A relative newcomer in outdoor signs is Mylar polyester film, now used as a printed overlay for trans-illuminated signs ( see below ).

The copy itself, including any text or illustrations, is reproduced in full color directly on a thin Mylar polyester film by a photo screen process.

For example, when the film is only four minutes old, Neitzbohr refers to a small, Victorian piano stool as `` Wilhelmina '', and we are thereupon subjected to a flashback that informs us that this very piano stool was once used by an epileptic governess whose name, of course, was Doris ( the English equivalent, when passed through middle-Gaelic derivations, of Wilhelmina ).

The effect, needless to say, is almost terrifying, and though at times a bit obscure, the film is certainly a much-needed catharsis for the `` repressed '' movie-goer.

Since the removal force is a function of coating thickness, a differential transformer pickup has been incorporated into the instrument to accurately measure film thickness.

If the force required to remove the coatings is plotted against film thickness, a graph as illustrated schematically in Fig. 5 may characteristically result.

Here, H is the coatings removal force measured parallel to the surface of the substrate and T is the film thickness.

If the cutting force, Af, is plotted against film thickness, a straight line should result passing through the origin and having slope Af.

This signifies that **yc, the rake angle, is no longer a constant to zero film thickness.

The resultant friction force, Af is thus directly proportional to Af and consequently also to film thickness.

The first two forces are directly interrelated and depend upon film thickness, whereas Af is independent of these two and is a constant for a given knife/coating combination.

Of the two, Porter is justly the better known, for he went far beyond the vital finding of fiction for films to take the first step toward fashioning a language of film, toward making the motion picture the intricate, efficient time machine that it has remained since, even in the most inept hands.

In a series of fairy tales and fantasies, Melies demonstrated that the film is superbly equipped to tell a straightforward story, with beginning, middle and end, complications, resolutions, climaxes, and conclusions.

In narrative, time is essential, as it is in film.

Almost everything about the movies that is peculiarly of the movies derives from a tension created and maintained between narrative time and film time.

The Great Train Robbery is a one-reel film.

The material of the Porter film is simplicity itself ; ;

The plane of the action in the scene is not parallel with the plane of the film in the camera or on the screen.

The physical film is cut with a knife at the end of one complete sequence, and the cut edge is joined physically, by cement, to the cut edge of the beginning of the next sequence.

The `` chase '' as a standard film device probably dates from The Great Train Robbery, and there is a reason for the continued popularity of the device.

The second half of the film `` Communism on the Map '' and the movie `` Operation Abolition '' also will be shown.

The film marked Broadway director Hal Prince's second time as a motion picture director.

The duo named themselves Gemini, and a second album with more music by Björn and Benny was released in April 1987, containing the big hit " Mio My Mio "; also to be found on the soundtrack to the film Mio in the Land of Faraway, for which Andersson co-produced the music.

David Robinson notes that the film provided " a welcome distraction " from the " wretchedness " of his home life ; Grey was pregnant for a second time, frustrating Chaplin and exacerbating difficulties between the pair.

Whereas the first part of the film takes place in society restrained by law and order, the second part, including the flashback scene, occurs in the world of individuals and thus the characters seen in the first part of the film are revealed in their true form.

In 1967 Marker published his second volume of collected film essays, Commentaires II.

The film is divided into two parts: the first half focuses on the hopes and idealism before May 1968, and the second half on the disillusion and disappointments since those events.

Movie film seen in theaters in the United States runs at 24 frames per second, which is sufficient to create the illusion of continuous movement.

In 1993, Barrymore earned a second Golden Globe nomination, this time for the film Guncrazy.

Parton earned her second Academy Award nomination for Best Original Song for " Travelin ' Thru ," which she wrote specifically for the feature film Transamerica ( 2005 ).

However the new version of the second Superman film ( known as The Richard Donner Cut ) restores as much of the original director's conception as possible, making it a considerably different picture.

Standard film stocks such as 16 mm and 35 mm record at 24 frames per second.

However, motion may not be as smooth as interlaced video which uses 50 or 59. 94 fields per second, particularly if they employ the 24 frames per second standard of film.

He considered editing this footage into a feature length film, focusing specifically on Donald Trump discussing Citizen Kane ( This segment was later released on the second issue of Wholphin ).

The second part, " They Shalt Not Pass ", was based on a short film No Pasaran!

In 2001 Enya recorded " May It Be ", which was featured in the first installment of The Lord of the Rings film trilogy, Fellowship of the Ring, and was her second consecutive single to enter the German charts at number one.

Initially, the second film that he was going to make to finish the contract was The Philadelphia Experiment, but because of script-writing problems, Carpenter rejected it in favor of this project.

It won three Academy Awards, including his second for Best Writing ( Adapted Screenplay ) ( with Puzo ), Best Picture and Best Actor ( for Brando ) and a nomination for Best Director and was instrumental in cementing his position as a prominent American film director.

The second experimental film, Roundhay Garden Scene, filmed by Louis Le Prince on October 14, 1888 in Roundhay, Leeds, England, is now known as the earliest surviving motion picture.

It was apparently capable of taking up to ten photographs per second using perforated celluloid film.

To make Robert Paul's On a Runaway Motor Car through Piccadilly Circus ( 1899 ), the camera was turned very slowly, so that when the film was projected at the usual 16 frames per second, the scenery appeared to be passing at great speed.

After ten weeks nearly 17. 5 million people had seen the film in France, Intouchables was the second most-seen French movie of all-time in France, and the third including foreign movies.

The development of feminist film theory was influenced by second wave feminism and the development of women's studies within the academy.