end Mike Ditka, increasing the Dallas lead to 24 – 3 with twelve minutes left in the game.
Miami then ran four meaningless plays to end the game.
However a 15-yard illegal man downfield penalty on left guard Bob Kuechenberg nullified a 20-yard pass completion to tight end Marv Fleming on the first play after the turnover, and the Dolphins were forced to punt after three more plays.
Starting at their own 20-yard line, Minnesota marched to the Miami 15-yard line in nine plays, aided by Fran Tarkenton's completions of 17 and 14 yards to tight end Stu Voigt and wide receiver John Gilliam's 30-yard reception.
Three plays later, Tarkenton completed a 28-yard pass to tight end Stu Voigt at the Steelers 45-yard line.
The next time the Raiders got the ball, they did even better, driving 64 yards in 10 plays and scoring on a 1-yard touchdown pass from quarterback Ken Stabler to tight end Dave Casper, increasing their lead to 10 – 0.
After both teams turned the ball over on downs, Minnesota drove 86 yards in 9 plays to score on a 14-yard touchdown pass from backup quarterback Bob Lee to tight end Stu Voigt.
Wide receiver Drew Pearson was the leading receiver on the team with 48 receptions for 870 yards, while Pro Bowl tight end Billy Joe Dupree recorded 28 receptions for 347 yards and provided blocking support on running plays.
Aided by a 27-yard completion from quarterback Joe Theismann to tight end Rick Walker, four runs and a 15-yard reception by running back John Riggins, and a 12-yard run from Theismann himself, the Redskins marched 80 yards in 11 plays to score on wide receiver Alvin Garrett's 4-yard touchdown reception.
On their next drive, the Redskins moved the ball 73 yards in 12 plays to the Raiders 7-yard line, with Joe Theismann completing a 17-yard pass to receiver Alvin Garrett and three passes to tight end Clint Didier for 50 yards.

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