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The romance theme was later given lyrics, and became the pop standard " Smile ", first recorded by Nat King Cole and later covered by artists as Sammy Davis Jr., Dean Martin, Tony Bennett, Trini Lopez, Eric Clapton, Barbra Streisand, Diana Ross, Michael Bublé, Petula Clark, Liberace, Judy Garland, Madeleine Peyroux, Plácido Domingo and Dionne Warwick, Michael Jackson and Robert Downey, Jr. ( included on the soundtrack for the film Chaplin ).
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romance and theme
Modern shōjo manga romance features love as a major theme set into emotionally intense narratives of self-realization.
Filmed with a morbid nostalgia for swastikas, showbiz glitz and as a cloak-and-dagger romance, the main theme of Lili Marleen is the question: is it morally justifiable to survive under National Socialism, as does the naïve singer by having a successful career?
The Gunsmoke movies of the early 1990s employed a similar theme when Marshal Matt Dillon learned he had sired Michael Learned's daughter in a short-lived romance.
The second hour was normally mostly devoted to a specific theme ( cars, sports, pets, romance, movies, etc.
Interested in composing an opera which dealt with a truly Brazilian subject, Carlos Gomes choose as the theme of his next work the romance novel O Guarani, by Brazilian writer José de Alencar.
The patriotic theme and romantic wartime romance was obvious in the works of Ismail Marzuki, such as Rayuan Pulau Kelapa, Indonesia Pusaka, Sepasang Mata Bola, Keroncong Serenata and Juwita Malam.
Struan has a Chinese mistress, May-may, and their romance is developed within the conventions of the genre as the basis for the novel's optimistic theme of cross-cultural fusion.
Lyrical themes vary depending on context ; they can be philosophical, religious, romance, or celebratory, and often use horses as a symbol or theme repeated throughout the song.
Erotic romance is a relatively new genre of romance with an erotic theme and very explicit love scenes, but with a romance at the heart of the story.
Here O ' Brien began to reconsider his political future, using the time to write an acclaimed novel, a Fenian romance with a land reform theme set in 1860: When We Were Boys, which was published in 1890.
The " Kree-Skrull War " is notable for its cosmic scope of interstellar warfare, enormous cast of characters, use of metaphor and allegory ( for instance, to Joseph McCarthy and HUAC ), and the introduction of the Vision-Scarlet Witch romance, which became an ongoing theme for the characters ( and by default the Avengers ) for years to come.
Although many romance films may be targeted at women, this is not a defining characteristic of a romance film and a chick flick does not necessarily have a romance as a central theme, revolve around the romantic involvement of characters or even contain a romantic relationship.
A major theme in the comic is romance and relationships.
Allan Massie's novels The Evening of the World and Arthur the King ( as well as a third projected novel ) are written in the format of a romance composed by Scot on the theme of empire for the instruction of Frederick II ; it implies that Scot and Frederick were lovers.
The two originally considered creating the story and characters entirely by themselves, but after Minazuki expressed his concern that having only six heroines is not enough to exemplify a romance theme, the two asked writer Saki Aomura and illustrator Hisashi Kawata to assist in the project's development.
Statues incorporated the theme of the couple's split: all of the songs deal with a troubled and / or ending romance.
Dramas are generated with a specific genre like romance, comedy, horror, family drama, sports, or a mixture of these in the form of ancient, historical, or modern to highlight the theme and suits the audience ’ s interest.
The central theme of poems is the love and romance between them.
It also introduces a theme common in Nancy Drew books after 1950, an ill-fated romance from another historical era.
The theme derives from the Anglo-Norman romance of Sir Bevis of Hampton, by way of an Italian poem that had modified the name Bevis of Hampton to Buovo d ' Antona and had, itself, been through at least thirty editions at the time of translation and adaptation into Yiddish.
romance and was
To do so, something was necessary beyond volunteering because there was little glamour or romance in the European war ; ;
Again among those jubilantly reunited bunkmates, I was shy with Jessie and acted as I had during those early Saturday mornings when we all seemed to be playing for effect, to be detached and unconcerned with the girls who were properly our dates but about whom, later, in the privacy of our bunks, we would think in terms of the most elaborate romance.
The moonlit night was made for romance, and he had been looking at her soulfully for some time.
His version of Columbus ' life, published in 1829, was more a romance than a biography.
Deeply disturbed by the surge of militaristic nationalism in 1930s world politics, Chaplin found that he could not keep these issues out of his work: " How could I throw myself into feminine whimsy or think of romance or the problems of love when madness was being stirred up by a hideous grotesque, Adolf Hitler?
She was well suited to the precise work but later wrote, " this was the lowest depth I ever reached in commercial art, and although it was a period when youth and romance were in their first attendance on me, I remember it with gloom and record it with shame.
He handed responsibility to his assistant, Liz Reitell, who was keen to see Thomas for the first time since their three week romance in the spring.
According to Truffaut's theory, auteurs took material that was beneath their talents — a thriller, a pulpy action film, a romance — and, through their style, put their own personal stamp on it.
Film noir similarly embraces a variety of genres, from the gangster film to the police procedural to the gothic romance to the social problem picture — any example of which from the 1940s and 1950s, now seen as noir's classical era, was likely to be described as a " melodrama " at the time.
It was a rags-to-riches romance comedy about a Jewish family's upward mobility in New York City, with their son later trying to deny his Jewish roots in order to keep his rich gentile girlfriend.
His declared aim was to combine elements of the medieval romance, which he deemed too fanciful, and the modern novel, which he considered to be too confined to strict realism.
The first edition was published disguised as an actual medieval romance from Italy discovered and republished by a fictitious translator.
A romance with superstitious elements, and moreover void of didactical intention, was considered a setback and not acceptable as a modern production.
By the Victorian era Gothic had ceased to be the dominant genre and was dismissed by most critics ( in fact the form's popularity as an established genre had already begun to erode with the success of the historical romance popularised by Sir Walter Scott ).
Iceman's latest attempt at romance was with the X-Men's enemy Mystique, who later betrayed him.
While it was by no means the only creative force behind Arthurian romance, many of its elements were borrowed and developed ( e. g., Merlin and the final fate of Arthur ), and it provided the historical framework into which the romancers ' tales of magical and wonderful adventures were inserted.
Perceval, although unfinished, was particularly popular: four separate continuations of the poem appeared over the next half century, with the notion of the Grail and its quest being developed by other writers such as Robert de Boron, a fact that helped accelerate the decline of Arthur in continental romance.
Up to c. 1210, continental Arthurian romance was expressed primarily through poetry ; after this date the tales began to be told in prose.
Similarly, the most popular Arthurian tale throughout this period seems to have been that of Tom Thumb, which was told first through chapbooks and later through the political plays of Henry Fielding ; although the action is clearly set in Arthurian Britain, the treatment is humorous and Arthur appears as a primarily comedic version of his romance character.
A new code of ethics for 19th-century gentlemen was shaped around the chivalric ideals that the " Arthur of romance " embodied.
Although the " Arthur of romance " was sometimes central to these new Arthurian works ( as he was in Burne-Jones's The Last Sleep of Arthur in Avalon, 1881 – 1898 ), on other occasions he reverted back to his medieval status and is either marginalised or even missing entirely, with Wagner's Arthurian operas providing a notable instance of the latter.
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