They are a miscellaneous collection of Jewish and Christian portents of future disasters, that may illustrate the confusions about sibyls that were accumulating among Christians of Late Antiquity.

This mythic element says that the oracles at the oasis of Siwa in Libya and of Dodona in Epirus were equally old, but similarly transmitted by Phoenician culture, and that the seeresses — Herodotus does not say " sibyls " — were women.

There were many sibyls in the ancient world, but this oracle prophesied Alexander the Great's divine parentage, according to legend.

Five sibyls were painted on the Sistine Chapel ceiling by Michelangelo ; the Delphic Sibyl, Libyan Sibyl, Persian Sibyl, Cumaean Sibyl and the Erythraean Sibyl.

The sayings of sibyls and oracles were notoriously open to interpretation ( compare Nostradamus ) and were constantly used for both civil and cult propaganda.

The sibyls themselves, and the so-called Sibylline oracles, were often referred to by other early Church fathers ; Theophilus, Bishop of Antioch ( ca.

Also lost in this fire were the Sibylline Books, which were said to have been written by classical sibyls, and stored in the temple ( to be guarded and consulted by the quindecimviri ( council of fifteen ) on matters of state only on emergencies ).

Facsimile of the first page of Macbeth from the First Folio, published in 1623Scholars also cite an entertainment seen by King James at Oxford in the summer of 1605 that featured three " sibyls " like the weird sisters ; Kermode surmises that Shakespeare could have heard about this and alluded to it with the weird sisters.

Erythrae was the birthplace of two prophetesses ( sibyls ) -- one of whom, Sibylla, is mentioned by Strabo as living in the early period of the city ; the other, Athenais, lived in the time of Alexander the Great.

At this time, Erythrae was renowned for its wine, goats, timber, and millstones, as well as its prophetic sibyls, Herophile and Athenais.

Michelangelo fixed our image of the sibyls forever, in his powerful representations of them, seated, both aged and ageless, beyond mere femininity, in the frescos of the Sistine Chapel.

The library of Pope Julius II in the Vatican has images of sibyls and they are in the pavement of the Siena Cathedral.

" ( Lanciani, 1896 ch 1 ) Like prophets, Renaissance sibyls forecasting the advent of Christ appear in monuments: modelled by Giacomo della Porta in the Santa Casa at Loreto, painted by Raphael in Santa Maria della Pace, by Pinturicchio in the Borgia apartments of the Vatican, engraved by Baccio Baldini, a contemporary of Botticelli, and graffites by Matteo di Giovanni in the pavement of the Duomo of Siena.

The 19th century French historian Jules Michelet attributed the origins of European witchcraft to the religion of the sibyls.

In 1500 to 1510, under Ludovico Sforza, the octagonal cupola was completed, and decorated in the interior with four series of 15 statues each, portraying saints, prophets, sibyls and other characters of the Bible.

He relates that these imps harassed him persistently ever since his unfortunate encounter with two " sibyls ", or fortune tellers, whom he consulted in an idle moment in his youth.

In 17th-century Spanish art, even in the depiction of sibyls, nymphs, and goddesses, the female form was always chastely covered.

In the extended complement of sibyls of the Gothic and Renaissance imagination, the Phrygian Sibyl was the priestess presiding over an Apollonian oracle at Phrygia, a historical kingdom in the west central part of the Anatolian highlands.

The theme of the chapel being the prefiguration of the New Dispensation offered by the New Testament, Raphael painted a fresco of four classical sibyls over the archway of the door to the chapel.

http :// www. carleton. ca / gallery / sibyls / list. htm

http :// www. carleton. ca / gallery / sibyls / list. htm

He gave a circumstantial account of the pagan sibyls that is useful mostly as a guide to their identifications, as seen by 4th century Christians:

Moon receives a message, apparently from Sparks, urging her to come to Carbuncle, though the city is barred to sibyls.

So common was the invention of such oracles in early Christian times that Celsus called Christians Σιβυλλισται ( sibyl-mongers or believers in sibyls ).

What that spirit and attitude were we can best understand if we see more precisely how it contrasts with the communist tradition with the longest continuous history, the one which reached Christianity by the way of Stoicism through the Church Fathers of Late Antiquity.

Other pursuits of Antiquity that entered into the mix of esoteric speculation were astrology and alchemy.

The more usual term in Antiquity is ( Hellēnogalátai ) of Diodorus Siculus ' Biblioteca historica v. 32. 5, in a passage that is translated "... and were called Gallo-Graeci because of their connection with the Greeks ", identifying Galatia in the Greek East as opposed to Gallia in the West.

According to Maijastina Kahlos " monotheism was pervasive in the educated circles in Late Antiquity " and " all divinities were interpreted as aspects, particles or epithets of one supreme God ".

The celebrated book collectors of Hellenistic Antiquity were listed in the late 2nd century in Deipnosophistae.

Although there were substantial changes in society and political structures, the break with Antiquity was not complete.

Ironically, the manuscripts that were being most carefully preserved in the libraries of Antiquity are virtually all lost.

Thus, Nicolas Fabri de Peiresc saw the pagan religions of Africa of his day as relicts that were in principle capable of shedding light on the historical Paganism of Classical Antiquity.

As with most peoples in the north of Europe in Late Antiquity, the Picts were farmers living in small communities.

( Uranus and Neptune were also Greek and Roman gods, but neither planet was known in Antiquity because of their low brightness.

By the time of Classical Antiquity and the Parthian and Sassanid Empires in Iran, iron swords were common.

Although Alma-Tadema's fame rests on his paintings set in Antiquity, he also painted portraits, landscapes and watercolors, and made some etchings himself ( although many more were made of his paintings by others ).

These nomadic tribes were among the Germanic peoples who spread through the late Roman Empire during Late Antiquity or the Migration Period.

This new use of the term was important in colouring the perception of the Vandals from later Late Antiquity, popularising the pre-existing idea that they were a barbaric group with a taste for destruction.

Due to the secret nature of the cult, and because the mystery religions of Late Antiquity were persecuted by the Christian Roman Empire from the 4th century, the details of these religious practices are unknown to scholarship, although there are educated guesses as to their general content.

In 1788 the Lodge of Antiquity thought they were buying a portrait of Wren which now dominates Lodge Room 10, in the same building as the Museum ; but it is now identified with William Talman, not Wren.

Nevertheless, this recorded event and many old records attest the fact that Antiquity thought that Wren had been its Master, at a time when it still held its minute books for the relevant years ( which were lost by Preston at some date after 1778 )

The main traders during Antiquity were the Indian and Bactrian traders, then from the 5th to the 8th century AD the Sogdian traders, then afterward the Arab and Persian traders.

The Scythians ( or ; from Greek ), or Scyths, were an Iranian nomadic people living in Scythia, the region encompassing the Pontic-Caspian steppe ( in Eastern Europe ) and parts of Central Asia throughout the Classical Antiquity.

Whatever the claims of various modern ethnic groups, many of the peoples once known as the Scythians of Antiquity were amalgamated into the various Slavic peoples of eastern and southeastern Europe.

In Late Antiquity talismans made by Apollonius appeared in several cities of the Eastern Roman Empire, as if they were sent from heaven.

In Late Antiquity, ivory diptychs with covers carved in low relief on the outer faces were a significant art-form: the " consular diptych " was made to celebrate an individual's becoming Roman consul, but some, perhaps including the Poet and Muse diptych at Monza, may have been made for private use.

After the end of Late Antiquity, during the 6th to 8th century there were also several kings of the Franks called Theodoric ( or Theuderic ).

His results were published in the Ledetraad til Nordisk Oldkyndighed ( Guideline to Scandinavian Antiquity ) in 1836.

Pliny's remark that Myron's works were numerosior than those of Polycleitus and " more diligent " seem to suggest that they were considered more harmonious in proportions ( numeri ) and at the same time more convincing in their realism: diligentia connoted " attentive care to fine points ", a quality that, in moderation, was characteristic of the best works of art, according to critics in Antiquity.