The first third of the film is shot from the protagonist's point of view, with the camera seeing what he sees.

Dziga Vertov claimed in his 1924 manifesto, “ The Birth of Kino-Eye ” that “ the cinema-eye is cinema-truth .” To paraphrase Hilmar Hoffman, this means that in film, only what the camera ‘ sees ’ exists, and the viewer, lacking alternative perspectives, conventionally takes the image for reality.

During the chariot race, Ben-Hur drives four horses, but in the pan and scan version of the film, the audience sometimes sees only two.

In the film, later modified into a theatrical movie, Desslar sees his homeworld, Gamilas, destroyed by the grey-skinned aliens, and its twin planet Iscandar next in line for invasion.

This feature distinguishes SLRs from other cameras as the photographer sees the image composed exactly as it will be captured on the film or sensor ( see Advantages below ).

Horror filmmaker and heavy metal musician Rob Zombie sees it as a major influence on his art, most notably his 2003 film House of 1000 Corpses.

Roger Ebert called it " the truest line in the film ... Travis Bickle's desperate need to make some kind of contact somehow-to share or mimic the effortless social interaction he sees all around him, but does not participate in.

Although zombie cannibals were inspired by Matheson's I Am Legend, film historian Robin Wood sees the flesh-eating scenes of Night of the Living Dead as a late-1960s critique of American capitalism.

Ebert concludes his review with the following line: " Every time I see the film, I feel a great sadness, that a human imagination could be so limited that it sees its own extinction as a victory.

Weir's first American film was the successful thriller Witness ( 1985 ), the first of two films he made with Harrison Ford, about an Amish boy who sees the murder of an undercover police officer and has to be hidden away in his Amish community to protect him.

" Goodbye Norma Jean " sees Sam appear as Marilyn Monroe's bodyguard assuring that she remain alive to allow her to film in The Misfits.

It's hard not to wonder if the filmmakers have some kind of subconscious agenda .... They have made a film that will have the effect of inoculating audiences against the unique historical horror of Oradour — and implicitly rehabilitating the Nazis while making the British seem as evil as history's worst monsters .... So it's no wonder that the British press sees this film as a kind of blood libel against the British people.

In the Extended Edition of the film, Boromir appears briefly when Denethor looks at Faramir and imagines for a moment that he sees Boromir walking towards him, smiling.

* Preston Sturges has a cameo appearance as the film director in the scene set in a film studio where The Girl sees Sullivan's picture in the paper and recognizes him.

Though Hercules is never seen again, the original ending of the film had the freaks castrating him ; the audience sees him later singing in falsetto.

However others take the film's approach to be a direct representation on the character's thought patterns in a time of crisis: " Such a film should indeed endow the cinema with a wholly new dimension of subjective experience, permitting the audience to see a human being both as others see him and as he sees himself.

The climax of the film sees Koopa devolve into an enomorous Tyrannosaur to battle the Mario Bros.

The film introduced the subjective point of view camera, where the camera " sees " from the eyes of a character and uses visual style to convey a character's psychological state.

The 1935 film Triumph des Willens ( Triumph of the Will ) was produced to replace it and follows a similar script which is evident when one sees both films side by side.

One reviewer sees the film depicting Norman as " Machiavellian, particularly in his dealings with his artists ".

Alan Arkin, the father of the bride in the 1979 film The In-Laws, mutters when he sees the squalor-filled office of Peter Falk ( the father of the groom ), " Four years at Mount Holyoke so she could marry into this.

The film centers on a man, who sees what could have been had he made a different decision 13 years prior.

* 1969 – Martin Koolhoven, Dutch film director and screenwriter

In 1976 he appeared in his first mainstream film role, in Martin Scorsese's landmark Taxi Driver ; Scorsese allowed Brooks to improvise much of his dialogue.

Other notable film comedians who appeared later in the decade were Richard Pryor, Steve Martin and Burt Reynolds.

* Cadence ( film ), a 1990 film directed by Martin Sheen

By the late 1970s, melodrama was nearly finished as an overt genre, as the hunger for realism dominated film in groundbreaking movies like Martin Scorsese's Mean Streets.

Two years later he played Pontius Pilate in Martin Scorsese's 1988 film The Last Temptation of Christ.

In 1993, her recording of " Marble Halls " from Shepherd Moons was featured in the Martin Scorsese film, The Age of Innocence.

He is widely acclaimed as one of Hollywood's most innovative and influential film directors and he epitomized the group of filmmakers known as the New Hollywood, that includes Martin Scorsese, Terrence Malick, Robert Altman, Woody Allen, William Friedkin, Philip Kaufman and George Lucas, who emerged in the early 1970s with unconventional ideas that challenged contemporary film-making.

The production of the film was plagued by numerous problems, including typhoons, nervous breakdowns, the firing of Harvey Keitel, Martin Sheen's heart attack, extras from the Philippine military leaving in the middle of scenes to go fight rebels, and an unprepared Brando with a bloated appearance ( which Coppola attempted to hide by shooting him in the shadows ).

In 1989 Coppola teamed up with fellow Oscar-winning directors Martin Scorsese and Woody Allen for an anthology film called New York Stories.

One of the most famous was The Apu Trilogy ( 1955 – 1959 ) from critically acclaimed Bengali film director Satyajit Ray, whose films had a profound influence on world cinema, with directors such as Akira Kurosawa, Martin Scorsese, James Ivory, Abbas Kiarostami, Elia Kazan, François Truffaut, Steven Spielberg ,< ref name = unmaderay >

* Martin Scorsese's 1985 film After Hours is a re-imagining of The Trial.

* 1932 – Troy Kennedy Martin, Scottish film and TV screenwriter ( d. 2009 )

Capra's final film, Rendezvous in Space ( 1964 ), was an industrial film made for the Martin Marietta Company and shown at the 1964 New York World's Fair.

The 1982 Steve Martin comedy Dead Men Don't Wear Plaid was shot in black-and-white as a parody of a 1940s film noir and included footage of actors from the film-noir era such as Humphrey Bogart, Burt Lancaster, and others spliced in with the modern actors.

The American version of the film featured Hollywood actor Raymond Burr reprising his character Steve Martin, from the film Godzilla, King of the Monsters !.

Following the breakup of the group, Shearer co-wrote the film Real Life with Albert Brooks and started writing for Martin Mull's television series Fernwood 2 Night.

* 1961 – Dexter Scott King, American actor and film maker, son of Martin Luther King, Jr.

After the split from Martin, Lewis remained at Paramount and became a major comedy star with his first film as a solo comic, The Delicate Delinquent ( 1957 ).

He followed this up with a critically acclaimed performance in Martin Scorsese's 1983 film, The King of Comedy, in which Lewis plays a late-night TV host plagued by obsessive fans ( played by Robert De Niro and Sandra Bernhard ).

In 2009, Lewis traveled to the Cannes Film Festival to announce his return to cinema, after a 13 year absence, for the film Max Rose, his first leading role since Martin Scorsese's The King of Comedy.

The film depicts Lewis ' partnership with Dean Martin ( played by Jeremy Northam ).