A relative newcomer in outdoor signs is Mylar polyester film, now used as a printed overlay for trans-illuminated signs ( see below ).

The copy itself, including any text or illustrations, is reproduced in full color directly on a thin Mylar polyester film by a photo screen process.

For example, when the film is only four minutes old, Neitzbohr refers to a small, Victorian piano stool as `` Wilhelmina '', and we are thereupon subjected to a flashback that informs us that this very piano stool was once used by an epileptic governess whose name, of course, was Doris ( the English equivalent, when passed through middle-Gaelic derivations, of Wilhelmina ).

The effect, needless to say, is almost terrifying, and though at times a bit obscure, the film is certainly a much-needed catharsis for the `` repressed '' movie-goer.

Since the removal force is a function of coating thickness, a differential transformer pickup has been incorporated into the instrument to accurately measure film thickness.

If the force required to remove the coatings is plotted against film thickness, a graph as illustrated schematically in Fig. 5 may characteristically result.

Here, H is the coatings removal force measured parallel to the surface of the substrate and T is the film thickness.

If the cutting force, Af, is plotted against film thickness, a straight line should result passing through the origin and having slope Af.

This signifies that **yc, the rake angle, is no longer a constant to zero film thickness.

The resultant friction force, Af is thus directly proportional to Af and consequently also to film thickness.

The first two forces are directly interrelated and depend upon film thickness, whereas Af is independent of these two and is a constant for a given knife/coating combination.

Of the two, Porter is justly the better known, for he went far beyond the vital finding of fiction for films to take the first step toward fashioning a language of film, toward making the motion picture the intricate, efficient time machine that it has remained since, even in the most inept hands.

In a series of fairy tales and fantasies, Melies demonstrated that the film is superbly equipped to tell a straightforward story, with beginning, middle and end, complications, resolutions, climaxes, and conclusions.

In narrative, time is essential, as it is in film.

Almost everything about the movies that is peculiarly of the movies derives from a tension created and maintained between narrative time and film time.

The Great Train Robbery is a one-reel film.

The material of the Porter film is simplicity itself ; ;

The plane of the action in the scene is not parallel with the plane of the film in the camera or on the screen.

The physical film is cut with a knife at the end of one complete sequence, and the cut edge is joined physically, by cement, to the cut edge of the beginning of the next sequence.

The `` chase '' as a standard film device probably dates from The Great Train Robbery, and there is a reason for the continued popularity of the device.

The album was also notable for the title track, which was an ode to classic Hollywood gangster films of the 1930s and ' 40s, with voice impressions of Humphrey Bogart, Peter Lorre and Jimmy Stewart which paid homage to the classic film noir The Maltese Falcon.

Some commentators have further seen the lyrical subtext as displaying Reed's romanticized attitude towards a period of his own addiction to heroin ; this popular understanding of the song as an ode to addiction led to its inclusion in the soundtrack for Trainspotting, a film about the lives of heroin users.

Then in 1988 he reworked the film music to create his three-movement symphonic ode Gotama the Buddha.

The film currently holds a 76 % ' Fresh ' rating on Rotten Tomatoes, with the consensus " John Waters ' musical ode to the teen rebel genre is infectious and gleefully camp, providing star Johnny Depp with the perfect vehicle in which to lampoon his pin-up image.

As much an ode to the city of Manchester as the story of the contemporary musical world, the film stars Steve Coogan as broadcaster / music-mogul Tony Wilson.

Originally titled The Leather Girls, the film is an ode to female violence, based on a concept created by Russ Meyer and screenwriter Jack Moran.

His next film Devdas was Bhansali's ode to the well known novel of the same name.

Deepa Deosthalee wrote a positive review to the film, calling it " A picture perfect ode to love " and praising the direction, writing and performances.

This is both a reference to the Disney film and an ode to Bradbury, who helped design the theme park.

Marker used very little commentary in this film, but the film's montage structure and preoccupation with memory make it a Marker film.

Marker has said that Vertigo is the only film " capable of portraying impossible memory, insane memory.

The exact origin of Dory's impairment is not mentioned in the film, but her memory loss accurately portrays the difficulties facing amnesiacs.

A meditation on the nature of memory and film production, it won the special 40th Anniversary Prize at Cannes and the 15th Moscow Film Festival Grand Prize.

The respective recording medium can be the film itself, or a digital electronic or magnetic memory.

Unicorns also appear several times in the dream sequences of the director's cut, and as it is explained in the film ; Rachel's memories are known by her creators, e. g. the memory Rachel has of the spiders ( as explained to her by Deckard in the movie ).

The music by Bernard Herrmann was his final score before his death on December 24, 1975, and the film is dedicated to his memory.

However, unlike film cameras, digital cameras can display images on a screen immediately after being recorded, and store and delete images from memory.

The film Saving Shiloh, released in 2006, was dedicated to his memory.

After the Galactic Empire is established at the end of the film, C-3PO's memory is erased to keep the knowledge of the locations of Luke Skywalker and Princess Leia Organa a secret from their father, who has fallen to the dark side and become Darth Vader.

Though few in the industry predicted it, silent film as a viable commercial medium in the United States would soon be little more than a memory.

The film as released opens with a dedication: To the memory of those who made us laugh: the motley mountebanks, the clowns, the buffoons, in all times and in all nations, whose efforts have lightened our burden a little, this picture is affectionately dedicated. This was originally intended to be spoken by Sullivan.

In the film, the hero, renamed Quaid, actually travels to Mars, but the initial memory implant scene foreshadows much of what he achieves while there.

Time magazine's positive review of the film wrote that director Marcel Ophüls " tries to puncture the bourgeois myth — or protectively askew memory — that allows France generally to act as if hardly any Frenchmen collaborated with the Germans.

* The 2010 Spanish film También la lluvia ( Even the Rain ), depicting the struggle of the indigenous people of Bolivia against the privatization of their water supply, is dedicated to his memory.

When the film was released in 1980, it was dedicated to Prévert's memory, and on opening night, Grimault kept the seat next to him empty.

The improvements included magnetic ( non-mercury ) core memory of 2000 to 10000 words, UNISERVO II tape drives which could use either the old UNIVAC I metal tapes or the new PET film tapes, and some circuits that were transistorized ( although it was still a vacuum tube computer ).

" The film begins with an announcement that it is " dedicato alla cara, lieta, familiare memoria di Giovanni XXIII " (" dedicated to the dear, joyous, familiar memory of Pope John XXIII "), as John XXIII was indirectly responsible for the film's creation, but had died before its completion.

Some have noted that the film has the atmosphere and the form of a dream, that the structure of the film may be understood by the analogy of a recurring dream, or even that the man's meeting with the woman is the memory ( or dream ) of a dream.

Bubble memory is a type of non-volatile computer memory that uses a thin film of a magnetic material to hold small magnetized areas, known as bubbles or domains, each storing one bit of data.