While Italian by birth, Salieri had lived in imperial Vienna for almost 60 years and was regarded by such people as the music critic Friedrich Rochlitz as a German composer.

As music critic Tim Riley notes, " singing Love and Theft shifts artfully between humble and ironic ...' I'm not quite as cool or forgiving as I sound ,' he sings in ' Floater ,' which is either hilarious or horrifying, and probably a little of both.

Later Japanese computer music compositions include a piece by Kenjiro Ezaki presented during Osaka Expo ' 70 and " Panoramic Sonore " ( 1974 ) by music critic Akimichi Takeda.

He both performed comic characters ( Flash Bazbo — Space Explorer, Mr. Rogers, music critic Roger de Swans, and sleazy record company rep Ron Fields ) and also wrote, arranged and performed numerous musical parodies ( of Bob Dylan, James Taylor and others ).

* 1885 – Deems Taylor American conductor and music critic ( d. 1966 )

* 1932 – Heinz-Klaus Metzger, German music critic and theorist ( d. 2009 )

Such views were influenced by an account of Telemann's music by Christoph Daniel Ebeling, a late-18th-century critic who in fact praised Telemann's music and only made passing critical remarks of his productivity.

After attending a week of performances in the hall, a music critic for The New York Times enthused about the experience and congratulated the architects.

Attempts have been made to define jazz from the perspective of other musical traditions – using the point of view of European music history or African music for example – but jazz critic Joachim Berendt argues that all such attempts are unsatisfactory.

* 1920 – Reginald De Koven, American music critic and operetta composer ( b. 1859 )

* 1996 – Marcia Davenport, American author and music critic ( b. 1903 )

In the Brahms camp were his close friends: Clara Schumann, the influential music critic Eduard Hanslick, and the leading Viennese surgeon Theodor Billroth.

Despite his reputation as a serious composer of large, complex musical structures, some of Brahms's most widely known and most commercially successful compositions during his life were small-scale works of popular intent aimed at the thriving contemporary market for domestic music-making ; indeed, during the 20th century, the influential American critic B. H. Haggin, rejecting more mainstream views, argued in his various guides to recorded music that Brahms was at his best in such works and much less successful in larger forms.

A blunt critic of the music industry, Mitchell quit touring and released her 17th, and reportedly last, album of original songs in 2007.

Oddly enough, his music of the 1990s slowly starts to incorporate it more and more to the point where one critic believes this slowly increasing incorporation of minimalism " represents a coming to terms with minimalism according to a decidedly tonal slant: pulse and repetition have been transmuted, by a kind of reverse-chronological alchemy, into devices of familiar from earlier eras, such as moto perpetuo and ostinato.

Another critic calls him " one of the great visionaries of 20th-century music " ( Hewett 2007 ).

"... the music has an exotic frothiness and the string settings are among the most gorgeous in rock history ," wrote music critic Dave Marsh, who co-edited the book.

In a 2002 story for the Chicago Daily Record, Mark Guarino, the newspaper's music critic, wrote that "' Forever Changes ' is a touchstone for serious pop fanatics ..." He added that, "... the band's first three albums were since rediscovered as visionary classics, all three culminating in ' Forever Changes ' ( Elektra ), the band's 1967 masterpiece of ornate pop.

Tom Moon, former music critic at the Philadelphia Inquirer, included " Forever Changes " in his 2008 book " 1000 Recordings To Hear Before You Die.

Vincent " Vicente " Rodriguez, former pop music critic at the Dallas Morning News, lists " Forever Changes " as his No. 1 all-time album.

On a personal level, Rodriguez says, " Forever Changes " influenced his decision to become a music critic.

In an interview conducted by Alan Jackson for The Times Magazine in 2001, before the album was released, Dylan said " these so-called connoisseurs of Bob Dylan music ... I don't feel they know a thing, or have any inkling of who I am and what I ’ m about.

After recording the music, Chaplin released Modern Times in February 1936.

Although some of Chaplin's critics have claimed that credit for his film music should be given to the composers who worked with him, for example Raksin, who worked with Chaplin on Modern Times, has stressed Chaplin's creative position and active participation in the composing process.

One of the demo videos included with the Windows 95 CDs was the music video " Good Times " by Edie Brickell.

A variety of music genres can be heard and have originated in Kansas City metro area, including: Rock groups Puddle of Mudd, Isaac James, Shooting Star, The Get Up Kids, Shiner, Flee The Seen, The Life and Times, Reggie and the Full Effect, Coalesce, The Casket Lottery, The Gadjits, The Rainmakers, Vedera, The Elders, Blackpool Lights and The Republic Tigers and Rappers Tech N9ne, Krizz Kaliko, Kutt Calhoun, Skatterman & Snug Brim, Mac Lethal, and Solè.

The growth of underground culture was facilitated by the emergence of alternative weekly publications like IT ( International Times ) and OZ magazine which featured psychedelic and progressive music together with the counter culture lifestyle, which involved long hair, and the wearing of wild shirts from shops like Mr Fish, Granny Takes a Trip and old military uniforms from Carnaby Street ( Soho ) and Kings Road ( Chelsea ) boutiques.

The game was the first " downloadable casual game " produced with a rock band and was cited by numerous publications including the New York Times as an innovative marketing product for a music act.

New York Times writer Peter Watrous declared in a concert review: " He has perfected an odd vision of popular music, one in which eccentricity and imagination beat back all the pressures toward conformity ".

The New York Times commented that she was " a sultry young country music singer who plays the notorious criminal Bonnie Parker and does for this musical what Reba McEntire did for the 1999 revival of Annie Get Your Gun.

W. H. Auden called it " a pure verbal opera ", while The Times wrote that " The story is almost too preposterous to go without music.

Tharp opened a new show titled The Times They Are a-Changin ', to the music of Bob Dylan in 2005 at The Old Globe Theatre in San Diego.

In 1987, Moore was interviewed for The New York Times by the music critic Rena Fruchter, herself an accomplished pianist.

On the day of the premiere, The New York Times, whose correspondent attended the dress rehearsal the day before, warned, " The music is not up to the standard of Sir Arthur Sullivan.

" The Times praised both the libretto and the music of the first act (" Everything sparkles with the flashes of Mr. Gilbert's wit and the graces of Sir Arthur Sullivan's melodiousness ... one is almost at a loss what to select for quotation from an embarrassment of humorous riches.

The English, in particular, lauded Ravel, as The Times reported April 16, 1923, “ Since the death of Debussy, he has represented to English musicians the most vigorous current in modern French music.

* 1971: Harold C. Schonberg, New York Times, " for his music criticism during 1970.

* 1982: Martin Bernheimer, Los Angeles Times, " for classical music criticism.

* 1986: Donal Henehan, New York Times, " for his music criticism.

So uncustomary was the French Aesthetic viewpoint that, when Pierrot made an appearance in an eponymous pantomime ( 1893 ) by Alfred Thompson, set to music by the American composer Laura Sedgwick Collins, The New York Times covered it as an event, even though it was only a student production.

Sometimes the songs represented original material, or on one occasion, Noël Coward's classic There Are Bad Times Just Around The Corner, but just as often they were Cockney music hall chestnuts such as Little Bit of Cucumber.

They released two music videos for this album, Crazy Times and Five Candles ( You Were There ).

Apple was introduced to the music industry in 1994, when she gave a demo tape containing the songs " Never Is a Promise ", " Not One of Those Times ", and " He Takes a Taxi " to her friend who was the babysitter of music publicist Kathryn Schenker.

Carl Van Vechten ( music critic for The New York Times and then drama critic for the New York Press ) and Henry McBride ( art critic for the New York Sun ) did much to increase Stein's fame in the USA.