A relative newcomer in outdoor signs is Mylar polyester film, now used as a printed overlay for trans-illuminated signs ( see below ).

The copy itself, including any text or illustrations, is reproduced in full color directly on a thin Mylar polyester film by a photo screen process.

For example, when the film is only four minutes old, Neitzbohr refers to a small, Victorian piano stool as `` Wilhelmina '', and we are thereupon subjected to a flashback that informs us that this very piano stool was once used by an epileptic governess whose name, of course, was Doris ( the English equivalent, when passed through middle-Gaelic derivations, of Wilhelmina ).

The effect, needless to say, is almost terrifying, and though at times a bit obscure, the film is certainly a much-needed catharsis for the `` repressed '' movie-goer.

Since the removal force is a function of coating thickness, a differential transformer pickup has been incorporated into the instrument to accurately measure film thickness.

If the force required to remove the coatings is plotted against film thickness, a graph as illustrated schematically in Fig. 5 may characteristically result.

Here, H is the coatings removal force measured parallel to the surface of the substrate and T is the film thickness.

If the cutting force, Af, is plotted against film thickness, a straight line should result passing through the origin and having slope Af.

This signifies that **yc, the rake angle, is no longer a constant to zero film thickness.

The resultant friction force, Af is thus directly proportional to Af and consequently also to film thickness.

The first two forces are directly interrelated and depend upon film thickness, whereas Af is independent of these two and is a constant for a given knife/coating combination.

Of the two, Porter is justly the better known, for he went far beyond the vital finding of fiction for films to take the first step toward fashioning a language of film, toward making the motion picture the intricate, efficient time machine that it has remained since, even in the most inept hands.

In a series of fairy tales and fantasies, Melies demonstrated that the film is superbly equipped to tell a straightforward story, with beginning, middle and end, complications, resolutions, climaxes, and conclusions.

In narrative, time is essential, as it is in film.

Almost everything about the movies that is peculiarly of the movies derives from a tension created and maintained between narrative time and film time.

The Great Train Robbery is a one-reel film.

The material of the Porter film is simplicity itself ; ;

The plane of the action in the scene is not parallel with the plane of the film in the camera or on the screen.

The physical film is cut with a knife at the end of one complete sequence, and the cut edge is joined physically, by cement, to the cut edge of the beginning of the next sequence.

The `` chase '' as a standard film device probably dates from The Great Train Robbery, and there is a reason for the continued popularity of the device.

After the re-shoots were completed, Joseph LoDuca, who composed the music for The Evil Dead and Evil Dead II, returned to score the the film.

* The symbol for " movie theater " is composed of the symbols for " house " and " film "; " film " in turn is composed of " camera " and the arrow.

Except for one shot of the woman mentioned above sleeping and suddenly waking up, the film is composed entirely of photographs by Jean Chiabaud and stars Davos Hanich as the man, Hélène Chatelain as the woman and filmmaker William Klein as a man from the future.

Danny Elfman composed his first score for the film and played the role of Satan.

Though they had only recently received the funding necessary to produce the film, the script had been written for some time, having been composed largely during the production of Crimewave.

Mark Johnson and Charles Newirth produced the film for DreamWorks, and David Newman composed the music score.

A new musical score for the film was composed in 2010 by Michael Penny.

The film was shot in black and white by Robby Müller, and features a score composed and performed by Neil Young, for whom Jarmusch subsequently filmed the tour documentary Year of the Horse, released to tepid reviews in 1997.

He returned to the Soviet Union to make the film about Magnitogorsk, Song of Heroes in 1931 with music composed by Hanns Eisler.

This film was financed by Archibald MacLeish, Fredric March, Florence Eldridge, Lillian Hellman, Luise Rainer, Dudley Nichols, Franchot Tone and other Hollywood movie stars, moguls, and writers who composed a group known as the Contemporary Historians.

Steiner composed hundreds of film scores, including The Informer ( 1935 ), Now, Voyager ( 1942 ), and Since You Went Away ( 1944 ), which won him Academy Awards.

The band is actually composed of songwriters John Erik Kaada and Geir Zahl from Kaizers Orchestra, along with the screenwriter and author of the novel the film is based on, Tore Renberg.

* In the commentary for the 2011 film Thor, director Kenneth Branagh hypothesized that Thor's Hammer is composed of neutronium, since it is explicitly stated in the film that the hammer was forged from a dying star.

Moore composed the soundtrack music and co-wrote ( with Cook ) the songs performed in the film.

A production company in filmmaking is composed of a film crew and a television crew in video production.

Virgil Thomson composed the music for the film.

He began acting and composing for film with Merry Christmas Mr. Lawrence ( 1983 ), which he starred in and composed the score for ; the song " Forbidden Colours " which he composed for it became a worldwide hit and he won a BAFTA Award for the film's score.

In that same year he composed the score to the cult-classic anime film Royal Space Force: The Wings of Honnêamise.

Although the press kit released to the media for the film explicitly defined a replicant as, " A genetically engineered creature composed entirely of organic substance ", a question commonly posed is the physical make-up of the replicants themselves.

Sex, Lies, and Videotape was followed by a series of low-budget box-office disappointments: Kafka, a biopic mixing fact and Kafka's own fiction ( notably The Castle and The Trial ), written by Lem Dobbs and starring Jeremy Irons as Franz Kafka ; King of the Hill ( 1993 ), a critically acclaimed Depression-era drama ; The Underneath ( 1995 ), a remake of Robert Siodmak's 1949 film noir Criss Cross ; and Schizopolis ( 1996 ), a comedy which he starred in, wrote, composed, and shot as well as directed.

By the time the film was released we were three million dollars over-spent, war was imminent and the public apparently had forgotten all about Mother Cabrini.

Next were films such as The Winds of the Aures ( 1965 ) of Mohammed Lakhdar-Hamina, Patrol To The East ( 1972 ) of Amar Laskri, Prohibited Area of Ahmed Lallem, ( 1972 ), The Opium and the stick of Ahmed Rachedi, or The Battle of Algiers ( 1966 ) which is an Algerian-Italian film selected three times at the Oscars.

The character only has three lines in the film.

It is precisely from this crudity that the film itself gains a credibility of “ realism .” In an interview with Michael Bliss, De Palma notes “ Black, Baby was rehearsed for almost three weeks ...

He provides the voice of Ash in the three games based on the Evil Dead film series: Evil Dead: Hail to the King, Evil Dead: A Fistful of Boomstick and Evil Dead: Regeneration.

In 1964, he appeared as Richard Kimble's nephew in ABC's The Fugitive in the 15th episode entitled " Home Is The Hunted "; as Barry in the NBC medical drama The Eleventh Hour, episode " Sunday Father "; as himself three times in the ABC sitcom The Adventures of Ozzie and Harriet ; in the Disney film For the Love of Willadena ; and as a troubled orphan taken home with Darrin and Samantha Stephens in Bewitched episode " A Vision of Sugarplums " ( December 1964 ).

The film was also nominated for further three awards.

The film won the Academy Award for Best Foreign Language Film ( Taiwan ) and three other Academy Awards, and was nominated for six other Academy Awards, including Best Picture.

After appearing in three Broadway plays in 1985, Clarke moved to Los Angeles for several years as a film and television actress.

The first film is in three sections: Kal-El's infancy on Krypton ( shot in London on the 007 stage ), Clark Kent's teen years in Smallville, and Kent / Superman's adult life in Metropolis ( shot in New York City ).

Describing the work as " 57 seconds of growth and fire, and three seconds of vomit ", Lynch played the film on a loop at the Academy's annual end-of-year exhibit, where it shared joint first prize with a painting by Noel Mahaffey.

Somewhat ironically, the star of the film was John Travolta, who only three years before had starred in Saturday Night Fever, a film that celebrated disco culture.

* Dressed to Kill, A 1946 Sherlock Holmes film uses Dartmoor Prison in the plot as the supposed location where three music boxes were made that contain a secret code for a criminal gang.

His films include To Hell and Back, the autobiography of Audie Murphy, who is considered the most decorated soldier in the military history of the United States ; John Wayne's war film The Green Berets ( 1968 ), and opposite Gregory Peck in the space story Marooned about three stranded astronauts.

( The VHS version of the 1980s, sharing the removal of the Scarecrow's laugh from Terry Gilkyson's title song, was expanded to include the story material from all three TV episodes, while retaining feature film structure and credits ; it was available for a relatively short amount of time.

The editing process of a film is broken into three basic stages: First is the rough cut, which matches the script without any reductions.

'" Towards the end of the same essay, Vertov mentions an upcoming project which seems likely to be Man with the Movie Camera, calling it an " experimental film " made without a scenario ; just three paragraphs above, Vertov mentions a scene from " Kino Pravda " which should be quite familiar to viewers of Man with the Movie Camera: the peasant works, and so does the urban woman, and so too, the woman film editor selecting the negative ...."

On each of the last three of these missions, astronauts also performed deep-space EVAs on the return to Earth, to retrieve film canisters from the outside of the spacecraft.

There are also three theaters used for film and live performances.

The film is an intimate portrait of three young drag queens from her home state who compete in female impersonator beauty pageants.

De Laurentiis had wanted them to film in his elaborate Wilmington studio, but the production team felt uneasy being so close to the producer, so they moved to Wadesboro, approximately three hours away.

" Leonard Maltin originally rated the film with two stars, but later increased the rating to three stars.

Roger Ebert of the Chicago Sun-Times gave the film a three star rating ( out of four ) describing it as " a fairly sophisticated satire.