Response from Variety after the initial release reflects the outrage generated by Romero's film: " Until the Supreme Court establishes clear-cut guidelines for the pornography of violence, Night of the Living Dead will serve nicely as an outer-limit definition by example.

* In Capo dei Capi, a recent Mediaset TV film split into six parts, the movie reflects most of Giovanni Falcone's life as well as his death.

This reflects the motorway road signage in the film which indicates the trio heading north towards the Lake District National Park.

Also, there is a rotating, sometimes mirrored shutter behind the lens, which alternately passes the light from the lens to the film, or reflects it into the viewfinder.

The satirical humor in Donald Gets Drafted reflects an anti-military sentiment felt in particular by Carl Barks, one of the writers of the film.

In this film, he drills further into an obsession with memory, time, and longing than may even be good for him, and his world reflects and refracts our own more than may be comfortable for us.

* Pagan Sex Orgy ( 1976 ) by Randy Palmer ( Eros Publishing Co., Inc .: Wilmington, Delaware ) – reflects the 1970s revival of occultism in books and film.

The earlier film reflects on sectarian violence in Northern Ireland.

Indeed Radha's subtle transformation from more-or-less mute, submissive wife to an independently powerful mother, reflects the way the film discreetly disrupts female stereotypes.

Canadian filmmaker Lindsay McIntyre made a film in 2005 called " Not Waving But Drowning " wherein a character reflects on the poem, its origins and meaning.

In the stage version ( but not in the 1972 film ), the local priest sings a song called " To Each His Dulcinea ", in which he reflects that although Dulcinea does not exist, the idea of her is what keeps Don Quixote alive and on his quest.

The title of the album is a reference to the 1951 comedy film, Bedtime for Bonzo starring Ronald Reagan, and perhaps also reflects the weary band's bitterness in the aftermath of the financially and emotionally draining trial they were being subjected to at the time over the controversial art included with their previous album.

The film, like much of his music video work, reflects his ongoing interest in American musicals of the ' 40s and ' 50s, with their deeply saturated color.

As the interview with the local reporter begins, the film flashes back several decades into the past as Stoddard reflects on his first arrival at Shinbone by stagecoach to establish a law practice.

Coogan's Bluff reflects Richard Thorpe's 1942 film Tarzan's New York Adventure and the latter-day career of Bat Masterson.

The Universal film treated the Monster's identity in a manner that reflects its resemblance to Mary Shelley's novel: the name of the actor, not the character, is hidden by a question mark.

Shot at a time of great social and political upheaval in the United States, Wexler's film reflects the conflicted nature of a country divided by issues of race, gender, poverty, crime, and war.

As such the film reflects many tendencies of first-time filmmaking in France ( which makes up around 40 % of all French cinema each year ), notably in its focus on very intimate rites-of-passage, and quite ambivalently recounted coming-of-age moments.

The film reflects Tarkovsky's respect for the Swedish director Ingmar Bergman.

In this film, his appearance has become more pirate-like, reminiscent of Errol Flynn's swashbuckler movie characters, and reflects Will's evolution from naïve boy to world-wise man.

In a later book, After Romulus, a collection of essays, “ he reflects on the writing of the Romulus, My Father, the making of the film, his relationship to the desolate beauty of the central Victorian landscape, the philosophies that underpinned his father ’ s relationship to the world and, most movingly, the presence and absence of his mother and his unassuaged longing for her ”.

Since 1998, some provinces ( such as Manitoba, Nova Scotia, and Quebec ) have released the film, with a rating that reflects its content.

The underlying theme of the film would appear to be the way that Hergé's, or rather Georges Remi's, private life affected his work ; for example, Bianca Castafiore is a subconscious ( or perhaps conscious ) reflection of Georges ' first wife, Germaine, and the way that Captain Haddock responds to her reflects the way Georges often felt towards his wife.

The film reflects on violence, morality, and the representation of violence in film, and touches especially on past colonialism and the current Israeli-Palestinian conflict.

His aim for the film was realism, resulting in a restrained acting style that was revolutionary for the era ; in real life, he later explained, " men and women try to hide their emotions rather than seek to express them ".

* In the film Virtuosity a program encapsulating a super-criminal within a virtual world simulation escapes into the " real world ".

He claimed we weren't showing the real film noir.

She made her film debut, under her real name, in the backstage musical Song of Love ( 1929 ).

The soft overall light without real shadows that this arrangement produced, and which also exists naturally on lightly overcast days, was to become the basis for film lighting in film studios for the next decade.

Russia began its film industry in 1908 with Pathé shooting some fiction subjects there, and then the creation of real Russian film companies by Aleksandr Drankov and Aleksandr Khanzhonkov.

At best this kind of transition had previously been dealt with by having the directions of travel of the actor in the two shots correspond on the screen, but in a film such as The Bank Burglar's Fate ( Jack Adolfi, 1914 ), one can see shot transitions in which a cut is made from an actor just leaving the frame, to a shot of him well inside the frame in an adjoining location, which have the positions and directions so well chosen that to the casual eye his movement appears quite continuous, and the real space and time ellipsis between the shots is concealed.

However, these images are still mediated by the same factors as traditional film, such as the “ moving camera, composition, editing, lighting, and all varieties of sound .” While acknowledging the value in inserting positive representations of women in film, some critics asserted that real change would only come about from reconsidering the role of film in society, often from a semiotic point of view.

A real Il tempo gigante car was used to promote the film, e. g. driving around the Hockenheimring between races.

The 1978 British comedy film The Rutles was done in the style of rock documentary which treated the fake band The Rutles as if they were a real band.

The 1983 Woody Allen film Zelig was an elaborate mix of real newsreel footage from the 1930s and fake footage mixed together with fake interviews with real actors playing themselves as well as actors playing roles to tell the story of the Allen character and presented as a documentary.

The 1994 Tom Hanks film Forrest Gump while not presented as a documentary of a real character, does contain several sequences that feature the Hanks character inserted into archival newsreel footage of John Kennedy, Gerald Ford, The Beatles, Elvis Presley, The Apollo 11 astronauts, and others, to realistic effect.

When the 1999 film The Blair Witch Project was released, the extensive marketing campaign claimed it to be a real documentary, compiled from footage discovered abandoned in a forest.

The film is presented as a BBC television documentary which includes fake television ads for racist products which at the end of the movie are revealed to have been real at some point in the 20th century.

" Together, they opened up the musical form, taking the film musical out of the studio and into real locations, with Donen taking responsibility for the staging and Kelly handling the choreography.

He did paint the old character mustache over his real one on a few rare performing occasions, including a TV sketch with Jackie Gleason on the latter's variety show in the 1960s ( in which they performed a variation on the song " Mister Gallagher and Mister Shean ," co-written by Marx's uncle Al Shean ) and the 1968 Otto Preminger film Skidoo.

Hawks used real race car drivers in the film, including the 1930 Indianapolis 500 winner Billy Arnold.

After making the World War II film Air Force in 1943 starring John Garfield, Hawks made two films with Hollywood and real life lovers Humphrey Bogart and Lauren Bacall.

She wrote that the film " gave him a role that he could play with complexity, because the film character's pride in his art, his selfishness, drunkenness, lack of energy stabbed with lightning strokes of violence were shared by the real Bogart ".