Their enrollment at CUNY dropped precipitously ; there were further enrollment declines through the 1980s and into the 1990s.

Their mixture of heavy metal and glam rock stylings produced several best-selling albums during the 1980s, including Shout at the Devil ( 1983 ), Theatre of Pain ( 1985 ), and Girls, Girls, Girls ( 1987 ), which showcased their love of motorcycles, whiskey and strip clubs, and which told tales of substance abuse, sexual escapades, and general decadence.

Their lower ammunition capacities and relatively longer reload times compared to autoloading pistols are the main reasons for the switchover, which occurred over the first half of the 20th century for military applications, and in the 1980s and 1990s for police forces.

Their evidence comes from an analysis of data compiled in the National Longitudinal Study of Youth ( NLSY ), a study conducted by the United States Department of Labor's Bureau of Labor Statistics tracking thousands of Americans starting in the 1980s.

Their combined network had large global coverage during the 1980s and into the 1990s.

Their style of hardcore punk was coined as D-beat, a term a number of 1980s by imitators of Discharge associated with.

Their greatest success was in the 1980s with the number-one album, Sports, coupled with a series of highly successful MTV videos.

Their use as particle detectors was proposed from the beginning of the 20th century, but the first regular, though pioneering, use was only in the 1980s because of the difficulty associated with cooling and operating a system at cryogenic temperature.

Their most famous piece of broadcast television equipment was the EMI 2001 colour camera, which became the mainstay of both the BBC and several ITV companies in the 1970s and early 1980s.

Their original and famous ground Crown Flatt stood on Leeds Road, at Earlsheaton, for many years until it was burned down, by arsonists in the late 1980s.

Their association with Boeing would continue into the 1980s building wing controls surfaces for 747s and 757s.

Their first, self-titled album became a collection of classics that would later represent Spanish 1980s pop music.

Their success lasted until the fifth album ; their last chart topping hit was " Please Don't Go " in December 1979, hitting # 1 for one week in January 1980, and becoming the first # 1 hit of the 1980s.

Their women ’ s program went into a decline with minor occasional success, although much later during the late 1980s and early 1990s, World and Olympic Vault Champion Henrietta Ónodi put them back on the map.

Their production of game shows, notably the syndicated Tic-Tac-Dough ( which Barry did not host ) and Joker ( which he did ) in the 1970s and 1980s resulted in millions of dollars in revenue and, more importantly for both, forgiveness from the public for their involvement in the scandals.

Their records company, Saban Records, ( now Saban Music Group ) has provided music for many DiC cartoons and children ’ s shows in the 1980s and 1990s, and is still running today.

Their children, along with those of other Asian Americans, would also be noted in headlines and magazine covers in the 1980s for their numbers in prestigious universities and highly skilled white collar professions.

Their success continued into the 1980s and by the later part of the decade, some 15 years after the oil crisis, hatchbacks almost monopolised most European small and medium car markets, and had gained a substantial share of the large family car market.

Their country rock sound was influential on many bands who played the Twin Cities circuit during the 1980s and 1990s like Uncle Tupelo, The Gear Daddies and The Honeydogs.

The Sacrilege remix album features remixes of Can tracks by artists who were influenced by Can, including Sonic Youth and U. N. K. L. E .. Their ethnomusicological tendencies pre-date the craze for world music in the 1980s.

Their Footwear Division manufactured Keds sneakers in Naugatuck from 1917 until the 1980s.

Their visual image also evolved and, although they had worn make-up since their creation in the mid 1970s, the band was unintentionally tagged with the New Romantic label in the early 1980s.

Their most successful period was in the early 1980s, when they reached the First Round of the FA Cup in the 1981-82 season and were FA Vase runners-up in 1981.

More recent films from the " New Wave " of cinema since the 1980s have achieved worldwide recognition, such as The Official Story ( Best foreign film oscar in 1986 ), Man Facing Southeast, A Place in the World, Nine Queens, Son of the Bride, The Motorcycle Diaries, Blessed by Fire, and The Secret in Their Eyes, winner of the 2009 Academy Award for Best Foreign Language Film.

Beam writes that Fomenko and his colleagues were discovered by the Soviet scientific press in the early 1980s, leading to " a brief period of renown "; a contemporary review from the journal Questions of History complained, " Their constructions have nothing in common with Marxist historical science.

Their strategy was sound enough and, he reasoned, had been defeated only by Philip Spencer's unwillingness to sanction an idea he had not originated.

Their beats, created by producer Seda on Amiga 500 with Protracker, have a familiar heavy sound and are similar to U. S. old-school hip hop.

Their disappearance left some distinctive sound combinations in Proto-Italic.

Their debut album, Licensed to Ill, largely featured a rock-based sound.

Their sound is directly responsible for intentionally transforming rap music from dance-and club-oriented funk grooves like " Rapper's Delight " and " The Breaks " to an aggressive, less-danceable approach.

Their original career produced three LPs: Another Music in a Different Kitchen, Love Bites, and A Different Kind of Tension, each supported by extensive touring in Europe and the U. S. Their trademark sound was a marriage of catchy pop melodies with punk guitar energy, backed by an unusually tight and skilled rhythm section.

Their sound was influenced by 1960s garage acts ranging from the Electric Prunes, The Standells, The Chocolate Watch Band to The Easybeats.

Their sound, and their broad repertoire of traditional folk material and topical songs inspired other groups such as the Kingston Trio, the Chad Mitchell Trio, The New Christy Minstrels, and the " collegiate folk " groups such as The Brothers Four, The Four Freshmen, The Four Preps, and The Highwaymen.

Their aggressive sound and dark atmospheres came out as a perfect segue from Psyche's last release and brought Darrin to the audience of the 90's generation.

Their original sound ( with Fish on vocals ) is best described as guitar and keyboard led progressive rock or " neo-prog ", and would be sometimes compared with Gabriel-era Genesis.

Their sound proved influential and inspiring to a whole wave of post-punk groups delving into the intense, gloomy style that would eventually come to be known as gothic rock.

Their next album, No Comment, released in 1984, was the first to introduce the term electronic body music in association with their sound.

Their 1989 album Perfect Symmetry broke away from their NWOBHM influenced sound and became the mold for early progressive metal that Dream Theater would expand on.

Their first recording with Ruby, " Marcus Garvey ", was intended as an exclusive track for Ruby's Ocho Rios-based Hi-Power sound system, but was released as a single, giving them an immediate hit, and was followed by " Slavery Days ".

Their sound has been described as influenced by Pink Floyd and Husker Du.

Their English name derives from the humming sound made by the very fast beating of their wings.

Their only album Nordavind was released in 1995 with the use of keyboards to imitate the sound of folk instruments.

Their sound gave center stage to the signature guitar style of Albini.

Their original surname was probably Belleau, but local aboriginals may have had difficulty pronouncing the " l " sound.

Their first album, Feel Euphoria, has a harder-rocking and more experimental sound than the Neal Morse-led band, relying on Alan Morse's guitar to a greater extent.

Their major label debut, The Beautiful Letdown, under Columbia Records / Red Ink, represented the band's evolution from the predominantly lo-fi, indie rock sound of their early albums, toward a more layered, synth-influenced sound that helped launch the band to mainstream popularity.

Their gentle, easy-listening pop sound and drug-free life had become unpopular in an era increasingly consumed with the psychedelic rock of the evolving landscape of American pop culture during the late 1960s.

Their first album, S Club, had a strong 1990s pop sound, similar to many artists of their time.