A relative newcomer in outdoor signs is Mylar polyester film, now used as a printed overlay for trans-illuminated signs ( see below ).

The copy itself, including any text or illustrations, is reproduced in full color directly on a thin Mylar polyester film by a photo screen process.

For example, when the film is only four minutes old, Neitzbohr refers to a small, Victorian piano stool as `` Wilhelmina '', and we are thereupon subjected to a flashback that informs us that this very piano stool was once used by an epileptic governess whose name, of course, was Doris ( the English equivalent, when passed through middle-Gaelic derivations, of Wilhelmina ).

The effect, needless to say, is almost terrifying, and though at times a bit obscure, the film is certainly a much-needed catharsis for the `` repressed '' movie-goer.

Since the removal force is a function of coating thickness, a differential transformer pickup has been incorporated into the instrument to accurately measure film thickness.

If the force required to remove the coatings is plotted against film thickness, a graph as illustrated schematically in Fig. 5 may characteristically result.

Here, H is the coatings removal force measured parallel to the surface of the substrate and T is the film thickness.

If the cutting force, Af, is plotted against film thickness, a straight line should result passing through the origin and having slope Af.

This signifies that **yc, the rake angle, is no longer a constant to zero film thickness.

The resultant friction force, Af is thus directly proportional to Af and consequently also to film thickness.

The first two forces are directly interrelated and depend upon film thickness, whereas Af is independent of these two and is a constant for a given knife/coating combination.

Of the two, Porter is justly the better known, for he went far beyond the vital finding of fiction for films to take the first step toward fashioning a language of film, toward making the motion picture the intricate, efficient time machine that it has remained since, even in the most inept hands.

In a series of fairy tales and fantasies, Melies demonstrated that the film is superbly equipped to tell a straightforward story, with beginning, middle and end, complications, resolutions, climaxes, and conclusions.

In narrative, time is essential, as it is in film.

Almost everything about the movies that is peculiarly of the movies derives from a tension created and maintained between narrative time and film time.

The Great Train Robbery is a one-reel film.

The material of the Porter film is simplicity itself ; ;

The plane of the action in the scene is not parallel with the plane of the film in the camera or on the screen.

The physical film is cut with a knife at the end of one complete sequence, and the cut edge is joined physically, by cement, to the cut edge of the beginning of the next sequence.

The `` chase '' as a standard film device probably dates from The Great Train Robbery, and there is a reason for the continued popularity of the device.

The importance of Epictetus ' Stoicism for Stockdale, its role in A Man in Full, and its significance in Gladiator ( 2000 film ) is discussed by William O. Stephens < ref >

The concept of a sequel to The Evil Dead was discussed during the location shooting on the first film.

During the film, his reputation is discussed, and he somewhat lampoons his own reputation for being a temperamental director.

The film was unique among other things for the number of books important to and discussed by its characters, most of them listed bibliographically as part of the end credits.

In the section where Life of Brian is being discussed, Terry Jones says, " I think the film is heretical, but it ’ s not blasphemous ".

Other politicians discussed in the film include former Virginia Representative Ed Schrock, California Representative David Dreier, former New York City mayor Ed Koch, and former Louisiana Representative Jim McCrery.

The interview discussed the Return to Castle Wolfenstein film with id employees.

Cinematographer Roger Deakins discussed the look of the film with the Coens during pre-production.

President Reagan, a family friend of Lasker, watched the film and discussed the plot with members of Congress.

Critic Dennis Schwartz questioned the noir aspects of the film and discussed the cinematography in his review.

Before Irving Leonard died, he and Eastwood had discussed the idea of Malpaso producing Play Misty for Me, a film that was to give Eastwood the artistic control he desired, and his debut as a director.

He had already discussed the film with Jinks and Cohen, and felt they supported him.

The documents were discovered in the FBI files after a Freedom of Information Act search by Professor Jon Wiener, published in Weiner's book Gimme Some Truth: The John Lennon FBI Files ( 2000 ), and are discussed in the documentary film The U. S. vs. John Lennon ( 2006 ).

Although the story and presentation of the film had been discussed during production with different Jewish groups to limit the offense it might cause, the film was attacked by critics who accused it of presenting the Holocaust without much suffering, and some who considered that " laughing at everything " was not remotely appropriate, let alone credible.

In his commentary as part of the 1970s documentary film, Bugs Bunny: Superstar, Clampett discussed the fact that his early version of Tweety Bird had to be redesigned after his first picture because the producers thought he " looked naked ".

In the first film, Morticia and Gomez discussed how Mother and Father Addams were killed by an angry mob, removing any possibility that Grandmama could be Gomez's and Fester's mother.

More recently, film critic Dennis Schwartz discussed the humor of Ninotchka, writing, " The sly political jokes include Garbo saying: " The last mass trials were a great success.

The gas vans are extensively discussed in some of the interviews in Claude Lanzmann's film, Shoah.

The opening shot is discussed briefly in the opening shot of Robert Altman's 1992 film, The Player, by two characters who work for a fictional Hollywood studio, as the longest opening tracking shot in history.

The fierce debate about the film is discussed at length in For the Love of Movies: The Story of American Film Criticism.

It is discussed in The Da Vinci Code when in a flashback Sophie remembers her grandfather defending the film version.

Eugenics and family planning are discussed didactically in the film, and examples of desirable or undesirable children ( the results of good or bad breeding respectively ) are shown.

In May 2007, director Robert Rodriguez entered talks with Universal Studios and Warner Bros. to film a live action film adaptation of The Jetsons for a potential 2009 theatrical release, having at the time discussed directing a film adaptation of Land of the Lost with Universal.