A relative newcomer in outdoor signs is Mylar polyester film, now used as a printed overlay for trans-illuminated signs ( see below ).

The copy itself, including any text or illustrations, is reproduced in full color directly on a thin Mylar polyester film by a photo screen process.

For example, when the film is only four minutes old, Neitzbohr refers to a small, Victorian piano stool as `` Wilhelmina '', and we are thereupon subjected to a flashback that informs us that this very piano stool was once used by an epileptic governess whose name, of course, was Doris ( the English equivalent, when passed through middle-Gaelic derivations, of Wilhelmina ).

The effect, needless to say, is almost terrifying, and though at times a bit obscure, the film is certainly a much-needed catharsis for the `` repressed '' movie-goer.

Since the removal force is a function of coating thickness, a differential transformer pickup has been incorporated into the instrument to accurately measure film thickness.

If the force required to remove the coatings is plotted against film thickness, a graph as illustrated schematically in Fig. 5 may characteristically result.

Here, H is the coatings removal force measured parallel to the surface of the substrate and T is the film thickness.

If the cutting force, Af, is plotted against film thickness, a straight line should result passing through the origin and having slope Af.

This signifies that **yc, the rake angle, is no longer a constant to zero film thickness.

The resultant friction force, Af is thus directly proportional to Af and consequently also to film thickness.

The first two forces are directly interrelated and depend upon film thickness, whereas Af is independent of these two and is a constant for a given knife/coating combination.

Of the two, Porter is justly the better known, for he went far beyond the vital finding of fiction for films to take the first step toward fashioning a language of film, toward making the motion picture the intricate, efficient time machine that it has remained since, even in the most inept hands.

In a series of fairy tales and fantasies, Melies demonstrated that the film is superbly equipped to tell a straightforward story, with beginning, middle and end, complications, resolutions, climaxes, and conclusions.

In narrative, time is essential, as it is in film.

Almost everything about the movies that is peculiarly of the movies derives from a tension created and maintained between narrative time and film time.

The Great Train Robbery is a one-reel film.

The material of the Porter film is simplicity itself ; ;

The plane of the action in the scene is not parallel with the plane of the film in the camera or on the screen.

The physical film is cut with a knife at the end of one complete sequence, and the cut edge is joined physically, by cement, to the cut edge of the beginning of the next sequence.

The `` chase '' as a standard film device probably dates from The Great Train Robbery, and there is a reason for the continued popularity of the device.

Another example is the place of The Wizard of Oz ( 1939 ) in American and British gay culture, although a widely viewed and historically important film in greater American culture.

The most historically significant nonlinear compositing system was the Cineon, which operated in a logarithmic color space, which more closely mimics the natural light response of film emulsions ( the Cineon system, made by Kodak, is no longer in production ).

The film is ranked number 45 on the American Film Institute's list of 100 Funniest Movies of all Time, and was selected for preservation in the National Film Registry of the Library of Congress in 1997 for being " culturally, historically, or aesthetically significant.

In 2000, the film was ranked 29th on the American Film Institute's list of the top 100 comedy movies in American cinema and it was selected for preservation in the United States National Film Registry by the Library of Congress as being " culturally, historically, or aesthetically significant ".

The name comes from the photographic film ( also called filmstock ), historically the primary medium for recording and displaying motion pictures.

In 1989, this film was one of the first 25 films to be selected for preservation in the United States National Film Registry by the Library of Congress as being " culturally, historically, or aesthetically significant ".

Wanting to make the film historically accurate and unbiased, the producers invited a broadly based Advisory Board, and used scholars, Native Americans, and descendants of the colonists to help tell the story.

In 2005, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being " culturally, historically, or aesthetically significant ".

The film has been acclaimed for providing a historically authentic portrayal of Napoleonic uniforms and military conduct.

Lee enrolled in Morehouse College, a historically black college, where he made his first student film, Last Hustle in Brooklyn.

The film was considered " culturally, historically or aesthetically " significant by the US Library of Congress and was selected to be preserved in the National Film Registry in 1994.

Night of the Living Dead was heavily criticized at its release owing to explicit content, but eventually garnered critical acclaim and has been selected by the Library of Congress for preservation in the National Film Registry as a film deemed " culturally, historically or aesthetically significant.

The Library of Congress added the film to the National Film Registry in 1999 with other films deemed " culturally, historically or aesthetically significant ".

In 1989, this film was deemed " culturally, historically or aesthetically significant " by the Library of Congress and selected for preservation in the United States National Film Registry.

Early in the film the song " The Darktown Strutters Ball " can be heard ; this is a historically inaccurate inclusion, since the song was written in 1917.

In 2010, the film was selected for preservation in the National Film Registry by the Library of Congress for being " culturally, historically, and aesthetically significant.

In 1999, the film was included in the United States Library of Congress ' National Film Registry as having been deemed " culturally, historically, or aesthetically significant.

Though never intended to be a historically accurate tale, the film puts an odd spin on Edward.

In 1995, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being " culturally, historically, or aesthetically significant ".

** In 1995, this film was deemed " culturally, historically, or aesthetically significant " by the United States Library of Congress and selected for preservation in their National Film Registry.

* In 1995, this film was deemed " culturally, historically, or aesthetically significant " by the United States Library of Congress and selected for preservation in their National Film Registry.

In 2005, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being " culturally, historically, or aesthetically significant ".

In 2001, the United States Library of Congress deemed this film " culturally, historically, or aesthetically significant " and selected it for preservation in the National Film Registry, and in September 2007, Readers Digest selected the movie as one of the top 100 funniest films of all time.

In 2010, this film was selected for preservation in the United States National Film Registry by the Library of Congress as being " culturally, historically, or aesthetically significant "

The film contains a ( then rare ) positive representation of the controversial subject of interracial marriage, which historically had been illegal in most states of the United States, and was still illegal in 17 states, mostly Southern states, up until June 12 of the year of the film's release, when anti-miscegenation laws were struck down by the Supreme Court in Loving v. Virginia.