Their portraits showed them of larger size than mere mortals and at some distance from their retainers.

Their time and contemporaries, with all its images, ideas and dispositions found it full expression in portraits by Lev Russov, Victor Oreshnikov, Boris Korneev, Leonid Steele, Oleg Lomakin, Semion Rotnitsky, Vladimir Gorb, Samuil Nevelshtein, Engels Kozlov, in landscapes by Nikolai Timkov, Vladimir Ovchinnikov, Sergei Osipov, Alexander Semionov, Arseny Semionov, Vasily Golubev, Nikolai Galakhov, Dmitry Maevsky, in genre paintings by Nikolai Pozdneev, Yuri Neprintsev, Yevsey Moiseenko, Andrey Milnikov, Nina Veselova, Mikhail Trufanov, Yuri Tulin, Mikhail Natarevich, and others.

Their portraits were done by Alexander Rodchenko, Alexander Tyshler, David Shterenberg, David Burlyuk, Fernand Léger and later by Henri Matisse and Marc Chagall.

Their public breakthrough came with their images for the magazine Façade, with portraits of Andy Warhol, Mick Jagger and Iggy Pop.

Their subjects are usually religious scenes or small portraits, with narrative painting or mythological subjects being relatively rare.

Their responses were accompanied by her photographic interpretation of their ideas of beauty, and portraits of the interviewees.

Their portraits are outside on the wall of the cathedral.

Their consequences are irrelevant -- or there are no consequences at all.

Defoe then commented, `` If they Could Draw that young Gentleman into Their Measures They would show themselves quickly, for they are not asham'd to Say They want only a head to Make a beginning ''.

Their expressed standards concerning sex roles, desirable age for marriage, characteristics of an ideal mate, number of children desired are congruent with the values and stereotypes of the preceding generation -- minus compulsive rebellion.

Their commitments are, for the most part, couched in a familiar idiom.

Their conclusions concerning the untrustworthiness of the West Saxon annals, the confused chronology of Bede, the unreliability of the early positions of the Anglo-Saxon genealogies and the mythological elements contained in Nennius are now mostly accepted.

Their privations are almost beyond endurance.

Their national leader, Robert Bolivar DePugh of Norborne, Mo., says the Minutemen believe that guerrilla tactics are best suited to defeat the Red onslaught.

Their United States tax returns are due April 16, 1962.

Their locations in all parts of the United States, and their locations in the several kinds of educational and research institutions that are the principal homes of our intellectual and artistic strengths also are factors in the Trustees' minds.

Their friends and ours are welcome to share the pool, but on our terms and at our times.

Their experience is quite in contrast with that of children of upper- and upper-middle-class native-born parents, who are more likely to regard education as good for its own sake and to discount the vocational emphases in the curriculum.

Their effects are only superficially startling.

Their names are Mantle and Maris, their team is the Yankees, and their threat is real.

Their autumn tints are all fairly low keyed compared with the fiery stabs of crimson, gold, purple, bronze, blue and vermilion that flame up in North America.

Their metabolic rate is low and as a result, their food and energy requirements are limited.

Their ribs are usually short and may be fused to the vertebrae.

Their skulls are mostly broad and short and are often incompletely ossified.

Their lungs are functional early but the larvae don't make as much use of them as do tadpoles.

Their gills are never covered by gill sacs and are reabsorbed just before the animals leave the water.

Their leaves are of variable size and alternately arranged, or alternate with the upper leaves becoming nearly opposite.

Their beliefs and behavior are difficult to decipher from physical materials, and their languages remain unknown as they had no known writing system.

( Their marriage and honeymoon — interrupted by another murder mystery — are depicted in Busman's Honeymoon.

Their understanding of manhood allows the political order depicted in the play to descend into chaos.

Their copper-plate grants bear an emblem of the Sun and on their seals too, this symbol is depicted.

Their affair was depicted in the HBO Pictures biopic, Introducing Dorothy Dandridge, in which Preminger was portrayed by Austrian actor Klaus Maria Brandauer.

It was the centrepiece of the show, Stuckist Clowns Doing Their Dirty Work, the first exhibition of the Stuckists in Mayfair, and depicted Saatchi with a sheep at his feet and a halo made from a cheese wrapper.

* Their single eye of the Graeae is depicted as an aspect of the Fates in the 1997 Disney film Hercules.

Their spirits, the Cihuateteo, were depicted with skeletal faces like Cihuacoatl.

Their stories are depicted in the 1981 movie Chariots of Fire.

Their physical appearance was not imposing or especially horrific: they were depicted as six limbed, relatively diminutive creatures ( an appearance which would later be assigned to Tyranid termagants ).

Their shape was already established by the Bronze Age in Asia Minor and Ancient Greece., and mattocks () were the most commonly depicted tool in Byzantine manuscripts of Hesiod's Works and Days.

Their emblem depicted an elephant and was awarded in 46 BC for bravery against a charge of elephants in the Battle of Thapsus.

Their bodies are usually depicted as being elongated, having a small chest, and lacking in muscular definition and visible skeletal structure.

Their limbs are often depicted as proportionally different from a human's ; their humerus and thighs are the same lengths as their forearms and shins, respectively.

Their rulers were also often depicted with their mouths covered so that the power of their speech would not be too great.

Their entire bodies are covered in fur, the males blue and tan in colour while the females have been depicted as being purple.

Their styles and appeal were very different: Leno's characters were gritty working-class realists, while Chevalier's were overflowing in romanticism, and his act depicted an affluent point of view.

Their reunion is depicted in Leonardo da Vinci's Virgin of the Rocks.

Their colleagues killed on the border were hailed as heroes and schoolchildren in East Berlin were depicted saluting their memorial.

Their use is shown to be problematic, because they are depicted as suffering from frequent malfunctions, making them dangerous to human beings ( especially if they are battle robots ).

Their relationship through the comics was somewhat variable at times ; while they were often depicted as a dating couple, there were times when their relationship could be decidedly un-romantic and even adversarial if a particular story demanded it.

Their father, Daniel O ' Keefe, Sr., invented their private family holiday Festivus, which gained national exposure when depicted in an episode of Seinfeld ( written by Danny ), and which is now celebrated across the globe.

Their geography is unknown as they are not depicted on any Six Duchies maps.

Their innocence contrasts with the atmosphere of the right-hand panel, where human figures are depicted in shame of their nakedness.

Their story has been depicted in the book Schindler's Ark, by Thomas Keneally, and Steven Spielberg's film adaptation of the novel, Schindler's List.