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grave and Kurt
His grave was unmarked until 1966 when a stone was erected with the inscription Kurt Schwitters – Creator of Merz.
On 28 March 2012 the tombstone marking Alois Hitler's grave ( and that of his wife, Klara ) in Leonding was removed, without ceremony, by a descendant, according to Kurt Pittertschatscher, the pastor of the parish.

Kurt and Schwitters
Key figures in the movement included Hugo Ball, Emmy Hennings, Hans Arp, Raoul Hausmann, Hannah Höch, Johannes Baader, Tristan Tzara, Francis Picabia, Richard Huelsenbeck, Georg Grosz, John Heartfield, Marcel Duchamp, Beatrice Wood, Kurt Schwitters, and Hans Richter, among others.
Van Doesburg mainly focused on poetry, and included poems from many well-known Dada writers in De Stijl such as Hugo Ball, Hans Arp and Kurt Schwitters.
Aleksić used the term " Yugo-Dada " and is known to have been in contact with Raoul Hausmann, Kurt Schwitters, and Tristan Tzara.
Kurt Schwitters developed what he called sound poems, while Francis Picabia and Georges Ribemont-Dessaignes composed Dada music performed at the Festival Dada in Paris on 26 May 1920.
The focus is put on the classical modernist art with the collection of Kurt Schwitters, works of German expressionism, and French cubism, the cabinet of abstracts, the graphics and the department of photography and media.
Kurt Hermann Eduard Karl Julius Schwitters ( 20 June 1887 – 8 January 1948 ) was a German painter who was born in Hanover, Germany.
Kurt Schwitters was born on 20 June 1887, at No. 2 Rumannstraße, Hanover, the only child of Edward Schwitters and his wife Henriette ( née Beckemeyer ).
Before purchasing any work supposedly by Schwitters, it is best to consult the Kurt Schwitters Archive at the Sprengel Museum in Hannover, Germany.
Kurt Schwitters ' Merzbau: The Cathedral of Erotic Misery, Princeton Architectural Press 2000, ISBN 1-56898-136-8
* Cardinal, Roger and Gwendolen Webster, Kurt Schwitters, Hatje Cantz, Stuttgart, 2011.
The Triumph of Kurt Schwitters, Armitt Trust Ambleside, 2005.
Kurt Schwitters, Thames and Hudson, London 1985.
" Montage and Totality: Kurt Schwitters ’ relationship to tradition and avant-garde ", in Dafydd Jones ( ed.
* Hausmann, Raoul and Schwitters, Kurt ; ed.
* McBride, Patrizia C. " The Game Of Meaning: Collage, Montage, And Parody In Kurt Schwitters ' Merz.
" Montage And Violence In Weimar Culture: Kurt Schwitters ' Reassembled Individuals.
) Kurt Schwitters, poems, performance, pieces, proses, play poetics, Temple University Press, Philadelphia 1993.
* Schwitters, Kurt ( ed.
The writer Theodor Fontane, painter Adolf von Menzel, and Dadaist Kurt Schwitters were all guests ; Karl Liebknecht, the Spartacus Communist movement leader read a lot here and even made some key political speeches from the pavement terrace, while author Erich Kästner wrote part of his 1929 bestseller for children, Emil und die Detektive ( Emil and the Detectives ), on the same terrace and made the café the setting for an important scene in the book.
* Kurt Schwitters
Kurt Schwitters established his own solitary one-man Dada " group " in Hanover, where he filled two stories of a house ( the Merzbau ) with sculptures cobbled together with found objects and ephemera, each room dedicated to a notable artist friend of Schwitter's.

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