Loew's theater presents `` Where The Boys Are '', an MGM picture produced by Joe Pasternak and directed by Henry Levin from a screenplay by George Wells.

The screenplay was by Maxwell Anderson, George Abbott, Del Andrews, C. Gardner Sullivan, with uncredited work by Walter Anthony and Milestone.

Its screenplay was written by Dave Sheasby and the show was directed by David Hunter.

In that same year Lerner also wrote the Oscar-winning original screenplay for An American in Paris, produced by Arthur Freed and directed by Vincente Minnelli.

The Birth of a Nation ( originally called The Clansman ) is a 1915 silent drama film directed by D. W. Griffith and based on the novel and play The Clansman, both by Thomas Dixon, Jr. Griffith co-wrote the screenplay ( with Frank E. Woods ), and co-produced the film ( with Harry Aitken ).

" In Mexico he wrote 30 scripts under pseudonyms, such as Gun Crazy ( 1950 ), based on a short story by MacKinlay Kantor, who was the front for the screenplay.

With the support of Otto Preminger, Trumbo was credited for his screenplay for the 1960 film Exodus, adapted from the novel by Leon Uris.

In the screenplay by Anthony Hinds, the main character's name was changed from Doctor Syn to Parson Blyss to avoid rights problems with Disney's upcoming film version, and Captain Cleggs screenplay follows the novel Doctor Syn and the screenplay of the 1937 film closely with the exception of a tightening of the plot.

In January 2004, it was announced that the screenplay he wrote for his novels Ilium and Olympos would be made into a film by Digital Domain and Barnet Bain Films, with Simmons acting as executive producer.

In 1965, Coppola won the annual Samuel Goldwyn Award for the best screenplay ( Pilma, Pilma ) written by a UCLA student.

Rumble Fish was based on the novel of the same name by S. E. Hinton, who also co-wrote the screenplay.

The 2000s also saw an increase in the number of individual competitive awards won by French artists at the Cannes Festival, for direction ( Tony Gatlif, Exils, 2004 ), screenplay ( Agnès Jaoui and Jean-Pierre Bacri, Look at Me, 2004 ), female acting ( Isabelle Hupert, The Piano Teacher, 2001 ; Charlotte Gainsbourg, Antichrist, 2009 ) and male acting ( Jamel Debbouze, Samy Naceri, Roschdy Zem, Sami Bouajila and Bernard Blancan, Days of Glory, 2006 ).

The former — whose screenplay was written by the blacklisted Dalton Trumbo, disguised by a front — features a bank holdup sequence shown in an unbroken take over three minutes long that proved widely influential.

Madero's leadership of the Revolution, presidency and assassination are depicted in at least two Hollywood movies, Viva Villa !, ( 1934 ) directed by Jack Conway, screenplay by Ben Hecht, and Viva Zapata !, ( 1952 ) directed by Elia Kazan, screenplay by John Steinbeck.

The screenplay was written by Hawks, Seton Miller and Dan Totheroh and starred Richard Barthelmess and Douglas Fairbanks, Jr.

It was directed by Masami Hata and William T. Hurtz from a screenplay by Chris Columbus and Richard Outten.

A novelization of the film was written by Lee Sheridan adapted from Richard Matheson's screenplay in 1961 and published by Lancer Books in paperback.

The film was directed by Edward Dmytryk and the screenplay was written by John Paxton, based on the 1945 novel The Brick Foxhole by screenwriter and director Richard Brooks.

The screenplay is an adaptation by Bridget Boland, John Hale and Richard Sokolove of the 1948 play by Maxwell Anderson ; Anderson's blank verse format was retained for only portions of the screenplay, such as Anne's soliloquy in the Tower of London, but then again, Anderson did not use blank verse throughout the play either, only in portions of it.

( screenplay co-written with Richard Matheson and George Baxt based on the novel Conjure Wife by Fritz Leiber ).

It was directed by Sharon Maguire and the screenplay was written by Helen Fielding, Andrew Davies, and Richard Curtis.

Robert Anderson adapted the screenplay from the 1962 novel of the same name by Richard McKenna.

In his review for Time, Richard Corliss wrote, " Kevin Wade shows this in his smart screenplay, which is full of the atmospheric pressures that allow stars to collide.

The city also plays an important part in Richard Kelly's 2007 film, Southland Tales, as well as his unproduced 1999 screenplay adaptation of Holes, both of which take place in the years following a nuclear attack on the city, where much of Kelly's family lives.

The film was directed by Fred Zinnemann and produced by Richard Roth, with Julien Derode as executive producer and Tom Pevsner as associate producer, from a screenplay adapted by Alvin Sargent.

Richard Quine and Blake Edwards wrote the screenplay, and Quine directed.

The screenplay was adapted by Helen Deutsch and Jay Richard Kennedy from the autobiography by Lillian Roth, Mike Connolly and Gerold Frank.

The screenplay was by Richard Curtis, who had written Four Weddings and a Funeral.

The screenplay by Helen Deutsch is based on the book of the 1960 musical The Unsinkable Molly Brown by Richard Morris.

Richard Attenborough won the BAFTA Award for Best Actor, while Forbes ’ screenplay and Gerry Turpin ’ s cinematography received nominations.

In 1993, the play was adapted into a film of the same name directed by Richard Attenborough with a screenplay by Nicholson, co-starring Anthony Hopkins and Debra Winger, winning Oscar nominations for both Nicholson and Winger.

It will be directed by Gus Van Sant, produced by Richard N. Gladstein, and have screenplay by Dustin Lance Black and Gustin Nash.

McCarthy wrote the screenplay upon request for director Richard Pearce.

The screenplay was written and directed by Richard Friedenberg.

Hanns Kräly and Richard Schayer wrote the screenplay for a 1931 film adaptation directed by Sidney Franklin and starring Norma Shearer as Amanda and Robert Montgomery as Elyot.

In September 1993, St. Martin's Press published a 127-page, softcover book ( ISBN 0-312-09466-3 ) inspired by Richard Linklater's screenplay.

Directed by Mark Robson and with a screenplay by George Fox and Mario Puzo, the film starred a large cast of well-known actors, including Charlton Heston, Ava Gardner, George Kennedy, Lorne Greene, Geneviève Bujold, Richard Roundtree, Marjoe Gortner, Barry Sullivan, Lloyd Nolan, Victoria Principal, Monica Lewis and ( under an alias ) Walter Matthau.

February 2012-It was reported that novelist Richard Russo, during a speech at Union College, confirmed that he was working on the screenplay.

The screenplay focuses on an American woman who enters into a marriage of convenience with a Frenchman so he can obtain a green card and remain in the United States.

The screenplay by William Kelley, Pamela Wallace, and Earl W. Wallace focuses on a detective protecting a young Amish boy who becomes the target of a ruthless killer after he witnesses a murder in Philadelphia.

The 1942 Casablanca centers on the development of conscience in the cynical American Rick Blaine ( Humphrey Bogart ) in the face of oppression by the Nazis and the example of the resistance leader Victor Laszlo. The David Lean and Robert Bolt screenplay for Doctor Zhivago ( an adaptation of Boris Pasternak's novel ) focuses strongly on the conscience of a doctor-poet in the midst of the Russian Revolution ( in the end " the walls of his heart were like paper "). The 1982 Ridley Scott film Blade Runner focuses on the struggles of conscience between and within a bounty hunter ( Rick Deckard ( Harrison Ford )) and a renegade replicant android ( Roy Batty ( Rutger Hauer )) in a future society which refuses to accept that forms of artificial intelligence can have aspects of being such as conscience.

The screenplay by Dale Launer, Stanley Shapiro, and Paul Henning focuses on two con artists who ply their trade on the French Riviera.

The semi-autobiographical screenplay by Sheridan and his daughters Naomi and Kirsten focuses on an immigrant Irish family's efforts to survive in New York City, as seen through the eyes of the elder daughter.

The screenplay by Melvyn Bragg, based on Beloved Friend, a collection of personal correspondence edited by Catherine Drinker Bowen and Barbara von Meck, focuses on the life and career of 19th century Russian composer Pyotr Ilyich Tchaikovsky.

The screenplay by Richard Morris focuses on a naive young woman who finds herself in the midst of a series of madcap adventures when she sets her sights on marrying her wealthy boss.

The screenplay focuses on the divergent paths a couple takes following their divorce.

The book focuses on the process of drafting the screenplay for Up Close & Personal, 1996, a movie starring Robert Redford and Michelle Pfeiffer.

The screenplay by Harron and Guinevere Turner focuses on 1950s pinup and bondage model Bettie Page.

Unlike a novel or short story, a screenplay focuses on describing the literal, visual aspects of the story, rather than on the internal thoughts of its characters.

The screenplay by Mark Andrus focuses on a man who is anxious to repair his relationship with his ex-wife and teenaged son after he is diagnosed with terminal cancer.

The screenplay by William Conselman is based on a story by David Butler and Edwin Burke, and focuses on the relationship between bachelor aviator James ' Loop ' Merritt ( James Dunn ) and his orphaned godchild, Shirley Blake ( Shirley Temple ).

The screenplay by Carol Doyle and Mary Agnes Donoghue focuses on Irish journalist Veronica Guerin, whose investigation into the drug trade in Dublin led to her murder in 1996.

The screenplay by Peter Morgan focuses on the chance meeting each of three childhood friends now living in London has with an American tourist.

The screenplay by Andrea Gibb focuses on a young single mother whose love for her son prompts her to perpetuate a deception designed to protect him from the truth about his father.

Weston's screenplay focuses more on action than dialog.

The screenplay by Colin Patrick Lynch focuses on two individuals whose relationship slowly evolves from lust to friendship to romance over the course of seven years.

The screenplay by Jimmy McGovern focuses on a Roman Catholic priest as he struggles with two issues that precipitate a crisis of faith.

Janet Maslin, film critic for The New York Times, did not like the screenplay nor the performances of the actors and wrote, " The surprise is not that Mr. Milius has made such a resoundingly awful film, but rather that he's made a bland one ... the movie often seems even more uneventful than material like this need make it, and Mr. Milius's attention to his actors focuses more closely on their pectorals than on their performances.

The screenplay by Adrien Joyce focuses on two bumbling con men who plot to steal the money of a wealthy young heiress.

The screenplay by Smallhorne, Terry McGoff, and Fergus Tighe focuses on the closeted foreman of a construction worker of a New York City construction crew.

The screenplay by Paul Reiser focuses on the effect a terminal illness has on the marriage of an aging couple and their adult children.